Poor Azumi (Aya Ueto) is one of the best young swordswomen you ever did see, but it’s because she’s lived such a fucked up life. In the opening scene we see how she ended up like she did. When she was a little girl the Master (Yoshio Harada, THE HUNTED) was leading some young boys on a trail and came across her kneeling over her dead mother. He took the orphan girl with them to their isolated mountain area where he raised them to be elite sword fighters on a covert mission from Lord Tokugawa’s priest.
I mean really he saved her life, and their whole clan of nine boys and her are like a family, brothers and sisters who have fun fighting and training and joking around with each other. And they love their master and trust in him enough to believe that this thing he’s been preparing them for their whole lives is a righteous thing. They are tasked with assassinating the ambitious warlords who want to take over the country, whose selfish actions would otherwise keep the country in civil war forever. They will take life to prevent endless war. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.