"KEEP BUSTIN'."

Posts Tagged ‘Brian Yuzna’

Honey, I Blew Up the Kid

Monday, September 5th, 2022

note: I am very much aware that I’m way behind and the summer movie season is over but I’m gonna keep going and finish this Weird Summer retrospective. Enjoy! Please?


July 17, 1992

HONEY, I BLEW UP THE KID is the first sequel to the 1989 Joe Johnston directed Walt Disney hit HONEY, I SHRUNK THE KIDS. Last time, eccentric inventor Wayne Szalinski (Rick Moranis, STREETS OF FIRE)’s machine accidentally shrunk his and the neighbors’ kids to, by one kid’s estimation, “the size of boogers.” This time he accidentally causes his new toddler son Adam (played by twins Daniel and Joshua Shalikar) to grow in spurts until he becomes basically a kaiju.

It’s directed by Randal Kleiser (THE BLUE LAGOON) and written by Thom Eberhardt (writer/director of NIGHT OF THE COMET) and Peter Elbling (Mr. T’s Be Somebody… or Be Somebody’s Fool!) & Garry Goodrow (The Smothers Brothers Comedy Hour). A story credit goes to Goodrow (who was also an actor in Shirley Clarke’s THE CONNECTION), so I suspect that means he was the one who wrote BIG BABY, an unrelated giant baby script that was rewritten to fit into the HONEYverse. In that sense, the HONEY saga is much like the DIE HARD series. (read the rest of this shit…)

Dagon (R.I.P. Stuart Gordon)

Wednesday, March 25th, 2020

You know how it is: you have these reoccurring nightmares about a sexy mermaid, and then you’re on a yacht trip with your girlfriend and an older couple, and a violent storm hits out of the blue and the boat wrecks and your friend is injured and you try to get help on the nearby island of Iboca but everyone’s weird and people have noticeable gills and tentacles and shit and a homeless guy explains to you that years ago a guy convinced them to give up Christianity and worship the sea god Dagon, who is different than Jesus in that he requires his followers to throw him women to impregnate with immortal monster babies. We’ve all been through it, and H.P. Lovecraft wrote about it in 1931, so Stuart Gordon made a movie about it in 2001.

Gordon is a rightfully designated Master of Horror, but I think deserves more recognition than he receives. Every time I watch or rewatch one of his movies it ends up being better than expected or remembered. In this case it still had the same issue I remembered, but it’s pretty good. Maybe pretty good plus. (read the rest of this shit…)

The Dentist 2

Wednesday, November 20th, 2019

THE DENTIST must’ve done well on video, because they had a sequel ready in two years, with director Brian Yuzna and star Corbin Bernsen both returning. Part 1 screenwriters Stuart Gordon & Dennis Paoli handed the reins to newcomer Richard Dana Smith, who went on to write thrillers (mostly for TV) with the following titles: THE STEPDAUGHTER, THE PERFECT WIFE, ALONE WITH A STRANGER, STRANGER AT THE DOOR, THE PERFECT NEIGHBOR and FRAMED FOR MURDER. THE DENTIST 2 is kind of the weirdo horror movie loving cousin of those types of movies.

The sequel opens with Dr. Feinstone’s dream about practicing dentistry on his ex Brooke (a returning Linda Hoffman, BLACK SCORPION II: AFTERSHOCK) in an all white office. Closeups fetishize her lipstick and nylons – this might be the only movie in cinematic history to cause discomfort by equating dentistry with sexiness. He accidentally makes her bleed, and things get way worse from there.

This is one of the things that haunts him in prison, where he tells his psychiatrist (Rende Rae Norman, TRUE COLORS, The Young & the Restless) that he’s a good person and it was a “stranger” who did all those horrible things in part 1. It’s not like he’s trying to put on a front, though, because he won’t pretend he’s not still violently angry when she asks about his wife cheating on him. (read the rest of this shit…)

The Dentist

Tuesday, November 19th, 2019

THE DENTIST is a unique little horror movie about a couple of days where a guy’s life totally unravels. Dr. Alan Feinstone (Corbin Bernsen, TALES FROM THE HOOD) is an asshole from the word go – we see him berating his wife Brooke (Linda Hoffman, FACE/OFF) over a stain not coming out of one of his shirts, then forgiving her because she bought him expensive cuff links. When he catches her blowing the pool cleaner (Michael Stadvec, SOMETIMES THEY COME BACK… AGAIN, SOMETIMES THEY COME BACK… FOR MORE, SOMETIMES THEY COME BACK… TO APOLOGIZE BECAUSE THEY’VE REALLY CHANGED) he fantasizes about screaming at her and forcing her at gunpoint to bite down with her “perfect teeth.” Instead he doesn’t confront her and then completely loses his shit.

I like the messy, accidental piling up of events. There’s almost a true crime feel to it. He tries to sneak up on the homewrecker and shoot him, ends up instead shooting a neighbor’s dog that attacks him for trespassing. Ken Foree (FROM BEYOND) and Tony Noakes (BREAKAWAY) play the police detectives who circle around with the potential to catch him, but they’re investigating the killing of a pet, not a person. They’re investigating a weird, creepy thing, not knowing it’s more serious than that. (read the rest of this shit…)

Guyver (a.k.a. The Guyver)

Monday, April 22nd, 2019

GUYVER, a.k.a. THE GUYVER is a 1991 sci-fi/martial arts b-movie that I saw back in the day and decided to revisit when I did that Polygon piece on ’90s comic book movies. The idea comes from a manga that had also been turned into anime, which is pretty apparent just from the look of the main character.

Jack Armstrong (STUDENT BODIES) plays Sean Barker, a blandly handsome karate student who finds an alien super weapon hidden in some garbage (much like Stanley finding a magic mask in the river in THE MASK) and it merges with his body, giving him the power to encase himself in bio-mechanical armor and weaponry. We know he’s mixed up in an ancient intergalactic war because of some detailed text and narration that opened the movie. It started by saying:

“At the beginning of time, aliens came to the Earth to create the ultimate organic weapon. They created Mankind. By planting a special gene into man they created the ZOANOIDS — Humans who can change at will into super monster soldiers.” (read the rest of this shit…)

Society

Tuesday, December 13th, 2016

tn_societyBrian Yuzna’s SOCIETY is about a nefarious, perverted secret among the rich, and how it’s discovered by a high school jock dude. I think Yuzna (who was making his directivational debut after producing RE-ANIMATOR, FROM BEYOND and DOLLS) is going for kind of a BLUE VELVET type thing here – the weirdness that tips him off to a creepy conspiracy beneath the thin veneer of All-American wholesomeness.

Specifically, this takes place among the students and parents of Beverly Hills Academy. Bill Whitney (Billy Warlock, son of HALLOWEEN II‘s Michael Myers Dick Warlock) almost seems like some kind of lab-created ’80s hero: mild mullet, polo shirt under letterman’s jacket, Emilio Estevez swagger with a slight Michael J. Fox vulnerability. He plays basketball, dates a cheerleader, acts like a tough guy and nerd-shames his snooty opponent in the debate for class president, but he sees himself as an outcast in his community of rich country club white people. We know from the opening scene that he’s seeing a psychiatrist (Ben Slack, SILENT NIGHT DEADLY NIGHT 4) and has nightmares about his mom (Connie Danese, HUNTER’S BLOOD) and dad (Charles Lucia, the killer in HOSPITAL MASSACRE – playing the father of the son of Michael Myers!), who clearly favor his sister Jenny (Patrice Jennings). He thinks he’s adopted. He’s told he’s paranoid. (read the rest of this shit…)

Bride of Re-Animator

Tuesday, November 12th, 2013

tn_bridofreaRE-ANIMATOR holds up as a timeless classic, BRIDE OF RE-ANIMATOR never was one and hasn’t gotten any better. This time Stuart Gordon was not involved (if a man wants to spend 1989 doing ROBOT JOX that is his right), and the directational reins were handed over to producer Brian Yuzna. I guess I’m comparing a shitty non-anamorphic DVD to a nice blu-ray, but this one seems cheaper and more obvious than the first one in every regard, from the broader acting to the shitty Richard Band keyboard score that, when it’s not ripping off the PSYCHO theme again, sounds exactly like every score he did for any Full Moon movie in that era.

(read the rest of this shit…)

Silent Night Deadly Night 4: Initiation

Thursday, December 22nd, 2011

tn_sndn4I’ve enjoyed the sleazy, creepy original SILENT NIGHT, DEADLY NIGHT several times over the years, and the hilariously awful half sequel/half recap PART 2 almost as many times, and tried to convince myself that Monte Hellman’s PART 3 was kinda interesting two or three times. But I never got around to the straight to video parts 4 and 5. UNTIL NOW.

You know what, that was overdramatic probly. But still. This is the first time I watched them. Here are my findings.
(read the rest of this shit…)