"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Thriller’ Category

The Box

Wednesday, February 24th, 2010

tn_theboxPUSH – BASED ON THE SHORT STORY BUTTON, BUTTON BY RICHARD MATHESON

Late in THE BOX somebody asks, “Can I be forgiven?” The character is talking about a lapse in moral judgment that caused harm to others. But you kind of hope it’s also writer/director Richard Kelly talking about his last two movies, SOUTHLAND TALES and DOMINO. Both are more like drugged out brainstorming sessions than actual finished movies – a couple funny ideas wrapped in a thousand, uh… other ideas, then chewed up and spit onto the screen with no second thought given to concepts like planning, timing, restraint, coherence or entertainment value. To me those are two of the most tedious, headscratchingly ill-conceived disasters of modern film, and the motherfucker did them in a row. With only one pretty good movie under his belt to hang his hat on*.

No. Not if this is an era of accountability. You can’t be forgiven.

So it’s in the spirit of forgiveness and Christian redemption that I say I thought THE BOX was pretty good. His best, for what that’s worth. (read the rest of this shit…)

The Stepfather (2009)

Wednesday, February 24th, 2010

tn_stepfather09Speaking of small time horror remakes, the STEPFATHER one came out on DVD a week or two ago. This is another one where it’s not really a big name for the teens to have heard of like NIGHTMARE ON ELM STREET or something, so it’s kind of weird that they bothered. But the source material is an underrated movie with a good, simple premise, so that’s attractive. I think the original’s script by Donald Westlake is real good, but it’s definitely elevated by a great performance by Terry O’Quinn. And that guy’s apparently on the popular television program LOST, so you’d think they’d just push the original on the kids and not bother with a new one. You’d think that – but the old one doesn’t have text messaging in it. The new one does. Also, internet research instead of going to the library. It’s a whole new ball game. (read the rest of this shit…)

Shutter Island

Monday, February 22nd, 2010

tn_shutterislandSHUTTER ISLAND is alot like JURASSIC PARK. Outside experts are called in to a remote island where some unusual shit goes down. They’re shown the operation, the security setup, the layout. Then there’s a big ass storm so they can’t get off the island, the electric fences go down and the captives get loose and it’s bedlam. But it’s the criminally insane instead of dinosaurs, and it’s the guy who plays GANDHI instead of the director of GANDHI who’s their guide on the island. There are other minor differences, like for example this one is less about people staring in awe at dinosaurs and more about piecing together the traumatic events that haunt the hero, and figuring out how they tie into this mystery which unfolds in a surreal horror movie atmosphere and within the context of the 1950s, with the lingering horrors of WWII still in people’s minds as well as the fear of the hydrogen bomb and of communism, and most importantly during the psychiatric community’s bumpy transition from barbaric surgical methods to more modern psychotropic drugs and verbal forms of therapy. Otherwise though it’s pretty much the exact same movie, a blatant ripoff. (read the rest of this shit…)

Law Abiding Citizen

Wednesday, February 17th, 2010

tn_lawabidingcitizen’90s studio action thriller – I’d like you to meet my friend SAW.

LAW ABIDING CITIZEN is the story of a guy named Clyde (Gerard Butler, 300) whose family is killed in a home invasion in the opening scene. To add insult to injury his attorney Nick Rice (Jamie Foxx, STEALTH) makes a deal for one killer to testify against the other and just get one of them executed rather than risk going to trial just based on Clyde’s eye witness testimony. At the time of the attack Clyde was working on a circuit board, so we know he’s some kind of technological wizard or sorcerer, which explains why ten years later he can exact an ingenious master plan of super revenge with strong overtones of cultural critique. You see, he doesn’t just blame the killers, he blames Rice for putting his conviction rate above actual justice, and the judges for whatever they did, this whole system is out of order, you can’t handle the truth, etc. (read the rest of this shit…)

White of the Eye

Saturday, February 13th, 2010

tn_whiteoftheeyeI rented a PAL import of WHITE OF THE EYE after some of you guys were talking about it in the comments back around Halloween. I really didn’t know anything about it, so I was off balance from the beginning. The opening credits said in huge letters DONALD CAMMELL’S WHITE OF THE EYE so at first I assumed that was some writer like Dean R. Koontz or John Grisham. Turns out it’s the director, he co-directed PERFORMANCE, did a couple weird ones like this, then killed himself.

Also it was co-written by “China.” Who the fuck is that? It’s not the bodybuilder lady from WWF, that was Chyna. Could it be the entire country of China wrote it communistically? Turns out it’s Cammell’s wife. As the movie began I didn’t even know what time period it was made in. I honestly thought it was a ’90s movie with some retro ’80s touches, turns out it’s 1987 and just happens to be very stylized.

The opening murder is a tour-de-force, it actually kind of creeped me out how fetishistically it captured every detail of the murder scene. It starts by showing this woman in her fancy home, extreme closeups of the objects surrounding her – flower vase, goldfish bowl, kitchen utensils – then every one of them is knocked over in the struggle when an unseen man attacks her. We only see him by the extreme closeup of the eye, which is disconcerting. And it seems to treat the wreckage as a carefully planned art installation. Or some kind of druid ritual. (read the rest of this shit…)

A Perfect Getaway

Wednesday, January 13th, 2010

tn_perfectgetawaySteve Zahn and Milla Jovovich are on a honeymoon hike in Hawaii. Another couple has been killed, possibly by a newlywed couple like them, and all the other tourists are getting paranoid about it, but they decide to continue with the hike anyway. This is one o’ them suspense thrillers, and it did a good job of keeping me in suspensed thrills.

From the beginning on it keeps dropping hints about what  might be up. A sinister past for Zahn? Maybe it’s straight up and this scary couple here are killers? Or this nice couple? Or the other couple? You’ll have alot of theories throughout and as long as you consider the correct one at some point you can claim you figured it out and defeated the movie. The writer/director is David Twohy, famed chronicler of Riddick. It’s another solid B-movie notch on his belt – nothing transcendent, but effective and fun, with some clever touches. (read the rest of this shit…)

Don’t Look Now

Tuesday, November 3rd, 2009

tn_dontlooknow“DON’T LOOK NOW but Nicolas Roeg has made an eerie meditation on fate, death, mourning and love!” That would’ve been my quote for the newspaper ad if I was doing this back then. I do quotes, you know. Too bad I’m late on this one, I think I would’ve had alot to offer their marketing team.

Well, it’s like I heard. This isn’t really the type of movie I necessarily want to watch every Halloween, but it’s a good one and a nice change of pace from the other horror movies I was watching last month. It has psychic premonitions, ghosts, a murder and some creepy shit. But it’s more art movie than horror. And that’s fine – maybe better, because there aren’t many movies like this. (read the rest of this shit…)

Mute Witness

Sunday, October 25th, 2009

tn_mutewitnessThere was once a promising new director on the scene named Anthony Waller. This was the ’90s, the Miramax Dynasty, when Hollywood executives searched for promising young directors like prospectors looking for gold, and here’s this Lebanese born British guy who independently made a well reviewed thriller called MUTE WITNESS. Not too arty either, real energetic, funny, violent. Pretty commercial. They scooped him up, signed him on to direct AN AMERICAN WEREWOLF IN PARIS, and for some reason nobody ever talked about him again. Weird.

Okay, he shouldn’t have made that sequel, but actually it had some moments. I always meant to see MUTE WITNESS, but never did until now. So let me be the very last to say “this kid shows promise!” (read the rest of this shit…)

Eyes of a Stranger

Friday, October 9th, 2009

tn_eyesofastrangerI found EYES OF A STRANGER (1981) with the mystery and suspense movies at the video store. That got me thinking – how exactly do you draw the line between a thriller and a slasher movie? Is it because this guy’s a rapist, not just a killer? Is it because he’s not supernatural, deformed, masked or a redneck? You could say that about MANIAC too, but I think we all agree that’s a horror movie. Both have effects by Tom Savini, too. But MANIAC is way gorier, and the killer gets way more screen time. He’s the central character. Here the killer is often sneaking around just off camera, unseen, keeping us on a thread until he suddenly attacks, like Michael Myers. So if you’re watching a movie where there’s a killer like Michael Myers, but without a mask and not supernatural, that’s suspense. Except SLUMBER PARTY MASSACRE. It’s horror if it has ‘massacre’ in the title I believe is the rule.

Ah, shit. I don’t know how it works. But EYES OF A STRANGER is a good thriller about a slasher. (read the rest of this shit…)

Highwaymen

Tuesday, September 1st, 2009

tn_highwaymenYou guys know how it is when two men in separate cars drive around the country, one trying to stalk and then run over women, the other trying to hunt the other guy. The one is a perverted serial killer, the other has gone mad from the first guy running over his wife, so he rammed into the guy disabling him and making him even more hellbent on murder. They are antagonists, arch-enemies, villain and dark avenger. You know, a couple of highwaymen.

This is the 2004 movie from Robert Harmon, director of THE HITCHER. I remember the trailer but it didn’t catch my interest – just looked like another studio serial killer movie, at best on the level of JOY RIDE, probaly worse. But seeing THE HITCHER made me more curious and I’m glad about that because HIGHWAYMEN turns out to be way weirder and more interesting than advertised. (read the rest of this shit…)