May 27, 1994
The Flintstones are an example of a pop culture phenomenon that’s long past its relevance, but it’s so simple and recognizable that it lingers like a ghost in the public memory. Or like a fossil! As the first prime time cartoon, it originally aired between 1960 and 1966, but more than half a century later – whether because of the spin-offs and TV movies, the vitamins and cereals, or just cultural omnipresence – almost any American could identify the show on sight.
That doesn’t mean they’ve given it much thought, though, because there’s not much to chew on here. I know I watched it for some period of my life, but couldn’t point to a favorite episode, or even a specific one. There are different stories, technically, but the joke doesn’t really go beyond “what if there was a Honeymooners type family sitcom, but with cave men?,” and with the gimmick that modern lifestyles and technology (cars, drive-in theaters, kitchen appliances) exist, crudely constructed out of rocks, bones, wood, animal skins, and talking, subservient prehistoric animals. The plots reflect the same middle class concerns as a normal show would – trying to keep your job to pay for the house, trying to make your wife not mad that you spend too much time out with your buddies – but mostly it’s that one anachronistic joke of “the modern stone age family.” It’s humor with one wink and a whole lot of taken-for-granted cartoonist ingenuity. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.