"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Austin Abrams’

Resident Evil (2026)

Tuesday, September 22nd, 2026

I come bearing good news: the new RESIDENT EVIL movie is a very fun time, even if you never played one of the games in your life, even if you wouldn’t notice that it “feels like game play,” even if “a more faithful adaptation of the games” does not remotely sound to you like a good alternative to 14 years of trend-chasing Paul W.S. Anderson joints about Milla Jovovich doing flips and stuff. I mean come on. How ya gonna keep e’m down on the farm after they’ve seen Milla flying around doing Matrix shit in 3D? Or at least, how are ya gonna keep me. I wasn’t looking for RESIDENT EVIL without the main thing that RESIDENT EVIL means to me. If not for some theories I’ve heard about auteurs I would not have gone to see this reboot on opening day.

Let’s face it, as a never serious, long retired game player, there is almost no chance I will ever play or see somebody play these games. It’s honestly none of my business what they’re about. Don’t even tell me, I’ll cover my ears. But I respect the games for the movies they’ve inspired. I really got a kick out of four of the six Milla joints (just not the first and last ones), and I thought the unrelated WELCOME TO RACCOON CITY was fun too.

But this is probly the best one. It’s directed by Zach Cregger, in what sounds in interviews like risky nerd dream fulfillment more than a sellout. I honestly thought the brand name would be a deterrent, but it’s his biggest opening to date. It’s simpler and more straight ahead than BARBARIAN or WEAPONS, but it moves, rips, etc., and it’s funny as hell. He told the Hollywood Reporter that “people really liked the movie, but they thought it was too funny. So over the course of my testing, I stripped out as much of the jokes as possible.” I believe it, actually, because this has that rare, perfect EVIL DEAD II tone: so many laughs from the lead character and the absurdity of the situations, but not at the expense of the horror. Not a horror-themed comedy, but legit horror with a great sense of humor. (read the rest of this shit…)

Weapons

Monday, August 11th, 2025

Zach Cregger, the guy from the sketch comedy group The Whitest Kids U’Know who suddenly became a horror auteur with BARBARIAN (2022), is back with his ambitious followup. Cregger has mentioned being inspired by MAGNOLIA when trying to explain what he’s doing here, which might sound kind of ridiculous, but it makes it fitting that it’s New Line Cinema putting a whole lot of faith in a promising new director. Pretty big budget, final cut, advertising based on mystery and “from the director of BARBARIAN,” and they even gave it an IMAX release! But I think their confidence is warranted.

The only thing we really knew about from the somewhat cryptic trailers is a mysterious event explained in the opening by a child narrator (reminded me of SHOGUN ASSASSIN). One night at 2:17 AM in the small town of Maybrook, Pennsylvania, seventeen kids get up out of bed, run out their front door into the night and don’t come back. The weirdest part is that they’re all in the same class, taught by Justine Gandy (Julia Garner, WE ARE WHAT WE ARE). So when she comes to school the next day only one kid is there, Alex Lilly (Cary Christopher). Since nobody can figure out what the fuck happened some of the parents, especially Archer Graff (Josh Brolin, THRASHIN’), assume Justine had something to do with it. She’s getting harassing phone calls, threatening knocks on the door at night, her car vandalized, and she has no teaching to do. Things are not going great for her. (read the rest of this shit…)