If you ever saw THE HOUSE OF 1,000 CORPSES, there’s one thing you probaly remember. It’s this montage set to “I Remember You” by Slim Whitman. It’s got lots of slow motion and you can’t hear anything but the music as the cops discover a couple of the house’s thousand corpses unexpectedly, then get gunned down by the Firefly family. The montage ends with Otis (Bill Texas Chain Saw Massacre 2 Moseley) holding a gun to a cop’s head and it sits there with 20 full seconds of complete silence and stillness before he executes him.
That movie was pretty good, I liked it overall for it’s spunk and what not, but it was real sloppy and uneven. And that “I Remember You” scene was the one part where the director, a guy named Rob Zombie (yeah I know, I think it’s Hungarian or something), seemed like a real filmatist. Well good news, Mr. Zombie’s new one THE DEVIL’S REJECTS is not as much a sequel to HOUSE OF 1,000 CORPSES as it’s a sequel to that scene. It’s about the brother of the first cop killed in the montage hunting down the Fireflies for revenge. And all the sudden the Zombie guy knows what the fuck he’s doing: real good framing, way better acting, expert use of slow motion and effective montagings edited to old country music, blues and classic rock. Very dirty and raw, lots of ’70s techniques like Peckinpah slo-mo and fancy wipes. Kind of what Jim Van Bebber was going for with THE MANSON FAMILY. Maybe not quite as authentic but way better thought out and more involving. It’s almost changed genres – now it’s less straight up horror and more of one of those sicko ’70s serial killer/crime/road pictures, or a revenge picture like LAST HOUSE ON THE LEFT. It’s just as sick and inexcusable but more fun. (read the rest of this shit…)

SPOILER ALERT !!
Sometimes for scientifical type purposes I try to predict what bad puns the hack critics will use in reviews of upcoming movies. For WAR OF THE WORLDS I was leaning toward an “out of this world” or “worlds away from E.T.” type thing. Somebody suggested “Bore of the Worlds” but I was saving that for “Fantastic Bore” and “Fantastic Snore.”
BREAKING NEWS: ENTER THE DRAGON is a classic and it’s mainly because of Bruce Lee’s performance. More on this story as it develops.
aka SHAOLIN MASTER KILLER
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…
Hey folks, Harry here with Vern chiming in on the latest film from Alex De La Iglesia – who one day will be paired up with a perfect project that will launch him into world wide infamy – and goddammit, I wished it had been his FU MANCHU movie he wanted to make! Do yourself a favor and track down DIA DE LA BESTIA or 800 BALAS… then you won’t be able to stop tracking down all his films. Here ya go…
SPOILER ALERT !!
Well when it comes to the classics of the kung fu genre, who the fuck knows where to start? Not me, but a recent browsing of the book THE WU-TANG MANUAL BOOK 1 by outlaw award winning composer RZA gave me some tips. In one chapter he tells about the three kung fu movies that most influenced him, and this one sounded the best. He tells a story about getting high and watching it late at night with a gentleman named “Ghostface” and some other buddies from the Stapleton projects. Supposedly they all started crying because of its messages of brotherhood. It would be interesting to know which scene got them going.
SPOILER ALERT !!

















