The Hunted (1995)

After reviewing Franco Nero in the white ninja movie ENTER THE NINJA, I got some suggestions to check out THE HUNTED. I’m pretty sure at least one person tried to get me to review this a long time ago, so I hope you will enjoy this and forgive me for taking so long.

Christopher Lambert plays a white businessman who, along with his colleagues, has just wrapped up a big sale one night in Tokyo. Don’t get too excited, he’s not a ninja businessman, just a regular one in a suit and tie. Christopher decides not to go utilize some geishas with his buddies, instead going to a bar to drink by himself. But he sees Joan Chen (ON DEADLY GROUND), drinks some sake with her, ends up going back to her hotel with her. At first he’s very shy and polite, doesn’t go inside, but she invites him in for traditional Japanese hot tub sex.

The HuntedWhat he doesn’t know is that the leader of a deadly ninja cult played by John Lone and some other ninjas were waiting for him to leave so they could come in and chop off Joan’s head. Christopher accidentally takes the wrong hotel key with him so he comes back just in time to get hit with a poisoned ninja star and watch his new love get decapitated. Pretty much one of the worst ends ever to an awesome night of sex.

But what the ninjas didn’t count on is that Christopher survives. You might say that he’s hard to kill. Ninjas aren’t used to not killing a guy, especially a sissy white guy like this, so there is alot of turmoil and controversy within the cult. Heads do roll. Or at least, some guys get killed. I wish I could say heads roll literally, but if I remember right they don’t. Sorry.

In the hospital Christopher is visited by a badass samurai who insists on being the protection instead of the police. What I forgot to mention is that he saw the ninja leader’s face, which is a no no, so he’s pretty much a dead man walking. A police inspector tells him all that ninja shit is bullshit, but as he’s explaining this he is suddenly killed by an arrow. The samurai’s argument starts to seem more convincing.

I didn’t have as much fun with this as with ENTER THE NINJA but on a technical level it’s a better movie. The most memorable thing is the sequence on a bullet train where the ninjas try to massacre all the passengers just so Christopher doesn’t have a crowd to hide in. Even though he’s the action star, the movie is smart enough to keep him cowering and getting lucky, the samurai is the one who does most of the fighting. He kills all the ninjas on the train, and the police allow him to leave, but they ask for his sword as evidence. He’s so offended at the idea of somebody touching his sword that he stabs it into the ground and breaks the end off before giving it to them. Those guys love their swords, I guess.

The writer/director is J.F. Lawton, best known as the writer of PRETTY WOMAN. But he also wrote UNDER SIEGE and seems to lean more toward these action movies. UNDER SIEGE is not a clever twist kind of movie, it’s just a real solid version of a certain type of formula. But this one does kind of defy your expectations, or at least mine. They have a good twist where the samurai turns out to be a little more flawed than you thought (he is stubbornly using Christopher as bait to finish off a centuries old blood feud, and therefore is responsible for the innocent people killed on the train) and the bad guy is not quite as bad as you thought he was (he decides it was wrong to kill Joan Chen so he goes and kills the guy who hired him to do it).

At the end Christopher finally has to samurai up and fight a bunch of ninjas. There are many casualties. Then the camera pulls up to show an ancient temple and it goes to the credits. It’s a classy ending, but I think it would be funnier if it showed Christopher in his normal life, either back at home or on the plane going back. And he’s all beat up and bruised, but wearing some kind of touristy Tokyo t-shirt or hat.

What really struck me about this movie is that it starts out pretty much the same as that Bill Murray picture LOST IN TRANSLATION. Bill is not a businessman, but he’s an actor in town to do a job, he’s lonely and drinking by himself in the hotel bar, he meets a hot young woman. Bill’s situation is not the happiest, he is married and too old for this girl, but obviously has a connection with her and is going to miss her when he leaves. But wouldn’t it be worse if ninjas decapitated Scarlett Johansen in front of him and then came after him? He got lucky, if he had hooked up with the wrong girl in that bar he very well could’ve been THE HUNTED instead of Christopher.

To be fair to Bill though, I think he could’ve handled the ninja cult just as well or better than Christopher. Christopher does all these action movies but he’s not a martial artist, maybe just a swordsman at best. In the movie he is not supposed to have any supreme skills, he just learns a little bit of sword technique when he becomes drinking buddies with the Hatorri Honzo type making a new sword for the samurai. I think Bill would’ve made buddies with this guy too, in fact I think they would’ve gotten along even better, he might’ve given the good sword to Bill instead of the samurai.

Yeah, I’m sure of it. Bill could’ve done just as much fighting as Christopher does. Plus, Bill clearly has more anger in him. He is dissatisfied with his life. That is a double-whammy for sword fighting, in my opinion. On one hand, he has nothing to lose. On the other hand, he’s hungry, because if he turns out to be good at killing ninjas, he will find a new purpose in life. The more I think about it the more I know in my heart that Bill Murray would’ve fuckin skinned these ninjas alive and torn out their hearts with his bare hands. So really it’s not Bill who’s lucky he met Scarlett instead of Joan. It’s the ninjas. You ninjas lucked out. You’re dead now, but it could’ve been worse. Don’t ever fuck with Bill Murray.

Also there’s a pretty cool score by the Japanese drumming group Kodo.

This entry was posted on Tuesday, May 1st, 2007 at 10:43 pm and is filed under Action, Reviews. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed.

12 Responses to “The Hunted (1995)”

  1. I watched this last night, I had never heard of it before but just stumbled upon it on imdb one night, thought “mid 90’s Japan, Christopher Lambert and ninjas? sold!” and bought the dvd off Amazon.

    For all I knew it could have been a piece of crap but I was pleasantly surprised that it’s a solid little action movie, the sequence on the bullet train is so well done in fact that I am genuinely confounded as to why it’s so obscure.

    Plus I love the movie’s take on ninjas, they’re the traditional movie ninja we all know and love but handled in a way that’s a little more realistic and believable than normal.

  2. I remember seeing this way back when it first came out. Those were the days where John Lone always played the Asian baddie and Joan Chen the Asian love interest. I should probably revisit it sometime. I remember liking it well enough as a kid. My favorite non HIGHLANDER Lambert joints are still FORTRESS and GUNMEN though.

  3. I love GUNMEN. is FORTRESS that weird and fun?

  4. GUNMEN is awesome because of the chemistry between Lambert and Van Peebles. It’s like DeNiro and Grodin in MIDNIGHT RUN but many wouldn’t give it that credit because “they’re b movie actors” pssshh whatever fuck the average movie goers pretenses. Also Leary and the Kadeem Hardison and Patrick Stewart roles and Big Daddy Kane and…GUNMEN rules. However FORTRESS is awesome for completely different reasons. More on the dystopian sci-fi tip but in it’s own way it definitely is quite weird and fun.

  5. I remember when FORTRESS ran in theatres, it even got some surprisingly positive reviews from our critics. And I can’t shake the feeling off, that part 2 (Directed by Geoff Murphy of UNDER SIEGE 2 fame) was supposed to be the pilot for a TV series. Just because of the ending, which SPOILER SPOILER SPOILER is first a shot of every surviving character staring in the same direction, as if this would be a start of a big adventure, followed by a quick shot of Lambert reuniting with his family, that seemed like a very last minute addition, once everybody got the news that there won’t be a TV show following.

  6. There’s no proper letterboxed version of GUNMEN available. DVD is pan and scan. So is cable broadcasts. I DVRed it once hoping it was in real HD but it’s not. Luckily I saw it in theaters once.

  7. Does anyone else have anything to say about the underrated THE HUNTED?

  8. I remember a cool scene on a train. The 90s was such a weird time for action.

  9. Yep, Tommy Lee Jones is pretty great in a knife fight! I can’t comment on this THE HUNTED.

  10. Sure. My buddies and I loved how bloody filthy the guys got during their knife fight!

  11. This is one of those movies I saw when I was young and fully employed and I felt like going to the movies but there was nothing that was a must-see. But I was a Christopher Lambert fan so this seemed like the best option. It was just OK. There’s not a lot to this movie. Lambert wears a nice taupe trenchcoat and there’s ninjas and swords but not much really happens between the beginning and the end. It’s a low-calorie snack of a movie. But today I would find it nostalgic and worth owning on VHS, like KNIGHT MOVES.

    This has an abrupt “villain dead, movie over” ending, as you mention in your review. No wrap-up. No scene to confirm that Lambert is back in civilisation and things are back to normal. No aftercare. The movie shoots its load, rolls over, and goes to sleep. See also: DELTA FORCE 2. IIRC they freeze-frame and roll credits while Billy Drago is still in mid-air, falling to his death.

    I could see Bill Murray from THE RAZOR’S EDGE becoming the character here. He’s already wandering the far east, searching for something. Becoming a ninja might be that thing.

    Broddie: There was a lot of Joan Chen back then, wasn’t there? She even played an Native in ON DEADLY GROUND.

    Broddie + Fred: GUNMEN is fun and cool and has a good cast (Patrick Stewart!), but it’s depressing. The macho infighting between Christopher Lambert and Mario van Peebles, where they keep shooting each other to get even, was supposed to be funny but made me sad. Denis Leary plays his usual evil character but never truly gets his comeuppance. But I still like the movie and am glad I have it. It’s a good-looking movie.

    FORTRESS is also kind of depressing, being a confined-location movie and a dystopia movie, but it also has a great cast. Besides Lambert you’ve got Kurtwood Smith as the warden and Jeffrey Combs and Vernon Wells as prisoners, plus Lincoln Kilpatrick as the trustee who I got confused with Robert Guillaume’s character in Van Damme’s DEATH WARRANT.

    Another just-OK movie. The idea that the prison uses the labour of the prisoners to continue expanding underground is a clever one. There’s a potentially interesting point to be made about the prison/industrial complex in modern America but the movie is mostly interested in the hero’s escape plans. The scene where [SPOILER] we see the warden in his cyborg form was a well-delivered shock.

  12. So….I was watching BULLET TRAIN the other day, and an hour in, rapidly getting annoyed with it’s re-hashed SMOKIN’ ACES on a train plot and even more annoyed with Brad Pitt, in his most caricatured performance since Aldo Raine, spewing lame Tony Robbins/Deepak Chopra-style New Age crap, I was reminded that the best ever action sequence taking place in a bullet train was in a Christopher Lambert movie made a quarter century ago. Both BULLET TRAIN and THE WOLVERINE can kiss it’s ass, because nothing has come close to the thrill of seeing Yoshio Harada(RIP) slice and dice his way through a horde of ninjas in a speeding Shinkansen. Fuck yeah!

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