"CATCH YOU FUCKERS AT A BAD TIME?"

Bedevilled

BEDEVILLED is a powerful South-Korean film from 2010 about a disastrous reunion between childhood friends on the tiny, barely populated island of Mu-do. From the cover I expected something more gothic and intensely gory, and maybe supernatural? But it’s not like that. It’s all leading up to a bloodbath, so I wouldn’t deny its horror credentials. But it mostly plays out as a very involving character drama. So keep that in mind if planning a Halloween celebration.

It’s definitely a morality tale. Hae-won (Ji Sung-won, EMPIRE OF LUST) is a young bank worker in Seoul. At the beginning she coldly refuses to loan to a woman who’s about to lose her home. It reminded me of DRAG ME TO HELL, but she doesn’t get cursed for it, and she’s not doing it under professional pressure. In fact when she steps out her co-worker takes over and does help the woman. So it establishes her lack of compassion. (read the rest of this shit…)

October 10th, 2019 | 3 Comments »

Rush Week

One problem with doing Slasher Search every year is that I’ve watched so many vaguely similar movies that they really blend together. It’s disturbing how many times I’ve looked at a box having little idea if I’ve seen it or not. So when I came across RUSH WEEK I had to think it through. I’d seen FINAL EXAM, THE HOUSE ON SORORITY ROW, KILLER PARTY, SORORITY HOUSE MASSACRE, THE INITIATION, GIRLS NITE OUT… but no, this was an ’80s college campus slasher movie I had not seen.

At least it was supposed to be an ’80s movie. It was made in ’88, but it went straight to video in ’91. So it’s from when Chucky and Maniac Cop were born, HELLRAISER, PHANTASM, SLEEPAWAY CAMP, RETURN OF THE LIVING DEAD and FRIGHT NIGHT were at Part II, and Michael Meyers was returning, but it came out when SILENCE OF THE LAMBS was best picture and they were killing off Freddy and moving on to finding people under the stairs and shit. It was left over from another era, not just in its approach to horror, but in its glorification of dumb fraternity assholes. It sort of centers on frat president Jeff Jacobs (Dean Hamilton, who went on to write, direct and produce such films as SAVAGE LAND starring Corbin Bernsen and BLONDE AND BLONDER starring Pamela Anderson and Denise Richards) and his rivalry with some other more preppie frat. They play such hilarious pranks as going to the other house’s presentation to tell parents “we’re the first homosexual fraternity on campus” and replace part of a film they’re showing with gay porn. (read the rest of this shit…)

October 9th, 2019 | 19 Comments »

Joker

I think my favorite movie by director Todd Phillips (ROAD TRIP, STARSKY & HUTCH) is still his 1993 student film HATED: GG ALLIN & THE MURDER JUNKIES. It’s a documentary about an infamously transgressive punk singer skipping parole to do a tour where he kind of plays music, but the shows usually end soon after he shoves someone’s banana up his ass or smashes a woman’s nose with a beer bottle or shits on stage and throws it in the crowd. Phillips was clearly aware of the absurdity of his subject, but also in awe of someone living their life as a human middle finger. The director’s new film, JOKER, won the Golden Lion at the 76th Venice International Film Festival, and shows an evolution in his film craft, but not necessarily in his world view.

Let’s take a moment to consider that when BATMAN & ROBIN came out there is no way in hell any of us could’ve guessed that in 22 years one of our generation’s most respected actors would star in a super-fucked-up hard-R ‘70s period piece Scorsese knockoff character study vaguely based on (and officially branded as) an iconic Batman villain. Much less that it would be controversial only for reasons other than “it’s too scary for kids.” It’s a crazy world we’re living in. Almost like… the Joker. Oh my god. (read the rest of this shit…)

October 8th, 2019 | 91 Comments »

I Spit On Your Grave De Ja Vu

Last year, Jamie Lee Curtis returned as Laurie Strode in the new HALLOWEEN, exploring what life might be like for a horror heroine 40 years after she faced down evil. But did you know there was another late sequel to an iconic slasher film from 1978? I SPIT ON YOUR GRAVE DE JA VU (full end credits title: “I SPIT ON YOUR GRAVE DE JA VU a.k.a. DAY OF THE WOMAN DE JA VU”) is a writer/director Meir Zarchi’s direct sequel to his infamous rape-revenge film, with Camille Keaton (WHAT HAVE YOU DONE TO SOLANGE?) returning to her role as feminist writer turned violent avenger Jennifer Hills. It was filmed in 2015, but not released until disc and VOD last April.

Things seem to have turned out all right for Jennifer. She’s an author and counselor for rape victims. She doesn’t treat her violent past as a dark secret – in fact, she wrote a new best selling book about it. As the original film’s famous tagline predicted, “No jury in America would convict her!” And she’s close with her daughter Christy (Jamie Bernadette, MORTDECAI), a world famous model who’s thinking of retiring. (read the rest of this shit…)

October 7th, 2019 | 7 Comments »

The Boy

THE BOY (2016) is a slight but enjoyable little PG-13 horror movie about taking a weird job. Greta (Lauren Cohan, DEATH RACE 2, Maggie from The Walking Dead) is a Montanan trying to get as far the fuck as she can away from an abusive ex (Ben Robson, DRACULA: THE DARK PRINCE, Vikings, Animal Kingdom), so she flies to a remote castle somewhere in the UK to work as the nanny for a rich couple called the Heelshires. The mom (Diana Hardcastle, THE BEST EXOTIC MARIGOLD HOTEL) immediately seems to be judging her, while the dad (Jim Norton, STRAW DOGS, MARY POPPINS RETURNS) is looser, but distant. When they introduce her to their son Brahms, he’s not what she expected. Like, she expected a human child made out of flesh. Instead he’s a porcelain doll propped up in a chair. She thinks they’re making a joke at first, so she laughs, and they look at her like she just took a shit on their floor. Maybe they should’ve been more specific in the CraigsList ad.

It’s a good “What would you do?” scenario. She came all the way out here, she probly needs the money, and you could assume “nannying” a doll might be easier than being responsible for a living human being. On the other hand, what the fuck, right? You’re gonna get paid by weirdos to pretend all day? Mrs. Heelshire gives her a detailed schedule of everything she’s supposed to do for this doll, has a million strict rules, watches her and keeps telling her she’s doing things wrong. Even if it pays well, how much advanced doll-playing would you be able to stomach? (read the rest of this shit…)

October 3rd, 2019 | 4 Comments »

Wolves

The 2014 werewolf romp WOLVES did not get a wide release, and has a 25% on Rotten Tomatoes. But I got stuck scrolling for a horror movie to watch one night, found it on that ad-supported streaming service Tubi, and remembered it had Jason Momoa in it, so I watched it. And it fulfilled its duties.

I’m sure WOLVES – which is the directorial debut of X-MEN/THE SCORPION KING/X2/WATCHMEN screenwriter David Hayter – was greenlit due to the popularity of TWILIGHT, and viewed with skepticism by potential viewers for that reason. It has minor similarities that I’ll mention later, but it’s a completely different tone, if anything trying to offer an alternative.

It’s the story of Cayden Richards (Lucas Till, MONSTER TRUCKS, MacGyver in MacGyver, and Havok in X-MEN: FIRST CLASS, DAYS OF FUTURE PAST and APOCALYPSE), a dude whose perfect life as high school quarterback in a small Texas town goes to shit when he discovers his werewolf side during attempted car sex and is suddenly wanted by the police for the munching of his parents. So he hops on a motorcycle (wearing one of those Tom Cruise style leather motorcycle jackets) and hits the road. (read the rest of this shit…)

October 2nd, 2019 | 9 Comments »

Cat People (1982)

In 1982 Paul Schrader followed AMERICAN GIGOLO with a look at another oft-ignored segment of society, the CAT PEOPLE. It’s a much hornier movie than GIGOLO – some of the posters even call it “AN EROTIC FANTASY” – and it compares sexual desire to turning into a hungry animal. That may sound like some ‘Schrader was raised as a strict Calvinist’ shit, but he actually didn’t get a writing credit on this one. Believe it or not he used a script by Alan Ormsby (CHILDREN SHOULDN’T PLAY WITH DEAD THINGS, DERANGED, DEATHDREAM, PORKY’S II: THE NEXT DAY, POPCORN, THE SUBSTITUTE)! I’ve read that he rewrote the ending, but I don’t see how he could’ve changed the very premise. So I honestly don’t know what this one is supposed to be saying – it seems to be a sexy anti-sex movie – but it’s artful and weird and compelling in all the right ways.

Irena (Nastassja Kinski, TERMINAL VELOCITY) is a pescatarian virgin orphan who arrives in New Orleans to reunite with her long lost brother Paul (Malcolm McDowell, FIST OF THE NORTH STAR). Paul lives in a big house with his Creole housekeeper (Ruby Dee, UP TIGHT) whose name is pronounced “Feh-molly” but spelled “Female.” The brother and sister do a juggling act together as they reminisce about playing circus as kids, and Paul is immediately standing uncomfortably close to her and doing weird incestuous nuzzling. The movie never addresses that if the actors are playing their real ages Paul would’ve been 18 when she was born. But Ruby Dee seems to be playing her real age of 60 while looking about half that, so what is age, anyway? (read the rest of this shit…)

October 1st, 2019 | 9 Comments »

American Gigolo

AMERICAN GIGOLO. Paul Schrader’s prequel to AMERICAN PIMP. Older brother of AMERICAN PSYCHO. Cousin to AMERICAN NINJA. Quite a family of movies there.

I really should see more of Paul Schrader’s stuff. Obviously I respect him for writing TAXI DRIVER and revere him for writing ROLLING THUNDER. I remember loving BLUE COLLAR. MISHIMA: A LIFE IN FOUR CHAPTERS was incredible. More recently FIRST REFORMED really impressed me. But there are some very famous ones I haven’t seen. This one, I gotta admit, I ignorantly assumed wasn’t my thing. Some Richard Gere movie. Who cares?

It was getting more into movie soundtracks on vinyl that turned me around. AMERICAN GIGOLO is a pretty common, relatively inexpensive find, so I picked one up, and really liked it. Then I figured okay, I should see where these sounds come from.

Young, slim, squinty-eyed dreamboat Richard Gere (a little after DAYS OF HEAVEN, a little before AN OFFICER AND A GENTLEMAN, way before FIRST KNIGHT) stars as Julian Kaye, L.A. gigolo. In his business there’s alot of ambiguously talking around things on account of the illegality. Lots of not stating what’s going on, or denying it – saying “you’ve heard wrong” or “you’re mistaken” when someone’s too direct or seems like trouble. So it’s interesting that he ends up suspected of a murder he didn’t do. We’re not sure at first if they really did hear wrong, really are mistaken, or if he’s just doing his usual shtick. (read the rest of this shit…)

September 30th, 2019 | 17 Comments »

Patreon bonus: RAMBO: THE FORCE OF FREEDOM

As John J. Rambo may or may not have shed his last blood on cinema screens, perhaps it’s a good time to remember him in all his glory when he had been pardoned by the president and was free to hang out with his pals like Turbo and Touchdown, fighting mostly non-lethal battles with the mercenaries, bikers and cyborgs of the S.A.V.A.G.E. terrorist organization. That’s why I watched and wrote about “First Strike,” the first episode of the 1986 cartoon series Rambo: The Force of Freedom.

MAY THE FORCE OF FREEDOM BE WITH YOU

As always, thanks to everyone who has been able to support the Patreon. That extra monthly check has improved both my life and my writing by allowing me to work fewer shifts of the day job and focus on the good shit here. I hope the quality of the reviews here as well as the bonuses over there like the TWILIGHT series help to express my gratitude.

September 28th, 2019 | 3 Comments »

The Street Fighter’s Last Revenge

“I make the impossible possible. Takami Tsurugi. Remember that if you want to live long.”

The thrilling conclusion to Sonny Chiba’s STREET FIGHTER trilogy is called THE STREET FIGHTER’S LAST REVENGE, but it doesn’t really feel like a finale. It feels more like another in what should be an endless series of adventures. Though released in 1974, the same year as the other two, Chiba’s black-clad anti-hero-for-hire Tsurugi seems to have evolved his operation. After taking a recruitment call he rotates the phone attached to his wall, opening a secret door to a room full of uniforms, wigs and latex masks. He’s a fuckin master of disguise now!

His mission is to retrieve Go Owada (Akira Shioji, who played a different character in the first movie) from the midst of a violent worker strike at a chemical plant. Tsurugi impersonates a member of the riot squad and breaks ranks to bust through the window, go in and beat the shit out of everybody, steal a specified black mah jong case, arrest Owada, steal a police car and bring him to the mobsters who hired him.

But they pay him with a briefcase full of shredded newspaper, which was not the deal in my opinion, so he fights them and they’re enemies now. (read the rest of this shit…)

September 26th, 2019 | 9 Comments »

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