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Posts Tagged ‘Guy Norris’

Furiosa: A Mad Max Saga

Thursday, May 30th, 2024

Note: There aren’t exactly twists or anything to spoil in FURIOSA, but this is all spoilers. You really should see the movie first. This review the discussion afterwards.


There are over one million things I’ve always loved about the MAD MAX movies, and one of them is that they’re separate tales. There’s no continuity, no narrative references to or consequences from a previous chapter, and other than Max Rockatansky and his Last of the V8 Interceptors there’s never been a returning character, location or faction. They don’t necessarily take place in any order, and they’re so separate that some people think Tom Hardy’s Max is a different character from Mel Gibson’s. I’ve always thought of them as more like the Man With No Name trilogy than, say, STAR WARS.

But FURIOSA: A MAD MAX SAGA isn’t a MAD MAX movie. Says it right there in the title – it’s a saga. And we knew it was the backstory of Furiosa, written in conjunction with MAD MAX: FURY ROAD, shown to Charlize Theron to help her performance, at one point supposedly considered to be shot back-to-back, at another to be done as an anime movie directed by Mahiro Maeda (director of the Second Renaissance episodes of THE ANIMATRIX and animator on NAUSICAA and KILL BILL VOL. 1). So FURIOSA is a traditional prequel in the sense that it depicts an earlier stage of the specific world and characters of FURY ROAD. (read the rest of this shit…)

Rage and Honor II: Hostile Takeover

Friday, May 6th, 2022

RAGE AND HONOR II: HOSTILE TAKEOVER was released only a year later (1993), but it’s made by a whole new team. It’s the only narrative feature directed by Guy Norris, an Australian stunt legend who had been on the team for THE ROAD WARRIOR, stunt coordinator for DEAD END DRIVE-IN and BLOOD OF HEROES, etc.

This sequel also has a new set of writers: Louis Sun & Steven Reich. Sun has no other credits, but Reich was producer of CIRCUITRY MAN and SHAKES THE CLOWN, both also released by record-label-turned-film-distributor I.R.S. Media.

Rothrock is playing Kris Fairchild again, but she might as well be a different character. We first see her sneaking around in all black with gun holsters, wearing a headset and saying “Alpha 1 in position” before battling a bunch of terrorists in creepy Halloween masks. It will turn out to be a training exercise, meaning she has moved on from both of her jobs in part I – high school history teacher and martial arts instructor. Now suddenly she’s some kind of agent and she’s sent to work for a bank in Thailand as part of an investigation. (read the rest of this shit…)

The Suicide Squad

Wednesday, August 11th, 2021

THE SUICIDE SQUAD, from writer/director James Gunn (SLITHER, SUPER, writer of TROMEO & JULIET and DAWN OF THE DEAD) is kind of miraculous as far as these big ol’ corporate franchise movies go. Imagine the odds against a director starting out as a writer at Troma, making some well-liked-but-not-super-successful hard-R comedies, then going mainstream with two beloved Marvel hits, then being temporarily fired by Disney due to right wing trolls feigning offense at his old tweets, and spending his time off going over to a different comic book universe to make a super gory and death-filled but heartfelt sequel to someone else’s widely-hated part 1, building off of his horror comedy past, the skills he built on his GUARDIANS OF THE GALAXY movies, and what was fun about that first SUICIDE SQUAD movie, to make something really special?

Though I didn’t hate David Ayer’s 2016 SUICIDE SQUAD the way most seem to have, I had many complaints. I suspect he had a more sensible version before the studio literally hired the trailer company to re-edit it, but even in its present form I think the movie deserves praise for establishing a rowdy, cartoony take on the DC Universe that BIRDS OF PREY and now this were able to riff on and use as a jumping off point. And of course even bigger than that is its casting of Margot Robbie (THE LEGEND OF TARZAN) as Harley Quinn, as close to a universally beloved character and portrayal as has ever come out of such a widely hated movie. (read the rest of this shit…)

Ghost in the Shell (2017)

Wednesday, January 24th, 2018

In my view Scarlett Johansson can do no wrong. But the live action manga and/or anime adaptation GHOST IN THE SHELL probly did itself a fatal wrong by casting her as the human-brained robot cop Major, a role that probly should’ve showcased an exciting up and coming Japanese-American actress.

I was skeptical about the controversy at first, because the animated version of the character looks white to my American eyes, and I mean she’s a robot she can look any way they want her to look, plus the story takes place in a very international future, and anyway it’s an American remake of a foreign film so by definition it’s gonna be changed for American culture, and additionally the director of the anime Momoru Oshii said that Johansson was perfect for the part, and it’s true that her roles in UNDER THE SKIN and LUCY prove that she’s uniquely qualified to play an ass-kicking almost-naked robot lady, and furthermore it’s not like it’s easy for her to get a lead role like this either, and anyway a couple years ago all the clamor was for Hollywood to make more big genre movies based around women, and back then nobody specified “white women don’t count.” So I feel bad for her.

But… I think the criticisms were legitimate. (read the rest of this shit…)