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Posts Tagged ‘Pom Klementieff’

The Killer’s Game

Monday, September 23rd, 2024

You bet your ass I’m gonna go see a theatrically released Dave Bautista vehicle directed by action legend J.J. Perry. THE KILLER’S GAME came out during the week I was traveling and it’s already down to limited showings but I got in there in time. I’m glad I did, but I gotta admit I can already feel it dissolving from my memory as I type this. I didn’t know it was based on a book and that it’s been in development since the ’90s (more on that later), but coming now it’s very well-worn material within the familiar Wacky Assassins mode of action filmmaking (think THE BIG HIT, LOVE AND A BULLET, THE TOURNAMENT, SMOKIN’ ACES, BULLET TRAIN, POLAR, ACCIDENT MAN and its sequel or HOTEL ARTEMIS, which even features both of THE KILLER’S GAME’s leads).

Bautista (MASTER Z: THE IP MAN LEGACY) stars as Joe Flood, elite assassin who in the opening scene kills an arms dealer in the balcony of an opera house. All he really has to do is come in wearing a tux and kill a couple guards to get up there. It’s kind of funny that this is the last role before Bautista decided to slim down from his giant wrestler body, because his huge size seems like a disadvantage in this job (along with his attention-grabbing hand and neck tattoos). That’s not a complaint, though! I enjoy improbable muscleman characters – Schwarzenegger playing scientists, etc. (read the rest of this shit…)

Mission: Impossible – Dead Reckoning Part One

Wednesday, July 26th, 2023

MISSION: IMPOSSIBLE DEAD – RECKONING PART ONE is a top shelf spy action blockbuster. There’s plenty for people to quibble with about how it compares to its six predecessors, but to me it’s another strong variation on and evolution of a series that has managed to go for 27 years and still feel special each time out.

After only a few weeks of release, conversation in movie lover world has already moved on, except to note that DEAD RECKONING is unlikely to make back its huge budget in theaters. I’ll be sure to send a sympathy card to the bean counters, but I appreciate this case of a movie going overbudget to (on top of COVID delays) allow leeway for the filmmakers to tinker with it and take the time to try to meet their enormous ambitions. Director/co-writer Christopher McQuarrie has a weird, partially improvisatory way of building these that other filmmakers shouldn’t copy, but it sure seems to work better than rushing everything to meet a deadline.

Part of the magic of these movies is their mixture of simple and complicated. They’re simple enough that they can advertise this as the one with a motorcycle jump and a train crash and know we don’t need more than that. And boiled down the premise is as simple as that a nefarious A.I. known as “The Entity” has infiltrated all databases around the world, including the entire knowledge base of every intelligence agency, threatening to mix it all with bullshit to destroy our whole civilization’s understanding of reality, so various parties are fighting over two literal keys they believe lead to the only way to get at The Entity. Everyone wants to control it, except Ethan Hunt (Tom Cruise, LOSIN’ IT), who wants to destroy it. (read the rest of this shit…)

Guardians of the Galaxy Vol. 3

Wednesday, May 17th, 2023

GUARDIANS OF THE GALAXY VOL. 3 is the finale to the Marvel’s Celluloidical Ubiquity’s best trilogy. It’s one of the few from a writer/director, and one with the most directorial personality, but it’s also very accessible to less dedicated viewers of comic book movies. It exists off in space, pretty separate from the other Marvel business, other than building off of things that happened to the characters in the two biggest MCU crossover movies, which are quickly summarized for our convenience.

Honestly the story is pretty simple. A weird powerful dude apparently called Adam Warlock (Will Poulter, SON OF RAMBOW) flies in from space and tries to abduct the talking raccoon Rocket (voice of Bradley Cooper, THE MIDNIGHT MEAT TRAIN), instead putting him in a coma; when his friends try to resuscitate him they figure out from code in his cyborg parts that Orgocorp, the company that enhanced him from regular raccoon into Rocket, was trying to reclaim him as “proprietary property,” and now his body will shut down if they don’t get some security code. So the Guardians get help from former member Gamora (Zoe Saldaña, THE TERMINAL) to break into the company’s headquarters, and then to get information in a place called Counter-Earth (an experimental re-creation of an American suburb populated with animal-human hybrids) to save their friend and battle his cruel creator, the High Evolutionary (Chukwudi Iwuji, JOHN WICK CHAPTER 2). Along the way, of course, there are complications, battles, many running gags and bits, and (new to this volume) some very grim but also sweet flashbacks about Rocket’s origins and his friendship in captivity with very innocent cyborg otter, walrus and rabbit lab animals. (read the rest of this shit…)