If you ask me, AMERICAN WEREWOLF IN LONDON is the best werewolf picture mankind has developed so far. But watching THE HOWLING again reminded me there’s at least one giving a little friendly competition, keeping AMERICAN WEREWOLF honest. Even if it’s not as good.
THE HOWLING is directed by Joe “GREMLINS” Dante, so it has his usual Cormanite monster nerd business: Dick Miller in a supporting role, cameos by Roger Corman and Forrey Ackerman, some black humor here and there. But the tone is more serious than AMERICAN WEREWOLF and way more serious than anything else Dante’s ever done. Filmatically I would say it’s his best directing job by far. Instead of AMERICAN WEREWOLF’s contemporary twist on urban gothic THE HOWLING starts out as straight up sleazy urban noir, werewolves in the world of serial killing and bondage porn. At times it feels more like a David Cronenberg than a Joe Dante. (read the rest of this shit…)

So here we are. The VERY LAST time we will ever see Freddy Krueger. Dead forever. Never, ever again will he appear in a movie of any kind, because this at last is the end of him. It says it right there in the title, twice. He is dead, and this is the final one. And what a journey it’s been. But thank God we have this precious last 89 minutes to spend with him.
I’m surprised I haven’t seen this one hyped up on the internet too much. You know how internet people love to be the one who discovered some small time independent movie, so they overdo it in praising the ones they like. At the same time they love their horror mixed with wackiness. Even today, if they read that Bruce Campbell is appearing in a movie, their first thought is that it will be a great movie. And they have seriously considered naming their first child Shaunofthedead. Also they enjoy the hyperbole. And I honestly don’t think it’s because they know they could get quoted on the DVD, I think it’s just their personality to say everything is the BEST. THING. EVER. (or more often worst, but that’s a different topic.)
Avery (Brian Cox) treats his dog Red like family. He doesn’t talk to him in funny voices or make him wear a dog sweater. But he does apologize to him for making him wait while he gets his things together to go fishing. The movie gets rolling in about scene 2 when three teenagers show up, pretend to make small talk, try to rob him, and then shoot Red.
According to the Rotten Tomatoes, Spike Lee’s new World War II epic has a 27% organic and plump rating (or whatever). In other words it has a lower approval rating than George Bush. Also, by the way, lower than CHRONICLES OF RIDDICK or DAREDEVIL.
Okay, let’s say it’s the year 2008, you are a horror fan, and the one thing that would really hit the spot for you in the near future would be a low budget FRIDAY THE 13TH (part 1) rip-off with a unique brand of in-your-face FUCK YOU AND YOUR MOTHER New York attitude. But not SLEEPAWAY CAMP, you already saw that one. Well then November 4th is your lucky day, dickwad, because that’s when original SLEEPAWAY CAMP director Robert Hiltzik returns to Sleepaway Camp with his sophomore directorial effort, RETURN TO SLEEPAWAY CAMP.
DARK AGE
You know how once every 6-12 months you and your buddies will have a brief conversation about what a shame it is SNAKES ON THE PLANE didn’t live up to its potential as entertainment? Yeah, I do that too, and the one thing I always bring up is how they had a character who they told you was a kickboxer and yet they never had him kick a snake… or a person for that matter. No buts about it, that is a dereliction of duty on the part of the filmatists.

















