Posts Tagged ‘Tony Gardner’
Tuesday, April 18th, 2023
“Virtue be yours!”
There are several reasons I wanted to do a Ronny Yu retrospective, and coming in at around #3 (but maybe it should be higher) is the existence of this, his first American production, which is (to date) his only movie about kung fu kangaroos. WARRIORS OF VIRTUE is a crazy fuckin PG-rated family action adventure fantasy that mixes some of the elegant imagery and mythology of Yu’s previous work with a bizarre mix 
of NEVERENDING STORY and TEENAGE MUTANT NINJA TURTLES. It could be argued to be Yu’s worst movie, or his most unusual one. It’s totally derivative, yet there’s absolutely nothing like it. It’s hard to imagine it happening in any year besides 1997, and also it’s hard to imagine it happening in 1997. But it happened. I was there.
I mean I wasn’t in the magical world of Tao where it takes place, or on the soundstage in Beijing where it was filmed, but as a BRIDE WITH WHITE HAIR devotee at the time I did pay to see WARRIORS in the theater, and I’ve been fascinated by it ever since.
It’s the story of ordinary American kid Ryan Jeffers (Mario Yedidia, JACK), and it’s one of those depictions of youth that seems like it was concocted by a 150 year old who lives in a containment unit on Mars but has read some old magazine articles and thinks he has a pretty good idea what life must be like for the kids these days. To this guy it makes sense to open the movie with a dog dropping toast through a window to Ryan as he excitedly reads a stack of comic books in the bathroom. (read the rest of this shit…)
Tags: Angus Macfadyen, Dennis Dun, Julie Patzwald, kangaroos, Mario Yedidia, Marley Shelton, Michael Dubrow, Peter Pau, Ricky D'Shon Collins, Ronny Yu, Tom Towles, Tony Gardner
Posted in Reviews, Action, Fantasy/Swords, Martial Arts | 11 Comments »
Tuesday, September 6th, 2022
July 24, 1992
MOM AND DAD SAVE THE WORLD is a comedy-sci-fi-fantasy thing apparently released pretty wide (but viewed very narrowly) on July 24, 1992. I saw this one when it came out on video and I remember kind of liking it for all its crazy sets and costumes and puppets and shit. Unfortunately, this time I found it extremely hard to sit through. It’s interesting that something could so clearly have so much work put into it and still turn out feeling like it’s barely a movie.
The cartoonish super villain who sets the plot in motion is played by Jon Lovitz, who we last saw in A LEAGUE OF THEIR OWN. He’s the sleazy tyrannical ruler of the planet Spengo and his name is Emperor Todd Spengo. I don’t know why it’s funny for a character like that to be named Todd, but it is. It’s one of I believe two things that made me laugh in this movie. The other is a couple minutes in when Emperor Todd Spengo decides to postpone destroying Earth with his “Super Death Ray Laser” because through his telescope he spots the most beautiful woman he’s ever seen – Marge Nelson (Teri Garr, THE PLAYER) very awkwardly doing aerobics in an ugly sweatsuit. (read the rest of this shit…)
Tags: Chris Matheson, Ed Gale, Ed Solomon, Eric Idle, Greg Beeman, Jacques Haitkin, Jeffrey Jones, Jerry Goldsmith, Jon Lovitz, Kathy Ireland, Teri Garr, Thalmus Rasulala, Tony Cox, Tony Gardner, Wallace Shawn
Posted in Comedy/Laffs, Reviews, Science Fiction and Space Shit | 16 Comments »
Tuesday, January 18th, 2022
Man, here we are on Sam Raimi’s fifth movie, and I feel like it’s his fourth major breakthrough. THE EVIL DEAD was the smashing debut that put him on the map, CRIMEWAVE didn’t do much for him but EVIL DEAD 2 was the cult masterpiece that moved him from the map to the pantheon, then DARKMAN was his first studio movie and first actual big moneymaker.
But during the couple years he spent trying to get DARKMAN going he’d also agreed to make an EVIL DEAD III with Dino De Laurentiis, this time with a bigger budget to accommodate the Medieval Dead concept he’d wanted for 2 but had to abandon because it was too expensive. Produced by De Laurentiis and released by Universal, ARMY OF DARKNESS not as expensive as DARKMAN, but is arguably larger in scope – it’s a period piece with a castle, lots of knights in armor, horses, catapults, an army of skeletons, plus various possessed ladies, a flying beastie, an Ash that grows a second head and then splits off into a monstrous Evil Ash, etc. (read the rest of this shit…)
Tags: Angela Featherstone, Bill Moseley, Bridget Fonda, Bruce Campbell, Embeth Davidtz, Ian Abercrombie, KNB EFX, Patricia Tallman, Richard Grove, Sam Raimi, Sneaky Pete Kleinow, Tony Gardner, William Lustig
Posted in Reviews, Comedy/Laffs, Fantasy/Swords, Horror | 30 Comments »
Thursday, January 13th, 2022
After his horror breakthrough, his failed comedy, and his knockout horror sequel, Sam Raimi finally made it to the semi-big-time. He’d really wanted to do a movie of Batman or The Shadow, but could never get the rights. Then he came up with the idea for his own dark avenger, one with the ability to change his face. His 40-page treatment The Darkman was greenlit by Universal Studios in 1987.
Raimi brought in NAVY SEALS writer Chuck Pfarrer to flesh out the treatment as a screenplay, which was then rewritten by Raimi and his brother Ivan (under the theory that Ivan, a doctor, could help make the medical sci-fi aspects plausible). The studio brought in the team of Daniel and Joshua Goldin (up-and-comers they also had working on PROBLEM CHILD) to bring the various drafts together before the Raimis went at it again. By the time the movie was made and released at the end of August, 1990, Tim Burton had made his BATMAN movie and all the studios were trying to mimic that success. Surely that was an influence on Raimi’s choice of composer Danny Elfman, and on the minimalist marketing campaign based around a silhouette and the question “Who is Darkman?”
I’m sure at the time I would’ve been interested in this movie anyway, but I was specifically excited when I read that it was the genius behind beloved video favorite EVIL DEAD II taking his first shot at a large scale mainstream movie. Seeing the posters, reading about it in magazines, seeing it on the big screen, I accepted it as a big time summer blockbuster alongside DICK TRACY, BACK TO THE FUTURE III and DIE HARD 2. But Raimi having four times his budget on EVIL DEAD II still meant about a third or a fourth of the budgets of those films. Even Cannon’s DELTA FORCE 2, released the same day as DARKMAN, had a slightly higher budget. I think it’s a testament to Raimi’s exciting directorial style that his many green screen and miniature techniques, which have dated technically more than any of those other movies, still seemed flashy enough to stand toe-to-toe with them. (read the rest of this shit…)
Tags: Arsenio "Sonny" Trinidad, Bill Pope, Chiodo Brothers, Chuck Pfarrer, Colin Friels, Danny Elfman, Frances McDormand, Jenny Agutter, John Landis, Julius Harris, Larry Drake, Liam Neeson, Nelson Mashita, Nicholas Worth, Rafael H. Robledo, Sam Raimi, Ted Raimi, Tony Gardner, William Lustig
Posted in Action, Reviews, Science Fiction and Space Shit | 23 Comments »
Wednesday, January 12th, 2022
“Then let’s head down into that cellar and carve ourselves a witch.”
After the financial and (perceived) artistic failure of CRIMEWAVE, Raimi and company were itching for a win, and knew their best bet was to return to the one that had worked, THE EVIL DEAD. When they couldn’t find financing, their savior was the same guy who arguably made their careers by raving about THE EVIL DEAD: Stephen King. One of the crew members Raimi and friends had interviewed for the potential sequel was working on King’s directorial debut MAXIMUM OVERDRIVE, and happened to mention to King that Raimi was having trouble getting a greenlight. King was like Are you kidding me? There could be an EVIL DEAD part 2 but nobody will let them do it!?, called up his producer Dino De Laurentiis and convinced him to meet with Raimi. So give that man a medal.
De Laurentiis was skeptical of the project, especially after Raimi and friends rejected filming at his Wilmington, North Carolina studio. But he agreed, allowing a $3.6 million budget, small enough to rule out their plans to set it in medieval times, but giving them more to work with than either of their previous films. And the studio gambit worked exactly as intended – the three hour drive to the locations made it harder for higher ups to pull any CRIMEWAVE shit..
(read the rest of this shit…)
Tags: Bruce Campbell, Dan Hicks, Denise Bixler, Dino De Laurentiis, Doug Beswick, Greg Nicotero, Howard Berger, John Peakes, Joseph LoDuca, Lou Hancock, Mark Shostrom, Peter Deming, Robert Kurtzman, Sam Raimi, Scott Spiegel, Steve Wang, Tom Sullivan, Tony Gardner
Posted in Reviews, Horror | 30 Comments »
Monday, August 2nd, 2021
Before I start one of these retrospectives I research the movies that came out during that summer and put together a schedule. But in the course of doing 1991 I keep stumbling across movies that seem worthy of looking at that I missed because they were limited releases, TV movies or DTV and didn’t show up on any of the release date lists I looked at. So when I realized Adam Rifkin’s THE DARK BACKWARD played on one screen starting July 26, 1991 I thought I should backtrack a little to cover it.
For those not familiar with it, it’s a forcefully weird and uncomfortable comedy that was a favorite of mine in the ‘90s, one of those movies I rented on VHS and made a dub of to show to people who had never heard of it, which was most people. It was Rifkin’s first script ever, written at age 19 after moving to L.A. to try to become a director, made when he was in his mid 20s, and it’s a sense of humor and world view that admittedly appealed to me more when I was closer to that age. But it’s such a distinct and unadulterated vision I can’t help but still kinda love it. (read the rest of this shit…)
Tags: Adam Rifkin, Anna Berger, Bill Paxton, Billy Bob Thornton, Claudia Christian, Danny Dayton, David Silverman, James Caan, Judd Nelson, Lara Flynn Boyle, Rob Lowe, standup, Summer of 1991, Tony Cox, Tony Gardner, Wayne Newton
Posted in Reviews, Comedy/Laffs | 6 Comments »
Monday, August 24th, 2020
August 16, 1985
THE RETURN OF THE LIVING DEAD is a movie that I already reviewed thoroughly for Halloween 2015, but it’s such a classic I felt it would be wrong to exclude from this retrospective. So feel free to click on that link for a straightforward piece about some of the reasons I love the movie, but this one will zero in on a few aspects I feel are interesting in context with other movies we’ve discussed from the Summer of 1985 movie season.
As a horror-comedy that’s more of a real horror movie than a parody, RETURN arguably has a kinship with FRIGHT NIGHT. But obviously its closest comparison is its brother from another producer, George Romero’s DAY OF THE DEAD. Earlier in the summer I wrote about some of the ways DAY fit the specific moment of 1985. RETURN does it in a totally different way. Romero’s takes a grey, grim approach to railing against the Reagan era, while RETURN writer-director Dan O’Bannon does the EC Comics and punk rock version. Like so many of the movies we’ve been looking at, it’s a very soundtrack-oriented movie, embracing music of the time. But it’s not Huey Lewis, Cyndi Lauper or even Oingo Boingo – it’s punk rock bands like T.S.O.L., The Cramps, The Damned and The Flesh Eaters. (read the rest of this shit…)
Tags: Clu Gulager, Dan O'Bannon, fast zombies, James Karen, Jewel Shepard, John Philbin, John Russo, Linnea Quigley, Mark Venturini, Miguel A. Nunez Jr., punk, Summer of 1985, Tony Gardner, zombies
Posted in Comedy/Laffs, Horror, Reviews | 27 Comments »
Monday, October 8th, 2018
HELL FEST is a mainstream horror movie released on 2,297 screens by Lionsgate, but I never saw a trailer for it and only heard of it because Brian Collins recommended it on Twitter (he also interviewed the director). So I guess social media can still work for good old fashioned word of mouth, not just Russian disinformation campaigns.
For people who like horror but get bored of formula and cliche, this is probly nothing special. But for horror fans like me who enjoy variations on tradition, it’s a surprise treat: a slick, well-made straight-ahead slasher movie with some cool ideas, production value, a solid cast, even likable characters. I honestly thought they couldn’t make movies like this anymore – it seems straight from the post-SCREAM slasher revival, except without any meta stuff (other than we’re having fun being scared while the characters are having fun being scared). Also, no big names in the cast. The only face I recognized besides cameo-ing Tony Todd was Bex Taylor-Klaus from Scream: The TV Series. (But maybe others would be known to me if I was younger.) (read the rest of this shit…)
Tags: Akela Cooper, Amy Forsyth, Bex Taylor-Klaus, Blair Butler, Christian James, Christopher Sey, Gregory Plotkin, Halloween, Matt Mercurio, Reign Edwards, Roby Attal, Seth M. Sherwood, slashers, Stephen Susco, Tony Gardner, Tony Todd, William Penick
Posted in Horror, Reviews | 39 Comments »
