As a producer and an influence, Judd Apatow dominates the current comedy movie scene. His movies re-popularized the R-rated, filthy-mouthed comedy, they started a much-imitated improvised approach to comedy scenes, his TV shows and movies started or kickstarted the careers of Seth Rogen, James Franco, Jason Siegel, Jonah Hill and others. In a few years he’s completely changed comedy movies, started a few cliches, and gained the inexplicable antagonism of talkbackers.
But just a couple years ago he was a hard-working, mostly ignored writer and producer whose name you’d see on stuff like The Larry Sanders Show, ZERO EFFECT and ANCHORMAN. He was a behind-the-scenes guy for Ben Stiller and Jim Carrey. He rewrote THE CABLE GUY from Chris Farley vehicle to the weird stalker comedy it became. Apparently he wrote Jim Carrey some jokes for the AFI Salute to Clint Eastwood. Nobody hated him back then. He was just another joke writer who had been roommates with Adam Sandler. (read the rest of this shit…)

I’ve missed some potential good ones at this year’s Seattle International Film Festival, but I was not about to miss the midnight show of BLACK DYNAMITE. If you don’t know what this is, it’s a retro blaxploitation movie where Michael Jai White (also co-writer) plays the title character, an ex-CIA, Vietnam vet, kung fu practicing, five-women-at-a-time-fucking badass motherfucker trying to find out who killed his brother.
What the fuck is this? is a fair reaction to the existence of FORD FAIRLANE. All you can really do is try to set your mindclock back to 1989 and picture it from the perspective of the people setting it up.
At first I was a little concerned about this sequel. Sondra Locke comes back, and that seems pretty fishy because she totally screwed Philo over in the first one. She was not a good person and nobody in their right mind would think “why didn’t those two crazy kids work it out?” So I was a little disappointed in Philo for forgiving her, and maybe in Clint for casting her. It smelled like girlfriend nepotism.
Clint Eastwood is Philo Beddoe in…
Okay, first of all, there’s no foolin here. You and I both know there was no way in hell I was gonna like David Zucker’s right wing satire about how liberals hate America and Michael Moore stuffs his face with food all the time. So this is not a review, this is more like a report for other people who, like me, were curious as hell what this movie was like, but unlike me could not stomach sitting down and watching the whole thing.
SPOILER ALERT !!
I know what you’re thinking. THE ONION MOVIE? Are you fucking kidding me? They’ve run out of ’70s slasher movies, TV series, action figures, video games and board games to turn into movies, now they’re moving on to the fucking produce department? Well to be fair onions are a vegetable with a rich history. In Caananite Bronze Age settlements, traces of onion remains were found dating back to 5000 BC. There is Biblical evidence (specifically the Book of Numbers) indicating that onions were grown in Ancient Egypt. In fact, to the ancient Egyptians (SPOILER) their concentric rings represented eternal life. So I think with a visionary artistic team behind the camera and a decent budget an onion movie could be a real eye-opener. Unfortunately this movie has nothing to do with vegetables at all, it is based on that websight The Onion with the fake news articles and the movie reviews and what not.
Hey, everyone. ”Moriarty” here.
I like to think I’m a pretty tough individual, even on a cellular level. So I don’t usually watch movies like this and I don’t usually get sick. A year or two ago I got some crud that really knocked me out, so while I was laying there a useless husk of my regular self I decided that God had opened a window – a window of opportunity for me to watch KILL BILL VOLUME 1 and VOLUME 2 in a row. The movie seemed even better in one sitting and I was healed the next day. Thanks God. You got good taste in movies.

















