a survey of summer movies that just didn’t catch on
August 23, 1991
Dump all the macho pop culture of the ’80s – movies, TV shows, music videos, beer and cigarette ads, wrestling – into a strainer, shake it around, and the chunks you got left are HARLEY DAVIDSON AND THE MARLBORO MAN, a buddy-action movie that plays at first like a satire of, but then maybe a tribute to, our basest ideals of masculinity.
It starts with a disclaimer that no, this is not affiliated with the two products it’s named after. The title characters are not supposed to be advertising mascots come to life, some weird meta thing like FOODFIGHT!. It’s tempting to think so, though, when you see them sitting on billboards, Harley (Mickey Rourke, DOUBLE TEAM) always wearing his patch-covered motorcycle jacket, Marlboro (Don Johnson, DEAD BANG) his cowboy gear, cigarette dangling from his lip (though he supposedly quit).
It’s more like it takes place in a pure world of action movie tropes. In the first 10 minutes there’s both an interrupted convenience store robbery and a bar brawl. (Marlboro, being a cowboy, has a disagreement with some Native Americans at the pool table.) They drive motorcycles and leave women naked in hotel beds without saying goodbye. They start in Amarillo and Colorado is mentioned but for the most part their whole world seems to be Las Vegas, L.A. and the dusty desert roads (and train tracks) between them. (read the rest of this shit…)
Do you ever notice the movie posters where it shows the faces of all the leads but then the names above their heads don’t match? You see that and you understand that it was some legal thing, they were required to list them in that order by contract, there’s alot of politics involved. But then you wonder why they don’t plan for that reality ahead of time and make a composition with that in mind. I know it can be done. And KILLSHOT, the long-delayed-then-poorly-received-then-put-off-seeing-by-me-until-now Elmore Leonard adaptation from the director of SHAKESPEARE IN LOVE, does something rarer. It introduces the characters in the actual movie in credits order so the actor’s names can appear over them on screen. I was really impressed by that extra effort. (read the rest of this shit…)
I actually rented FADE TO BLACK as part of Slasher Search, knowing it wasn’t really gonna fit the FRIDAY THE 13TH slasher formula but thinking it might still count. There is a killer in it but he mostly shoots people and really doesn’t do anything that could be considered a slash at all so I’m gonna leave the logo off here.
This is kind of a horror movie but also a pretty detailed and sympathetic portrait of its weirdo killer Eric Binford (Dennis Christopher, CHARIOTS OF FIRE). He’s an awkward, movie obsessed nerd, old enough to be on his own but living with the disabled lady (Eve Brent) who raised him (and yells at him because she blames him for the accident that paralyzed her, even though he was 4 at the time). (read the rest of this shit…)
This movie has a reputation as kind of a mess. Admittedly it is a 2 1/2 hour broad comedy about paranoia right after the bombing of Pearl Harbor. In my opinion a 2 1/2 hour broad comedy about paranoia right after the bombing of Pearl Harbor was not necessarily one of the top two or three things the world hoped for as Steven Spielberg’s followup to CLOSE ENCOUNTERS OF THE THIRD KIND. But fuck ’em. It’s what they got and they oughta fuckin appreciate it. (read the rest of this shit…)
Okay, let’s do some DTV math here. If there’s a new Jason Statham movie, I’m probly gonna watch it. If it also has Mickey Rourke, Ray Winstone and Ben Gazzara in the cast I’m even more probly gonna watch it. All of these people do crappy movies sometimes, but they’re actors I like, so with all of them together that adds up to hope.
If 50 Cent is also in there, though, that’s a detracting factor. Not that I think he’ll do that bad of a job, just that he does not have much of a track record for participating in movies that people should spend their time watching. And actually while the presence of Mickey Rourke in a movie can make it interesting or even great, Mickey Rourke + 50 Cent actually reverses Mickey Rourke and turns him into a likely negative. But in this case there is also the Statham/Winstone combo which could easily overpower the force of Rourke/50, especially when you factor in Academy Award nominee Michael Shannon, ’cause he’s in it too.
So I crunched all this data and according to my calculations 50 is not gonna ruin 13. He already did a DTV movie called 12, he probly just stuck around ’til they starting filming 13 and they just let him be in it because he seemed nice and was passing out Vitamin Water to everybody. So they made the movie with him and later I rented it. (read the rest of this shit…)
Yes, it’s true, this is a movie about Mickey Rourke and Bill Murray fighting over Megan Fox because she has wings. Mickey plays a jazz trumpeter (the serious type who always wears colorful suits, a fedora and pointy shoes) who gets in trouble because he accidentally slept with the wife of a gangster named Happy (Murray). So he gets beat up and left in the desert.
When he wakes up he wanders and finds a carnival with a sideshow. That’s where he sees this winged lady. Not riding a ferris wheel – she’s in the sideshow, because she has wings. Not sure if you got that. (read the rest of this shit…)
My friends, I write this review with a heavy heart. I know you’ve been waiting patiently for me to review THE EXPENDABLES, but first I had to process it, and what it has done to us. Sometimes a man must go on a journey to find himself before he can rise in the morning and face others. Ever since I was a young (read the rest of this shit…)
I meant to do this back when I reviewed POINT BLANK (Mickey Rourke vs. mall terrorists version), but I forgot, so here’s another Mickey Rourke picture to kick things off on a new thing I’ll try called COUNTDOWN TO THE EXPENDABLES. Not sure if I got enough time before the movie comes out next month, but I’m gonna try to go down the list of all the main EXPENDABLES cast members and review one of their movies that I haven’t seen before. (See, it’s a good thing Seagal turned the movie down, because there’s not anything by him that I haven’t seen. Maybe I’d have to review the cameo on the episode of Roseanne that I didn’t find out about until after Seagalogy went to print.)
Whether or not Stallone’s movie ends up being any good I think we can all agree that he did a good job of casting a wide range of tough guys from different movements, generations and disciplines. So through this journey I think we will all learn a few things and expand our knowledge of the Badass Arts in its many forms. I know I’ve already seen one unexpected gem in preparation for this series, so this could be a great time.
POINT BLANK is a movie not starring Lee Marvin, not based on the novel ‘The Hunter’ by Richard Stark, and not a must-see classic of badass cinema. At least this POINT BLANK isn’t. This one is from 1998 and there was really no way they could’ve known there was already a movie called POINT BLANK, so let’s not start pointing fingers. Anyway it’s basically a low budget CON AIR in a mall. A bunch of lifers mount an escape from their prison bus, take over a Fort Worth shopping mall as it’s closing up and try to hold the people inside hostage for ransom, etc. (read the rest of this shit…)
I never reviewed IRON MAN, because I just didn’t feel like I had anything new to say about it. I enjoyed it just like everybody else did, for the same reasons, and every websight I read had examined the shit out of it, so I just let it go.
Now part 2 is out and I almost did the same thing (tradition is very important to me) but as I was thinking about writing up an explanation of why I wasn’t writing up the movie I realized I did have a couple things to say, so what the hell. Review time. (read the rest of this shit…)
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August 23, 1991
Do you ever notice the movie posters where it shows the faces of all the leads but then the names above their heads don’t match? You see that and you understand that it was some legal thing, they were required to list them in that order by contract, there’s alot of politics involved. But then you wonder why they don’t plan for that reality ahead of time and make a composition with that in mind. I know it can be done. And KILLSHOT, the long-delayed-then-poorly-received-then-put-off-seeing-by-me-until-now Elmore Leonard adaptation from the director of SHAKESPEARE IN LOVE, does something rarer. It introduces the characters in the actual movie in credits order so the actor’s names can appear over them on screen. I was really impressed by that extra effort. 
This movie has a reputation as kind of a mess. Admittedly it is a 2 1/2 hour broad comedy about paranoia right after the bombing of Pearl Harbor. In my opinion a 2 1/2 hour broad comedy about paranoia right after the bombing of Pearl Harbor was not necessarily one of the top two or three things the world hoped for as Steven Spielberg’s followup to CLOSE ENCOUNTERS OF THE THIRD KIND. But fuck ’em. It’s what they got and they oughta fuckin appreciate it. 
Okay, let’s do some DTV math here. If there’s a new Jason Statham movie, I’m probly gonna watch it. If it also has Mickey Rourke, Ray Winstone and Ben Gazzara in the cast I’m even more probly gonna watch it. All of these people do crappy movies sometimes, but they’re actors I like, so with all of them together that adds up to hope.
Yes, it’s true, this is a movie about Mickey Rourke and Bill Murray fighting over Megan Fox because she has wings. Mickey plays a jazz trumpeter (the serious type who always wears colorful suits, a fedora and pointy shoes) who gets in trouble because he accidentally slept with the wife of a gangster named Happy (Murray). So he gets beat up and left in the desert.
My friends, I write this review with a heavy heart. I know you’ve been waiting patiently for me to review THE EXPENDABLES, but first I had to process it, and what it has done to us. Sometimes a man must go on a journey to find himself before he can rise in the morning and face others. Ever since I was a young 
I meant to do this back when I reviewed 
POINT BLANK is a movie not starring Lee Marvin, not based on the novel ‘The Hunter’ by Richard Stark, and not a must-see classic of badass cinema. At least this POINT BLANK isn’t. This one is from 1998 and there was really no way they could’ve known there was already a movie called POINT BLANK, so let’s not start pointing fingers. Anyway it’s basically a low budget CON AIR in a mall. A bunch of lifers mount an escape from their prison bus, take over a Fort Worth shopping mall as it’s closing up and try to hold the people inside hostage for ransom, etc. 
I never reviewed IRON MAN, because I just didn’t feel like I had anything new to say about it. I enjoyed it just like everybody else did, for the same reasons, and every websight I read had examined the shit out of it, so I just let it go.
