Archive for the ‘Drama’ Category
Monday, September 30th, 2024
As I write this there’s a terrible sickness going around. All the world’s authoritarian assholes have agreed it’s time to whip out the ol’ “immigrants are scary” cliche to rile up the dumbest motherfuckers on earth. In my country there’s a specifically idiotic one where the two sweaty goblins running on the Keep Trump Unaccountable For His Crimes ticket purposely spread a racist myth about Haitian immigrants in a specific town in Ohio, leading to weeks of chaos, harassment and bomb threats. And of course they’ve refused to apologize, doubled down on the lies, and promised to deport these (legal!) immigrants if they manage to take power again.
What can I do about this within my chosen medium of outlaw film criticism? The level of ignorance and gullibility a person would have to possess in order to believe these particular grifters on this specific con seems almost unfathomable, and I do not think it’s within my gifts as a writer to express the humanity of Haitians to somebody lacking the wisdom of the common housefly. All I can do is enlighten myself a little by watching a movie from Haiti and trying to learn a little something. There aren’t many of them available in the U.S., but I found a pretty good one. (read the rest of this shit…)
Tags: Anisia Uzeyman, CCH Pounder, Guetty Felin, Haiti, James Noel, Joakim Cohen, magical realism, Mira Nair
Posted in Reviews, Drama | 14 Comments »
Tuesday, September 3rd, 2024
Well, my friends, it’s after Labor Day. Time to stop wearing white shoes according to Serial Mom, and time to wrap up the summer retrospective according to me. Some interesting movies that were released at the end of the summer include Richard Rush’s COLOR OF NIGHT (yet another legendarily hated movie at the time time, I thought it was kind of interestingly crazy when I watched it years later) and Roger Avary’s KILLING ZOE (which I’ve always sort of liked but never nearly as much as I wanted to), both released on the 19th. The 26th gave us another Tarantino-connected movie that was a huge deal at the time, Oliver Stone’s NATURAL BORN KILLERS.
I previously reviewed that one so thoroughly that I not only covered the movie, but the earlier script and the making of book, so I’m not going to rehash it much here. I do want to note that Oliver Stone was one of the directors most associated with boomer self analysis – rightly or wrongly, his movies were a big part of the way people my age conceived of the Vietnam War, the JFK assassination, and of course The Doors. But here in the summer of GUMP he was more interested in being contemporary, cutting edge, of-the-moment. I found the movie’s hyperactive collage style annoying at the time, but I can respect it more now, and it was obviously influential for other movies I initially and/or still find annoying like DOMINO and CRANK. His choice to recruit Trent Reznor to produce the soundtrack album proves that the movie is more Lollapalooza than Woodstock. It was also an early foray into cinema for the future Academy Award winning composer (though of course we all know he was in Paul Schrader’s LIGHT OF DAY in 1987, plus “Head Like a Hole” was in CLASS OF 1999 and PRAYER OF THE ROLLERBOYS and “Dead Souls” was in THE CROW).
This finale to the Summer of ’94 series will focus on a triptych of movies with this sort of generational torch passing as part of their plot. They are stories about young people and the lessons they learn from older mentors. (read the rest of this shit…)
Tags: Boaz Yakin, Casey Siemaszko, Chris Conrad, Constance Towers, Ed Harris, Giancarlo Esposito, Hilary Swank, Malcolm McDowell, Melanie Griffith, Michael Cavalieri, Michael Ironside, N'Bushe Wright, Pat Morita, Richard Benjamin, Samuel L. Jackson, Sean Nelson, Walton Goggins
Posted in Comedy/Laffs, Crime, Drama | 11 Comments »
Thursday, August 22nd, 2024
August 12, 1994
CORRINA, CORRINA is a nice comedy-drama that deals with grief, love and some heavy race and class issues in a very light, warm-hearted sort of way. Is that bad? We can talk about it later.
Manny Singer (Ray Liotta between NO ESCAPE and OPERATION DUMBO DROP) is a recently widowed jingle writer in suburban Los Angeles, 1959. His 9-year-old daughter Molly (Tina Majorino, also in the seal movie ANDRE this summer – sorry, I had to skip a few things) is so not-over-it she refuses to speak, but he’s gonna be screwed if he doesn’t return to work, so he looks for a housekeeper/nanny to stay home with her. After some misfires he ends up with Corrina Washington (Whoopi Goldberg, also in THE LION KING and [briefly] THE LITTLE RASCALS this summer), who seems cynical at first but of course forms an adorable bond with the kid.
In 1994 I wasn’t interested in things this cutesy, and never considered watching it. Now I’m a middle-aged cornball, so I found it moving to see Whoopi turn that little girl’s cartoonish pout into a giggle. Majorino has a pitch perfect deadpan for the non-speaking portions and then a timid little mouse voice when she does talk (spoiler). She breaks your heart when she lays in the grass with her dead mom’s dress laid out next to her, one hand in its pocket, or when Manny lies to a deliveryman that Mrs. Singer is in the bath tub and she lights up and runs to the bathroom to see her. Damn, Manny. What a fuck up. So then you’re primed for the opposite emotion when she notices her dad slipping and referring to Corrina as “your mother” and she doesn’t point it out but breaks into a huge, toothy grin. (read the rest of this shit…)
Tags: Brent Spiner, Bruce Surtrees, Courtland Mead, Don Ameche, Erica Yohn, Jessie Nelson, Joan Cusack, Larry Miller, Lin Shaye, Patrika Darbo, Ray Liotta, Steven Williams, Tina Majorino, Wendy Crewson, Whoopi Goldberg
Posted in Reviews, Comedy/Laffs, Drama, Romance | 2 Comments »
Monday, August 5th, 2024
August 3rd, 1994
Here’s a rare experience: I went 30 years of knowing the title EAT DRINK MAN WOMAN without even knowing exactly what the movie was about. As much as I love several of Ang Lee’s films I never went back and watched the ones that made him so well known. This is his third movie, after the international success of THE WEDDING BANQUET, but before his Hollywood breakthrough SENSE AND SENSIBILITY. To date it’s his only movie set in Taiwan, where he was born and raised.
It’s about three adult sisters and their widower father, an aging master chef who’s losing his sense of taste. And like so many of Lee’s films it’s about complicated family relationships, repressed emotions, secrets and longing.
Also it’s about cooking. It starts with Master Chu (Lung Sihung, EIGHT HUNDRED HEROES) preparing a complex meal for the family. Lots of meat (some of which we first see as live animals) but even for me it’s a beautiful sequence, the precision and ease with which he slices open a fish or dices an onion with his hatchet, the many items he drops into and lifts out of hot oils, the sauces he pours onto them, the delicate ways he folds together dumplings. They’re meticulous processes he must’ve performed hundreds or thousands of times over, all ingrained in his head and muscle memory. The sequence took more than a week to film, with the actor doubled by a real master chef, and it’s several minutes with no dialogue, just some traditional music (composer: Mader, IN THE SOUP) and the pleasing sounds of chopping, sizzling, pouring. He’s in the zone, and he’s at home, all alone, it’s not one of those stressful restaurant settings. It seems so peaceful. It’s for the love of it. (read the rest of this shit…)
Tags: Ang Lee, Chen Chao-jung, cooking, Lester Chit-Man Chan, Lung Sihung, Mader, Sylvia Chang, Taiwan, Wang Jui, Wang Yu-wen, Yang Kuei-mei
Posted in Reviews, Drama | 17 Comments »
Thursday, July 25th, 2024
July 22, 1994
In this retrospective so far we’ve discussed movies based on a radio show from the ‘30s (THE SHADOW), a cartoon from the ‘60s (THE FLINTSTONES), a western TV show from the ‘60s (MAVERICK) and a real guy who many knew from western TV shows of the ‘60s (WYATT EARP). Here’s another one to add to the list: a movie about Lassie, a character likely unknown to the kids who would be its primary audience, but maybe their parents would be expected to have warm feelings. First introduced in an 1859 short story, then a novel and series of movies in the ‘40s, the heroic collie was known to boomers from a TV series that ran from 1954-1973. People my age knew it mainly from parodies, though I remember seeing parts of the show on Nick at Nite or something.
Despite coming from Saturday Night Live producer Lorne Michaels (between WAYNE’S WORLD 2 and TOMMY BOY), the 1994 LASSIE movie is a very sincere drama for families, with a bit of a meta set up. At the beginning little Jennifer Turner (Brittany Boyd) is watching an old Lassie episode on TV but her older brother Matt (Tom Guiry, THE SANDLOT) says “Thought I told you not to watch this crap” and changes the channel to the video for “Breaking the Girl” by the Red Hot Chili Peppers. (read the rest of this shit…)
Tags: Basil Poledouris, Clayton Barclay Jones, Daniel Petrie, dog movies, Elizabeth Anderson, Frederic Forrest, Gary Ross, Helen Slater, Joe Inscoe, Jon Tenney, Lorne Michaels, Matt Jacobs, Michelle Williams, Richard Farnsworth, Tom Guiry, White Zombie
Posted in Reviews, Drama, Family | 7 Comments »
Wednesday, July 24th, 2024
HUDA’S SALON is from 2021 and it’s the most recent film from Palestinian director Hany Abu-Assad – I previously reviewed his films RANA’S WEDDING (2002), THE COURIER (2012), OMAR (2013) and THE MOUNTAIN BETWEEN US (2017). After that last one, a big English language movie starring Idris Elba and Kate Winslet, he returned home for another one of his thriller/dramas about life in occupied Palestine.
It opens in the titular Bethlehem hair salon, where new mother Reem (Maisa Abd Elhadi, Baghdad Central) is having her hair done by Huda (Manal Awad). I kinda fell for the implication that it would be a conversational, day-in-the-life kind of movie, because there’s an 8-minute-long oner as Huda washes and brushes Reem’s hair and they talk about people these days styling their own hair based on Youtube videos, then about the invasiveness of Facebook, and then how possessive Reem’s husband is but how maybe she’ll open her own salon some day when her daughter’s older. And the shot is still going as Huda pours her a cup of coffee (that’s nice) and puts some drops of something in it (oh, that’s not nice) and gets ready to cut her hair but she passes out and Huda closes the curtains and opens a door into a back room where a dude named Said (Samer Bisharat, OMAR) has been sitting on a bed looking at his phone while he waits. Now he helps carry Reem in, takes her clothes off and poses naked for Polaroids with her. (read the rest of this shit…)
Tags: Ali Suliman, Hany Abu-Assad, Maisa Abd Elhadi, Manal Awad, Palestine, Samer Bisharat
Posted in Reviews, Drama, Thriller | 15 Comments »
Tuesday, July 23rd, 2024
July 20, 1994
And now we come to a 1994 artifact that doesn’t seem that dated culturally, except it’s in a genre – the legal thriller – that doesn’t really exist on this level anymore. Not as a slick, shot on location, big time theatrical summer release.
THE CLIENT is the third movie adapted from a novel by John Grisham, after THE FIRM and THE PELICAN BRIEF (both released in 1993). The book was his fourth, also released in 1993. The movie had a $45 million budget (more than THE SHADOW, SPEED or CITY SLICKERS II, almost as much as THE FLINTSTONES!) and was a big hit, making $117 million worldwide. Movies like this were a big deal then! (read the rest of this shit…)
Tags: Akiva Goldsman, Anthony Edwards, Anthony LaPaglia, Brad Renfro, Bradley Whitford, Dan Castellaneta, J.T. Walsh, Joel Schumacher, John Grisham, Kim Coates, legal thriller, Mary-Louise Parker, Memphis, Robert Getchell, Susan Sarandon, Tommy Lee Jones, Walter Olkewicz, Will Patton, William H. Macy
Posted in Reviews, Drama, Thriller | 31 Comments »
Tuesday, July 16th, 2024
July 15, 1994
MI VIDA LOCA (MY CRAZY LIFE) is the third film from writer/director Allison Anders. Two years ago I reviewed her 1992 release, GAS FOOD LODGING. That one was about a young woman growing up in a fictional desert town, this one is a fictional portrait of young cholas in a real neighborhood of Los Angeles.
I’ve heard of Echo Park, didn’t know its history, but as soon as they showed the picturesque little lake with swans and everything I thought “Oh shit! That’s the place from ALLIGATOR II: THE MUTATION.” The opening narration does not mention that actully-kind-of-good 1991 TV sequel about a giant alligator in a predominantly Hispanic neighborhood under threat of gentrification, instead looking back to the silent era of film: “We have a lake that’s been here since the ‘20s, when movie stars had love nests in the hills.” I read that there were studios in the neighborhood then, and the 1914 Charlie Chaplin films TWENTY MINUTES OF LOVE and RECREATION were filmed at the park. That must be crazy to see your neighborhood in a movie from that long ago. Even from 30 years ago is cool, though. (read the rest of this shit…)
Tags: Allison Anders, Angel Aviles, Danny Trejo, Echo Park, Jacob Vargas, Jason Lee, Jess Borrego, Julian Reyes, Los Lobos, Magali Alvarado, Marlo Marron, Nelida Lopez, Nicole Holofcener, Salma Hayek, Seidy Lopez, Spike Jonze
Posted in Reviews, Crime, Drama | 5 Comments »
Thursday, July 11th, 2024
July 6th, 1994
We associate the summer movie season with a certain type of blockbuster. There have been many years where the biggest movie was about a Batman, a Spider-Man, a Terminator, some dinosaurs, some Jedis. 1994 had a different approach – the real behemoth was a cutesy romp through 20th century American history, a bit of a comedy, a bit of a weepy. FORREST GUMP was the year’s highest grossing movie at the domestic box office (#2 to THE LION KING worldwide), its soundtrack album reached #2 on the Billboard album charts (also below THE LION KING) and went twelve times platinum. The movie won Oscars for best picture, director, actor, adapted screenplay, visual effects and editing, and it even inspired a chain of seafood restaurants. So fuck THE LION KING.
It’s funny, I remember going to see this movie right when it came out, not expecting any of that. I was going as a fan of Robert Zemeckis’ obsession with pushing technology forward. I had read about the scenes where Tom Hanks as Forrest Gump is made to appear in footage with John F. Kennedy, Gerald Ford and other real people. It was a new technological feat at the time and this was the guy who had combined animation with live action so well in WHO FRAMED ROGER RABBIT and made a digital hole through Goldie Hawn in DEATH BECOMES HER. Remember how that seemed like the coolest thing ever? (read the rest of this shit…)
Tags: Eric Roth, Gary Sinise, Haley Joel Osment, Mykelti Williamson, Robert Zemeckis, Robin Wright, Sally Field, Tom Hanks, Winston Groom
Posted in Reviews, Comedy/Laffs, Drama | 40 Comments »
Wednesday, June 26th, 2024
THE BIKERIDERS is writer/director Jeff Nichols’ (TAKE SHELTER, MUD, LOVING) version of a biker gang movie. It’s loosely adapted from a 1968 book by Danny Lyon, who spent several years riding with the Outlaws Motorcycle Club of Chicago. Nichols incorporated Lyon as a character (played by Mike Faist of WEST SIDE STORY and CHALLENGERS) who’s spending time with the fictional Vandals motorcycle club, taking photos and recording interviews, and if you step back you can picture a version where he’s the lead. We would learn about this world along with him and then it would sort of become his story as he deals with the macho insecurities raised by trying to fit in with these guys. Eventually he realizes it’s bringing out a dark side of him but in the end he learns about himself or some shit. You know the drill. Like a sleeveless version of Matthew Rhys’ character in A BEAUTIFUL DAY IN THE NEIGHBORHOOD. (read the rest of this shit…)
Tags: Austin Butler, Beau Knapp, Boyd Holbrook, Damon Herriman, Danny Lyon, Emory Cohen, Happy Anderson, Jeff Nichols, Jodie Comer, Karl Glusman, Michael Shannon, Mike Faist, motorcycles, New Journalism, Norman Reedus, Toby Wallace, Tom Hardy, Will Oldham
Posted in Reviews, Crime, Drama | 14 Comments »
