Archive for the ‘Comedy/Laffs’ Category
Tuesday, November 19th, 2024
I’m trying not to overdo the horror movies during these times of dread, but I feel very strongly that I didn’t fit in enough Slasher Searching this October. In order to be the change I want to see in the world I intend to continue the mission periodically, free of holiday constraints. So today I have for you a double-header of wrestling themed horror movies. I thought it was a good gimmick when I reviewed WRESTLEMANIAC 16 years ago (!), but I didn’t realize until scrolling Tubi recently that it’s a whole subgenre now.
WRESTLEMASSACRE (2018) is a slasher movie of the SILENT NIGHT, DEADLY NIGHT or Rob Zombie’s HALLOWEEN variety in that it follows the killer and gets into his psychology before he goes on a rampage. I guess it’s more of a grappler movie than a slasher movie, since he mostly kills with his bare hands. (But sometimes hedgeclippers.) Randy (Richie Acevedo, “Vendor (uncredited), SUPERFLY) is a timid Cuban immigrant who works as a landscaper but dreams of becoming a wrestler like his dad (Nikolai Volkoff). (read the rest of this shit…)
Tags: Brad Twigg, Channing Decker, Daniel Turres, Dee Snider, Glen Michael Grant, James Roberts, Jesse Buck, Joelle Farrow, Julio Bana Fernandez, Marqus Bobes, MIchael Therriault, Nicholas Yoder II, Nikolai Volkoff, Richie Acevedo, Rosanna Nelson, Shawn Roberts, Tara Spencer-Nairn, wrestling, wrestling horror
Posted in Reviews, Comedy/Laffs, Horror | 5 Comments »
Monday, November 18th, 2024
ANORA is a real knock out of a movie from writer/director Sean Baker, major indie voice of the 21st century known for style on a microbudget, authentic performances by non-professional actors, and being one of the first to shoot an acclaimed movie on an iPhone. I’ll be honest, I’ve only seen THE FLORIDA PROJECT, which I loved at the time, but for some reason haven’t caught up or kept up with the rest of his filmography. So correct me if I’m wrong, but my impression from that limited view is that this is him doing something a little more slick and mainstream than usual without abandoning what he’s good at.
Not that it’s 100% commercial or normal. It just feels that way. It’s pretty long, it’s about a sex worker, and it’s a somewhat odd combination of genres, but it’s really funny, it’s not super weird, and it has heart. It won the Palme d’Or, but I think it could pass as a fun movie for normal people better than recent winners PARASITE, TITANE, TRIANGLE OF SADNESS or ANATOMY OF A FALL. (read the rest of this shit…)
Tags: Aleksei Serebryakov, Brittney Rodriguez, Darya Ekemasova, Ella Rubin, Karren Karagulian, Lindsey Normington, Mark Eydelshteyn, Mikey Madison, Palme d'Or winner, Sean Baker, Vache Tovmasyan, Yura Borisov
Posted in Reviews, Comedy/Laffs, Drama | 14 Comments »
Wednesday, November 13th, 2024
Jody Hill’s OBSERVE AND REPORT (2009) was maybe a little ahead of its time. Or at least ahead of me. I guess I didn’t review it, but I remember being a little disappointed at the time, thinking it had kind of a fake darkness to it. I thought it was supposed to be a TAXI DRIVER type portrait of a mall security guard, and it seemed kind of forced to me.
Watching it now, though, it obviously got alot of shit right about a certain type of person that it really was important to be keeping an eye on. In fact it was right enough that now my issue is that maybe it’s treating the subject matter a little too lightly.
Seth Rogen stars as Ronnie Barnhardt, the jovial but completely deluded head of security at Forest Ridge Mall who sees an opportunity for glory when a serial flasher (Randy Gambill, production designer of Hill’s debut THE FOOT FIST WAY) keeps showing up and exposing himself to customers and staff. Ronnie treats it like a big murder investigation and becomes very competitive with the overqualified actual cop assigned to catch the guy, Detective Harrison (Ray Liotta, COP LAND). (read the rest of this shit…)
Tags: Anna Faris, Aziz Ansari, Celia Weston, Collette Wolf, Danny McBride, Jesse Plemons, Jody Hill, Michael Pena, Patton Oswalt, Ray Liotta, Seth Rogen, Tim Orr
Posted in Reviews, Comedy/Laffs | 11 Comments »
Thursday, October 3rd, 2024
At some point in the last decade or so the movie-discussers really latched onto the term “body horror.” They kinda act like if you can identify a movie as body horror that means it’s legit. But also when they say it they almost always mean one thing: it has some David Cronenberg-inspired New Flesh type stuff at some point. I kinda wonder how many of the people comparing any vaguely misshapen flesh to Cronenberg bothered to see his last movie, but I suppose that’s irrelevant.
THE SUBSTANCE definitely fits the category, and there are reasons to compare it to Cronenberg, but tonally, I gotta say, this is way more Frank Henenlotter and Brian Yuzna. Picture a movie that’s a descendent of SOCIETY and the BASKET CASE trilogy and makes you wonder what Screaming Mad George is up to these days, but that also boasts an acclaimed lead performance by Demi Moore, won Best Screenplay at Cannes and is distributed by MUBI. That’s what THE SUBSTANCE is.
For me it was a must-see because it’s movie #2 from Coralie Fargeat, writer/director of REVENGE (2017). It sucks that it took her 7 years to do another feature (with only the serial killer convention episode of The Sandman in between), but thankfully she struts into her delayed sophomore outing like she has diplomatic immunity. She brings along her stylish design, blood-smeared rich people homes and mythic battles between beautiful women with star-shaped earrings and awful men, but this time in a sci-fi vein and much broader, sillier and more indulgent. I’m not sure if I would’ve noticed it was 141 minutes if I didn’t know it going in, but I love Fargeat’s dedication to overdoing absolutely everything, beginning with its narratively redundant (but all the more beautiful for it) time lapse sequence about the lifespan of a star on the Hollywood Walk of Fame. (read the rest of this shit…)
Tags: body horror, Coralie Fargeat, Demi Moore, Dennis Quaid, Margaret Qualley
Posted in Reviews, Comedy/Laffs, Horror, Science Fiction and Space Shit | 30 Comments »
Thursday, September 26th, 2024
A sequel to BEETLEJUICE was first announced when part 1 was still in theaters. Director Tim Burton started developing it in earnest, went through a couple different ideas, it seemed like it was really gonna happen in the early ‘90s until he and Michael Keaton shifted their focus to BATMAN RETURNS. In my opinion that’s one of Burton’s best movies and one of the great sequels – it’s a continuation but reinvents so much of the first movie’s approach that it feels completely fresh and even more potent.
A bit of the song “Macarthur Park” echoes hauntingly over the production logos of the BEETLEJUICE sequel we finally got 36 (!) years later: “I don’t think that I can take it / ‘cause it took so long to bake it.” But after all that time in the oven, BEETLEJUICE BEETLEJUICE is no BATMAN RETURNS. It’s more of a getting-the-gang-back-together type of sequel, not as much of a shift as it probly would’ve been back then, or that it would need to be to be a new classic. To me it feels less aggressive about nostalgia than most of these types of things, but I gotta admit it’s built more on “remember this?” than “hey, check THIS out!” It returns to the afterlife but mostly just the same bureaucracy/waiting room stuff as the first movie. We get another sandworm, another non-consensual lip synch, another wedding. All fun stuff, but wouldn’t all-new stuff be better? I bet younger, hungrier Burton would’ve brought us somewhere totally different. (read the rest of this shit…)
Tags: Alfred Gough, Catherine O'Hara, Jenna Ortega, Justin Theroux, Michael Keaton, Miles Millar, Monica Bellucci, Sami Slimane, Santiago Cabrera, Seth Grahame-Smith, Tim Burton, Willem Dafoe, Winona Ryder
Posted in Reviews, Comedy/Laffs, Horror | 22 Comments »
Tuesday, September 3rd, 2024
Well, my friends, it’s after Labor Day. Time to stop wearing white shoes according to Serial Mom, and time to wrap up the summer retrospective according to me. Some interesting movies that were released at the end of the summer include Richard Rush’s COLOR OF NIGHT (yet another legendarily hated movie at the time time, I thought it was kind of interestingly crazy when I watched it years later) and Roger Avary’s KILLING ZOE (which I’ve always sort of liked but never nearly as much as I wanted to), both released on the 19th. The 26th gave us another Tarantino-connected movie that was a huge deal at the time, Oliver Stone’s NATURAL BORN KILLERS.
I previously reviewed that one so thoroughly that I not only covered the movie, but the earlier script and the making of book, so I’m not going to rehash it much here. I do want to note that Oliver Stone was one of the directors most associated with boomer self analysis – rightly or wrongly, his movies were a big part of the way people my age conceived of the Vietnam War, the JFK assassination, and of course The Doors. But here in the summer of GUMP he was more interested in being contemporary, cutting edge, of-the-moment. I found the movie’s hyperactive collage style annoying at the time, but I can respect it more now, and it was obviously influential for other movies I initially and/or still find annoying like DOMINO and CRANK. His choice to recruit Trent Reznor to produce the soundtrack album proves that the movie is more Lollapalooza than Woodstock. It was also an early foray into cinema for the future Academy Award winning composer (though of course we all know he was in Paul Schrader’s LIGHT OF DAY in 1987, plus “Head Like a Hole” was in CLASS OF 1999 and PRAYER OF THE ROLLERBOYS and “Dead Souls” was in THE CROW).
This finale to the Summer of ’94 series will focus on a triptych of movies with this sort of generational torch passing as part of their plot. They are stories about young people and the lessons they learn from older mentors. (read the rest of this shit…)
Tags: Boaz Yakin, Casey Siemaszko, Chris Conrad, Constance Towers, Ed Harris, Giancarlo Esposito, Hilary Swank, Malcolm McDowell, Melanie Griffith, Michael Cavalieri, Michael Ironside, N'Bushe Wright, Pat Morita, Richard Benjamin, Samuel L. Jackson, Sean Nelson, Walton Goggins
Posted in Comedy/Laffs, Crime, Drama | 9 Comments »
Monday, September 2nd, 2024
I’ve seen THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT before, but haven’t reviewed it, and it’s one of those ones that I might come up blank trying to say something fresh about. It’s extremely well known and appreciated, I’m not sure who out there would need to know about it who doesn’t already, and I’m not qualified to speak on it either as a drag/trans film or as Australian cinema. But it was an unlikely international hit and has stood the test of time, so it would be a shame not to say a few words about it in this series.
Written and directed by Stephan Elliott (FRAUDS starring Phil Collins), it was released on August 10, 1994 in the United States (about a month before it came out in Australia, I guess?). It’s the story of three drag queens in Sydney who get a bus (Priscilla) and travel to central Australia together for a gig at a hotel. Bernadette (Terence Stamp, ALIEN NATION) is a wry older trans woman who ordinarily would avoid this sort of thing, but wants to take her mind off the recent death of her husband. Adam (Guy Pearce in only his fifth movie) is the diva of the group, kind of a pain in the ass but takes it well when they tease him. It’s Tick (Hugo Weaving, RECKLESS KELLY) who got the gig, and he’s nervous as hell because, unbeknownst to his friends, he used to be married to and have a kid with the owner of the hotel (Sarah Chadwick, GROSS MISCONDUCT), and he doesn’t know how it’s gonna go. (read the rest of this shit…)
Tags: Australian cinema, Bill Hunter, Dave Foley, drag queens, Guy Pearce, Hugo Weaving, Jim Emerson, Julia Sweeney, Kathy Griffin, SNL, Stephan Elliott, Terence Stamp
Posted in Reviews, Comedy/Laffs | 10 Comments »
Tuesday, August 27th, 2024
I don’t review that many straight up comedies, but sometimes it works out in these summer retrospectives, since there’s usually something to be said about them as time capsules and how their themes compare or contrast to other films of the season. After all, this series started with SERIAL MOM, and that’s one of the best movies of the summer. PCU wasn’t good, but it had some interesting things to analyze. Sometimes it’s worth my while.
But here we are in August, with its reputation as a dumping ground for shitty movies, and the ones I’ve been watching haven’t dispelled that notion. None of these felt like enough to write about on their own, but hopefully in the aggregate they might be worth reading about? I don’t know. I trust you to make your own decisions on that.
I am not up on the works of Paulie Shore, but I went into IN THE ARMY NOW (released August 12th) with an open mind. It starts with the sound of Bones (Shore) saying something about “pilgrim” in a John Wayne voice (always, always, always funny, I’m sure we all agree) and then bickering with his buddy Jack (Andy Dick, DOUBLE DRAGON) as they play a video game about tank warfare. It turns out they’re doing this while working their shifts at an electronics store called Crazy Boys in Glendale. Bones is about to get fired, then briefly averts it when his girlfriend (Fabiana Udenio, BRIDE OF RE-ANIMATOR) pretends to be a customer buying an expensive TV from him, but the boss finds out the scam because he tries to have sex with her in the back and Jack uses one of the video cameras to broadcast it on the wall of TVs. (read the rest of this shit…)
Tags: Allan Arkush, Andy Dick, Damon Wayans, Daniel Petrie Jr., David Alan Grier, Esai Morales, Howie Mandel, Jenifer Lewis, John Doe, Jon Polito, Lori Petty, Lynne Thigpen, Max Perlich, Mike Binder, Nora Dunn, Paulie Shore, Rebel Highway, Renee Zellweger, Robert Folk, Robin Givens
Posted in Reviews, Comedy/Laffs | 29 Comments »
Thursday, August 22nd, 2024
August 12, 1994
CORRINA, CORRINA is a nice comedy-drama that deals with grief, love and some heavy race and class issues in a very light, warm-hearted sort of way. Is that bad? We can talk about it later.
Manny Singer (Ray Liotta between NO ESCAPE and OPERATION DUMBO DROP) is a recently widowed jingle writer in suburban Los Angeles, 1959. His 9-year-old daughter Molly (Tina Majorino, also in the seal movie ANDRE this summer – sorry, I had to skip a few things) is so not-over-it she refuses to speak, but he’s gonna be screwed if he doesn’t return to work, so he looks for a housekeeper/nanny to stay home with her. After some misfires he ends up with Corrina Washington (Whoopi Goldberg, also in THE LION KING and [briefly] THE LITTLE RASCALS this summer), who seems cynical at first but of course forms an adorable bond with the kid.
In 1994 I wasn’t interested in things this cutesy, and never considered watching it. Now I’m a middle-aged cornball, so I found it moving to see Whoopi turn that little girl’s cartoonish pout into a giggle. Majorino has a pitch perfect deadpan for the non-speaking portions and then a timid little mouse voice when she does talk (spoiler). She breaks your heart when she lays in the grass with her dead mom’s dress laid out next to her, one hand in its pocket, or when Manny lies to a deliveryman that Mrs. Singer is in the bath tub and she lights up and runs to the bathroom to see her. Damn, Manny. What a fuck up. So then you’re primed for the opposite emotion when she notices her dad slipping and referring to Corrina as “your mother” and she doesn’t point it out but breaks into a huge, toothy grin. (read the rest of this shit…)
Tags: Brent Spiner, Bruce Surtrees, Courtland Mead, Don Ameche, Erica Yohn, Jessie Nelson, Joan Cusack, Larry Miller, Lin Shaye, Patrika Darbo, Ray Liotta, Steven Williams, Tina Majorino, Wendy Crewson, Whoopi Goldberg
Posted in Reviews, Comedy/Laffs, Drama, Romance | 2 Comments »
Thursday, August 15th, 2024
Do you know about THE PEOPLE’S JOKER? It’s an unauthorized, extremely D.I.Y. riff on DC Comics about a trans woman Joker/Harley Quinn combo (director/co-writer/editor Vera Drew) trying to make it as a comedian in Gotham City. I may not have ever known about it if not for it somehow premiering at the 2022 Toronto International Film Festival before receiving a firmly worded letter from Warner Brothers. After many cancelled screenings they somehow convinced the evil corporation that it was fair use/parody, the movie got a limited theatrical release and now it’s on VOD and on blu-ray and DVD from Altered Innocence. For THE PEOPLE!
I think the main reason it has lived beyond that initial grabbing of headlines is that beneath the gimmick and the many layers of goofiness it’s a very heartfelt autobiographical story about, among other things, coming of age as a trans woman. It’s dedicated “To Mom and Joel Schumacher,” and I strongly suspect that both the strained relationship with her mother (Lynn Downey) and the youthful confusion ignited by seeing Nicole Kidman in BATMAN FOREVER come from Drew’s real life. (read the rest of this shit…)
Tags: Altered Innocence, Bob Odenkirk, Bri LeRose, David Liebe Hart, DC Comics, Maria Bamford, parody, Robert Wuhl, Tim Heidecker, trans, Vera Drew
Posted in Reviews, Comedy/Laffs, Comic strips/Super heroes | 18 Comments »
