"KEEP BUSTIN'."

Posts Tagged ‘Oliver Stone’

Year of the Dragon

Wednesday, August 19th, 2020

August 16, 1985

This may be surprising, but YEAR OF THE DRAGON is one of the Summer of 1985 movies that I hadn’t seen before. So today I have officially entered the post-having-seen-YEAR-OF-THE-DRAGON section of my life. For those of you who are still in the first section, let me explain: this is the Triads-in-New-York’s-Chinatown movie directed by Michael Cimino as his followup to the financial disaster of HEAVEN’S GATE, and he wrote it with Oliver Stone. So it’s quite a movie. Aggressively stylish, go-for-broke filmmaking, astonishing production design and camerawork, epic in scope and detail, clearly heavily researched, also completely macho and full of shit, easy to see as racist and misogynistic, or at least very sympathetic toward a protagonist who is, and who by the way is played by weird, handsome, hungry Mickey Rourke, with all that that entails. So it’s hard to quantify YEAR OF THE DRAGON in the standard “good” or “bad” type terms most people insist on. I’m pretty sure I would run from it if I saw it on the street, but also I think it’s pulsing with entertaining pulp and cinematic greatness. (read the rest of this shit…)

Natural Born Killers

Monday, August 6th, 2012

Years ago I saw NATURAL BORN KILLERS, and I hated it. But that was years ago. Like Woody Harrelson says in the opening scene about the last time he ate key lime pie, I was a different person then. I’ve mellowed over the years. I’m more open to crazy shit and mega-acting. I’m not as strident about certain things. I’m ready to appreciate it as a weird crime movie, maybe, even if it still comes off as a ridiculously heavy-handed message movie about the most obvious fucking message in the world (have you noticed how the media exploits violence?). So let’s give it the same respect we give the pie. Let’s give it its day in court.

Of course, I got no clue why somebody would be skeptical about key lime pie. Maybe that’s the best clue into Mickey Knox’s derangement. Quentin Tarantino sure liked writing about pie when he was young. He wrote the original script this was based on but would only accept a “story by” credit after it was heavily re-written by Oliver Stone, Stone’s buddy Richard Rutowski and David PERMANENT MIDNIGHT Veloz.
(read the rest of this shit…)

U Turn

Friday, August 3rd, 2012

Before seeing SAVAGES I wanted to catch up on some of the recent Oliver Stone pictures that I’d skipped. It turns out this one is 15 years old, so you could argue that I’m a little behind on Stone. Do you guys know if JFK is any good? What about PLATOON?

This is his most straight-forward crime genre picture before SAVAGES so I figured it was a good one to check out. Based on the book Stray Dogs by John Ridley (RED TAILS, UNDERCOVER BROTHER), it’s about this dirtbag Bobby (Sean Penn), an ex-tennis player in debt whose fancy-ass car breaks down in the middle of Tiny Desert Town, Hell (actually Superior, Arizona) on his way to delivering a bunch of cash to the guy who cut off some of his fingers, and then things get way worse. But he fucks Jennifer Lopez at least. (read the rest of this shit…)

Savages

Saturday, July 7th, 2012

SAVAGES is the new crime film from Oliver Stone, about two young idealistic pot entrepreneurs taking on a ruthless Mexican cartel (which is one of the most common types of cartels). The tale is narrated to us by O (GREEN LANTERN’s girlfriend Blake Lively) who is the shared lover of botany genius/philanthropist Ben (Aaron KICKASS Johnson) and Iraq vet/muscle-of-the-operation Chon (Taylor JOHN CARTER Kitsch). The two grew up together as surf bums in Laguna Beach and then one day decided to bring home marijuana seeds from Afghanistan and create a new strain. And the shit blew up like Apple. (read the rest of this shit…)

W.

Sunday, October 19th, 2008

I can’t remember if I’ve brought this up before or not, but I fuckin hate Bush. Worst thing to happen to this country including our version of Godzilla looking like an iguana. I don’t think I’m the only one who’d rather not think about him unnecessarily. So when I heard Oliver Stone was already doing an all-star George W. Bush movie it seemed like a joke. It honestly sounded to me like a fictional movie they would refer to in some TV show like STUDIO 60 or one of those. A character would mention that they’re trying out for the part of so-and-so in Oliver Stone’s George Bush biography. And I would think come on, Oliver Stone would never make a movie like that.

I mean, there’s the whole too soon factor. Are we really ready for a more humanized portrait of the moronic shitbag sonofabitch who’s about to exit the White House leaving behind 2 (two) wars with no clear objectives, a Constitution that has been devalued by the government intentionally and openly violating it without any consequences, the people sorely divided for intentional political purposes, and (the cherry on top) the biggest economic crisis since the Great Depression? Should we really give a shit what makes this asshole tick? Shouldn’t that be a fun hobby for historians to play many, many years from now when we’ve managed to get some of the mess cleaned up? (read the rest of this shit…)

Scarface

Friday, April 22nd, 2005

Shit man, there’s no other movie like SCARFACE, is there? Even the original SCARFACE, I bet, is nothing like SCARFACE. We got several high quality American gangster epics, but they’re always about gangsters of the Italian American persuasion and usually in New York, New Jersey or Las Vegas or somewhere. This one feels so unique because it’s about Cuban-Americans and it takes place in Miami. It has a real strong sense of place. Its wicked heart pumps the tainted blood of that godforsaken Floridian peninsula, even though they got chased out of there and had to film most of the movie on neutral territory in L.A.

This is the perfect exaggerated painting of the 1980s and the cocaine wars. The good old days. And it even makes you root for this psychotic egomaniac shithead, Tony Montana (Al Pacino [Scarface]). ‘Cause first you see him as an immigrant getting hassled by the man, working as a dishwasher and tough talking his way into bigger work, dropping off some money for some cocaine. His higher ups (small time hoods themselves) don’t believe in him. But when the dealers pull a cross on Tony and his friends and it turns into an insane bloodbath (literally, come to think of it, because alot of the mayhem takes place in the shower), all involved must admit that he handles it with, uh, flair. He leaves with the money and the yayo (a term now popular because of the movie), tells the middlemen to fuck off and brings it all straight to the area boss, who is very impressed. This is typical of his quick rise up the totem pole. Initiative, elbow grease, bootstraps, etc. (read the rest of this shit…)