THE MATRIX RELOADED may have been the most highly anticipated but immediately rejected sequel of my lifetime. I’m not just excluding PHANTOM MENACE for being a prequel – whatever happened in the rest of the world, I honestly didn’t experience many people hating it until months later, at least. With RELOADED it was pretty instant.
It was the only MATRIX movie I reviewed upon release, so you can click here to see my kinda dumb, mostly still applicable 2003 thoughts on the matter. I seemed to be fielding a backlash against the original MATRIX movie as well as people hating RELOADED, but it was only the latter I found myself feeling I had to defend over the years.
I do think I partly understand why people were disappointed. THE MATRIX ends on a perfect note of letting us imagine what’s next in the “world where anything is possible.” Any definitive answer of what happens next has a hard time competing with the electric feeling of not knowing. Especially when part 1 was a carefully constructed machine of concept, explanation and payoff, while part 2 kind of wanders through a labyrinth of tangential notions and questions before it gets to the battle it’s been promising. And it cuts off in a cliffhanger well before said battle. (read the rest of this shit…)
THE OMEGA MAN has been a favorite of mine since I first saw it on cable as a teenager. I would later read the novel I Am Legend by Richard Matheson (love it) and see the first adapation LAST MAN ON EARTH (pretty good) and third one 
One summer of ’89 joint that seems older than most of the others is Timothy Dalton 007 movie #2 of 2, LICENCE TO KILL. It’s got a definite ’80s action influence in that James Bond is supposed to turn in his proverbial badge and actual gun (he keeps the gun though) and goes rogue to get revenge on a Colombian drug lord named Sanchez (Robert Davi, 
STEEL DAWN takes the post-apocalyptic world of George Miller, pumps up the samurai and western influences, adds a little martial arts, replaces the internal combustion engine with wind power, and invents the Patrick Swayze action vehicle. He’d already made a name for himself in ensembles – THE OUTSIDERS, 
