I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Ryan Reynolds’

Criminal

Thursday, July 28th, 2016

tn_criminalCRIMINAL is way too generic a title for this distinctive Kevin Costner action thriller, another enjoyable under-the-radar, higher-minded-than-advertised b-movie to put on the shelf next to 3 DAYS TO KILL. Costner would be the criminal of the title, a gruff, uneducated death row inmate with the strong action movie name of Jericho Stewart. He’s said to have some kind of condition that leaves him no capacity for empathy, like that creepy kid in MALEVOLENCE and BEREAVEMENT, so he experiences what the internet calls “the feels” for the first time when he’s the subject of an experimental surgery that implants another man’s memories into his brain.

I couldn’t help but think of FACE/OFF. Not that it has any of John Woo’s heightened filmatism or outlandish action – the tone, grounded world and love of intelligence agency war rooms are closer to a BOURNE movie – but that’s the only other movie I can think of that uses a sci-fi gimmick in a non-futuristic world and then puts an emphasis on exploring its emotional consequences.

The story starts with Bill Pope, not the cinematographer of THE MATRIX, but a CIA agent on the run in London, played by an uncredited Ryan Reynolds (BLADE TRINITY). He’s in the middle of a mission gone south – something about Spanish anarchists and a hacker and a buy, and people chasing him around town trying to trap him. When he ends up dead, CIA director Quaker Wells (Gary Oldman sporting another action movie name that’s not messing around) is desperate to find out what Pope was working on, because he was the only one getting close to a hacker (blackhat?) who may be able to remotely control military weapons. So Wells – actually, can I call him Quaker? – Quaker turns to this guy Dr. Franks (Tommy Lee Jones, UNDER SIEGE) who has been developing this memory-implanting theory for years. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Deadpool

Monday, February 29th, 2016

tn_deadpoolDEADPOOL is a smart-ass, hard-R super hero revenge movie for the 14 year old boy in every man, woman and child. The feature directing debut of FX artist Tim Miller (who designed the opening credits for Fincher’s THE GIRL WITH THE DRAGON TATTOO) has show-offy digital camera moves, fourth-wall-breaking narration, meta and self-referential humor, frequent jokes about dildos and other things going up butts, gun fetishism, jerking off, juvenile homophobic name-calling like “cockgobbler,” and is convinced that it’s hilarious to know the names of different gross sex acts and talk about doing them with old ladies. Sounds exactly like a Neveldine/Taylor style headache. But I really enjoyed it.

I saw commenters here predicting I would hate DEADPOOL like I did KICK-ASS. I understand the comparison, but here’s why I think it’s different: it has a different personality. Both are trying to push buttons with foul-mouthed costumed characters going overboard with the violence and seeming real proud of themselves for it, but to me KICK-ASS seems like it’s trying to shock and outrage some hypothetical prudes and squares that would never watch the movie anyway, while DEADPOOL seems like it’s trying to win everybody over with its obnoxious charm. There are tons of childish jokes in the movie that didn’t make me laugh, but they felt less like jokes failing and more like me smiling and shaking my head at a dipshit friend trying to make me uncomfortable to amuse himself. And the X-Men seem to feel kind of the same. He’s basically a bad guy but they keep going easy on him because they want him to be a good guy. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Green Lantern

Tuesday, April 17th, 2012

tn_greenlanternGREEN LANTERN stands out among comic book movies for its combination of crappiness and expensive-looking-ness. The details that flesh out the classical super hero arc are dumb and juvenile, and the effects often look ridiculous, but it never seems like it’s due to a lack of resources. Just a lack of taste.

Very sophisticated, expensive animation of weird aliens who only ever stand on dark, rocky spacescapes. Motion capture used to create a corny green glow from the sinews of Ryan Reynolds’s muscles. I guess it’s hard to get around with this character, but some day filmatists gotta learn that green glowing energy is not really that cool looking. Call it the METEOR MAN rule. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Vern’s Seen SMOKING ACES!!

Thursday, December 7th, 2006

SPOILER ALERT !!

Hey, everyone. ”Moriarty” here.

Carnahan fans have been waiting a while now for his follow-up to NARC, and it seems crazy that it’s almost here.

If you’re a fan, you might want to hop over to CHUD, where Devin Faraci has been fielding questions that Carnahan’s been answering on his very own blog.

In the meantime, let’s see what our own Vern has to say about this film that I’m eagerly looking forward to:

You know what this movie is, it’s a remake of BOBBY. Almost the whole movie takes place in and around this hotel. And you got your huge all-star cast of characters with their various intersecting stories going on. But instead of them all living their lives and making corny speeches not knowing Bobby Kennedy is about to be assassinated, they are all trying to sneak into the hotel to kill Jeremy Piven. And instead of tons of stock footage of Kennedy speeches there is all kinds of fighting and guns. So it’s a reflection of our times. Or a very loose remake. A reimagining. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Blade: Trinity

Sunday, December 12th, 2004

Man I tell you, I wish it was possible for lightning to strike 3 times in the same spot. It would be useful for many things including meteorological research and movie trilogies. But it’s not possible. Never happened. Not once. Only once has it hit the same exact place twice. And that place was the exact spot where Blade was standing at the time. Both times.

What I’m saying obviously is that BLADE III – and I will not call it BLADE TRINITY because what the hell kind of name for Blade III is BLADE TRINITY – is no BLADE or BLADE II. And there are many reasons why. The most immediate thing you notice: it just doesn’t look as good. Steve Norrington and Guillermo Del Toro were both so careful and artful. BLADE felt so exact and carefully composed, II was so spooky atmospheric with shiny gold tinted edges. III (directed by the guy Dave Goyer who wrote all the other ones but only directed the small indy drama ZIG ZAG) tries hard to imitate some of both of those looks. It has the same cinematagraphist as the last one, and I mean it’s not an ugly movie. But you can tell it’s not quite real. Not it’s own look, not quite capturing the previous looks. I think I read this was more expensive than the others but to me it feels cheaper. Almost like a really damn impressive TV version of the Blade universe. But not quite the real Blade universe. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.