This was my final destination for VERN’S DOCUMENTARY WEEK, the BBC series that got so much attention a few months back when it played on the discovery channel. But who the fuck watches discovery channel, how was I supposed to know.
Anyway you may be thinking, “This is not a documentary you asswipe,” in which case you’d be right. But it IS stylistically based on the documentary type form and “thus” is appropriate to discuss in context with other fine discovery channel type works such as American Pimp and Hated: GG Allin Wiping Shit On Himself.
Now I know there’s gonna be some tightass out there yanking his hair out at the very thought of me lumping this in with documentaries. There are some people who are very sensitive about the line between documentary and fiction being blurred. If we can’t trust the movies to reflect life exactly as it is without interjecting a point of view or entertainment factor, who CAN we trust? Obviously not the news! I guess there are many ethics involved in the documentarian code of honor, so some morons were even trying to make it a controversy when they found out that the Hughes brothers had paid money to be able to film the Player’s Ball Pimp Awards for their fine aforementioned pimpumentary.
WHAT THE FUCK DID YOU THINK, asshole. They’re pimps! That’s what they do, they pimp. Jesus fucking christ you fucking backseat documentarians. (read the rest of this shit…)
Let’s face it, only nerds watch cartoons.
This is a cartoon but its not for kids and its not Japanese. If you don’t know in japan the cartoons are not only for kids, there is also demon raping, etc.
In 1940 the Walt Disney animation company unleashed a bold new experiment, Fantasia, a collection of animated pieces inspired by classical music. Unlike say a Bambi or a Pinocchio this is a movie with no dialogue or traditional feature length narrative story. In a stunning display of craftsmanship and artistic achievement the animators listened to the music and created stories, sometimes retelling a fairy tale like The Sorceror’s apprentice or riffing on some goofball premise like dancing hippoes or mushrooms. At fantasia’s best moments it triumphs in bold flourishes, splashing abstract type shapes across the screen or depicting evolution and the rise and fall of the dinosaurs. My favorite is the night of the bald mountain king sequence in which a demonic demon comes out of the mountain and all the ghosts fly up, and then afterwards a whole bunch of people are marching along with candles I believe.
Subject: Re: Whats the *smallest* crowd you’ve seen a movie with?
Now correct me if I’m wrong but didn’t Richard Pryor ALSO have a movie by the name of toy story. This was not one of mr. Pryor’s better pictures in my opinion, its the one where a rich white kid buys richard as a toy. He says “a big train set won’t do it for me dad, I need a famous black comic to degrade.” The basic type of humor is Richard falls in the water and runs around in fast speed while the piranhas bite him in the ass. This may have paved the way for many of the Sinbad pictures I’ve seen on cable however in MY opinion it still is not one of the high points in pryors career.
Well damn man this is the problem I’m having. Apathy. Lack of participation. Nobody likes me. Etc.
