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Posts Tagged ‘Meryl Streep’

Mary Poppins Returns

Thursday, January 10th, 2019

I’m usually an optimist, but I had no confidence at all in Rob Marshall directing a sequel to MARY POPPINS, despite the obviously well-cast Emily Blunt (THE WOLFMAN). I’m happy to report, though, that all involved did a great job and MARY POPPINS RETURNS is a warm and enjoyable revival of old school Walt Disney cornball musical family entertainment, for those who might be interested in such a thing.

I really didn’t know what I was talking about with Marshall, to be honest. I’ve never even seen his Academy Award winning CHICAGO. But I was so bored watching PIRATES OF THE CARRIBEAN: ON STRANGER TIDES that it completely put me off a series I had loved up until that point. I didn’t trust him taking a crack at this much more sacred Disney ground, especially with a script from the guy that did fuckin FINDING NEVERLAND. But in retrospect Marshall had pretty good qualifications for this one. I’ve subsequently learned of his love for MARY POPPINS as the first movie he remembers seeing, his seriousness about honoring the original tone and using material from the P.L. Travers books, that he had Marc Shaiman (MY GIANT) start recording the score beforehand so he could play it while filming, and that he got the cast to rehearse the song and dance numbers for months, something he took from his days as a dancer and choreographer for the stage. Having seen it, all of that makes sense. (read the rest of this shit…)

The Post

Monday, February 12th, 2018

THE POST is Spielberg’s newspaper movie. Specifically it’s about the Washington Post in 1971 struggling for relevance, banned from a first daughter wedding, in the process of taking an inherited family business public, when suddenly their more exalted rivals the New York Times get a court injunction for breaking the story of the Pentagon Papers (a secret study proving that the government had known for years that the war in Vietnam was unwinnable and stayed in just to put off the humiliation of a loss). Can The Post’s reporters get ahold of these Papers for themselves, will they have the balls to print a story about them, and will they get away with it? I think you know the answers, but tune in to find out how it goes down.

Like LINCOLN or MUNICH, this is one of Spielberg’s very good grown up movies that doesn’t necessarily light the world on fire, seems destined to be buried in his catalog of iconic classics, but gets some nice reviews and an “it’s an honor just to be nominated” slot in the best picture category at the Oscars. Another movie like that was BRIDGE OF SPIES, the year SPOTLIGHT won best picture. SPOTLIGHT was a good movie with a big cast doing great work in a story about the importance of journalists uncovering dangerous secrets and standing up to powerful institutions that have covered up their own complicity in atrocities. THE POST is all those things with the added bonus of being thrilling and cinematic. Spielberg might be doing a smart-people-talking-and-figuring-things-out movie, but he’s gonna do that with an eye for imagery, period detail, and visual explanations of processes: stealing and reproducing a massive document, puzzling together the order of said document when the pages get mixed up, delivering a message across town, creating the plates to actually print a newspaper, running the printing press, the list goes on.

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Ricki and the Flash

Wednesday, January 6th, 2016

tn_rickiBefore we get back into the Lucas-Minus-Star-Wars series I wanted to play a little catch up. Here’s one of my favorite movies of last year, and I bet most of you haven’t considered seeing it.

In RICKI AND THE FLASH Meryl Streep (BRIDGES OF MADISON COUNTY) plays the broke-ass leader of a California bar band who’s on an unlikely mission to Indianapolis to cheer up her daughter Julie (Streep’s real daughter Mamie Gummer), because her husband left her. One thing is, Ricki abandoned the family years ago to follow her rock and/or roll dream, and they never forgave her for it and rarely talk to her. But Julie’s gotten so bad that her dad Pete (Kevin Kline) gets desperate enough to break that emergency glass. It’s a fish-out-of-water story where the fish has no money and has to stay in your guest room and you don’t want her there but you try to be polite and also you have to pay for her cab.

Ricki is a rare and precious thing, a lead role for an actress – an older actress, even – that gets to be complex and flawed and also funny (not to mention sing and play guitar!). She’s a strong personality and also a mess and possibly racist and hates Obama and also it turns out she knows how to be a good mother and friend. I mean, now she does, but where the hell was she before? Will this cause healing, or only increase resentment? Streep, not surprisingly, goes to town with the role and seems to be having a great time. (read the rest of this shit…)

Vern reckons that ADAPTATION is absolute genius it darn near looks like!

Wednesday, November 20th, 2002

Hey folks, Harry here… Both Moriarty and Mr Beaks have seen ADAPTATION and are set to write reviews that declare it just about earth-shatteringly gob-derned whipperwill brilliant, and I lay here simmering in jealousy, because I haven’t seen it yet. I’ve been uga-bugga beating my chest about this one and carving “SEE ADAPTATION” in granite for the past year and a half. My fingers have bled, in an exisstential manner of speaking, over this one. Vern loved it. Vern’s better than both Moriarty and Mr Beaks, because Vern doesn’t fondle octogenarians. Yeah. Here’s Vern… MUST SEE MOVIE!

Boys —

You fellas will not believe what movie I saw today. It was ADAPTATION, the new picture by Spike Jonze and Charlie Kaufman starring Nicolas Cage as twin screenwriters hired to write a script about themselves being hired to write a script about flowers. Actually only one of them is hired and he’s not supposed to put himself in the script, it’s just supposed to be about flowers, and then his brother lives in his house and is taking a screenwriting seminar, and he’s better at picking up women. You know, it’s kind of like WES CRAVEN’S NIGHTMARE, only with Nicolas Cage playing fat twins. I don’t know it’s hard to explain it man. You guys already know anyway. (read the rest of this shit…)