In the summer of 1991 a 23-year-old director named John Singleton made a hell of a debut with BOYZ N THE HOOD. It was a preachy, of-the-moment anti-violence tale inspired by his (recent) youth in South Central Los Angeles, tempted by the machismo of gang life but smart enough to avoid getting tangled in its endless cycle of retaliation. The movie had breakthrough roles for Cuba Gooding Jr. before “Show me the money,” and for Larry Fishburne before Ike Turner or Morpheus. He was so memorable as Furious Styles that he turned into a Laurence 2 years later. (read the rest of this shit…)
Archive for the ‘Reviews’ Category
Abduction
Friday, February 17th, 2012Valentine
Tuesday, February 14th, 2012
Released in February of 2001, VALENTINE was one of the last of (the last of?) the post-SCREAM studio slasher movies. Its low box office totals, combined with the success of THE RING the next year, might’ve sealed the deal on that particular horror cycle. It’s directed by Jamie Blanks, who debuted with the similarly crappy URBAN LEGEND and later returned to his native Australia, where the spirit of the Tasmanian tiger or something blows in the wind, into his lungs, inspiring him to make much better movies (STORM WARNING, NATURE’S GRAVE). (read the rest of this shit…)
Lovers Lane
Monday, February 13th, 2012
aka I’m Still Waiting For You
I didn’t even realize it until I started watching it, but LOVERS LANE is a cheapass slasher movie shot in the Seattle area. Mostly Issaquah, I think. Anna Faris, who grew up in nearby Edmonds, is in the movie (not her first, but Wikipedia calls it “her first significant role”). It was filmed in 1999, but seems more like an ’80s slasher. (read the rest of this shit…)
Hospital Massacre
Sunday, February 12th, 2012
aka X-Ray
In 1982, a year after MY BLOODY VALENTINE, we got this Golan and Globus production which also begins with a murderous incident on Valentine’s Day, 1961. It looks like the ’80s and the kids even say “Omigod!”, but it says it’s 1961 so I’m taking their word for it. In this one a little boy named Harold leaves a valentine for a little girl named Susan and watches through her window as she reads it. When she sees it’s from Harold she laughs and her (brother? boyfriend?) crumples it up and throws it on the ground.
While Susan goes into the other room to cut two giant pieces of cake for her and the boy, Harold comes in and breaks the kid’s neck and hangs him from a coatrack. (read the rest of this shit…)
My Bloody Valentine (1981)
Saturday, February 11th, 2012
I know Valentine’s Day is one of those holidays that’s sort of made up to sell greeting cards, like Ziggy Day in May or Rehearsal Christmas in September. It’s based on an actual Christian martyr but the traditions got nothing to do that, it’s all a scam by Hallmark, the chocolatier lobby and Big Flower. Still, it’s enough of a real holiday to have a handful of slasher movies based on it, and therefore I am willing to acknowledge it. (read the rest of this shit…)
The Black Power Mixtape 1967-1975
Friday, February 10th, 2012
THE BLACK POWER MIXTAPE 1967-1975 is an unusual documentary. The title means that the footage wasn’t made as part of one movie, it’s a collection of short pieces covering stories of the American civil rights movement, put together and recontextualized a little with voiceovers by activists (Angela Davis), poets (Abiodun Oyewole from the Last Poets) and musicians (Talib Kweli, Erykah Badu) talking about what they’re seeing. There’s coverage of Stokely Carmichael, young Nation of Islam spokesman Louis Farrakhan talking about his church, the Attica riots, Angela Davis in jail (wearing a red turtleneck) telling about the terror of racist bombings during her childhood to chastise an interviewer for asking her if she believes in violence. (read the rest of this shit…)
Sinners and Saints
Tuesday, February 7th, 2012
Hey, remember Leon from THE FAST AND THE FURIOUS? Of course not, nobody does. He’s the guy that doesn’t really get to do anything, or come back in any sequels for a second chance. He’s played by Johnny Strong, the lead in this movie. Strong also wrote and performed the songs, so this must be a passion project for him. He plays one of these Over the Edge Cops, you know. Going Too Far, because of various troubles (son died, wife left him, also war and Katrina vet). At first I was suspicious of Strong as a leading man, but he pulls it off. He’s pretty good. (read the rest of this shit…)
The Woman
Monday, February 6th, 2012
Honestly all I knew going into THE WOMAN was who made it, that it was supposed to be really good, and that some dude flipped out when he saw it at Sundance and had to be removed as he yelled that the movie had no value and should be burned.
The director is Lucky McKee (MAY) and he wrote it with the novelist Jack Ketchum, who he also collaborated with on RED (the good RED – sorry Bruce). I liked both of those movies quite a bit, but this is McKee’s best work yet. It’s surprising and it’s darkly humorous and it’s the rare horror movie that works without following the template of any previous movie, at least not one that I can think of. So this is one of those reviews that I recommend you don’t read yet unless you either already saw the movie or don’t plan to see it. I didn’t see a trailer or anything and I was glad I didn’t really know what it was about at all. (read the rest of this shit…)
Spirit: Stallion of the Cimarron
Sunday, February 5th, 2012
After seeing WAR HORSE I wanted to see something about a civilian horse, so I watched this 2002 animated cartoon movie about a horse running wild in the old west. I guess his name is Spirit. I guess he is a stallion. I guess he lives in one of the places that is called Cimarron. I’m not sure which one. (read the rest of this shit…)
War Horse
Friday, February 3rd, 2012
Steven Spielberg’s WAR HORSE is the story of a horse named Joey. He is distinguishable because he is brown with a white mark on his head and above his hooves. Otherwise I’m not sure I could pick him out in a lineup. He’s just a horse. Doesn’t talk or do math problems or anything.
The story begins with Joey’s birth and ends with his ascension to the stars like E.T. (note: some facts have been altered) and in between he goes through a harrowing journey in turnip farming, WWI, etc. His primary equine-human relationship is with a youth named Albert (Jeremy Irvine), who is there at his birth and later becomes his owner and trainer. Despite going way beyond anyone’s expectations in his indentured servitude, the purchase of non-plow-ready pretty boy Joey financially ruins the family, their lives are destroyed and they have to sell him for cheap to the army for even more cruel and unusual treatment by different noble, handsome Englishmen. (read the rest of this shit…)
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