Well, we saw it coming, but it’s still a huge bummer to know that Patrick Swayze is no longer with us. I don’t want to rehash what I’ve said before but I think most of you guys know how I feel about his work and feel similarly. He became kind of a pop culture joke because of movies like DIRTY DANCING, but I admired him because of how dedicated he was to his roles and how unafraid he was of being corny. I think most, many or all of us here consider ROAD HOUSE to be a classic and completely unique, to say nothing of POINT BREAK where he gives an equally great performance. In both cases I’m convinced that he made himself believe the philosophies he was spouting in character. He really was Dalton and he really was Bodhi. Incidentally he also did a great job as a screen fighter and even did skydiving stunts for POINT BREAK.
I also enjoyed him in UNCOMMON VALOR and BLACK DOG, I know a guy who loves NEXT OF KIN, and yeah, I’m gonna have to check out STEEL DAWN one of these days. And I have planned for years to revisit RED DAWN (almost made it part of my back to school series but I want to watch it as a double feature with ROCKY IV since that’s how I saw it in the ’80s). I don’t think he was mainly thought of as an action guy, and yet he had all those on his resume.
Another thing I always think of when I think of Swayze is that Saturday Night Live sketch where him and Chris Farley were auditioning for Chippendales. I can’t seem to find the original on Youtube or I’d embed it, but it was amazing how sincere and sweet he made his character in that thing. He did a similar trick in the not particularly good TO WONG FOO, THANKS FOR EVERYTHING, JULIE NEWMAR.
He also seemed to be a cool guy with a sense of humor about himself. He was even willing to play that self-help dude in DONNIE DARKO who turns out to have a “kiddie porn dungeon.” And he seemed to have a good head on his shoulders. As tragic as it is to die so young I’m glad he at least got a heads up so he could spend more time with his family and try to get things in order.
Please share your Swayze thoughts in the comments or click on his name in the tags below to see my reviews of a few of his movies.
TEEN WOLF is the story of a teen who turns into a wolf. But he looks more like those cavemen from the commercials, or the “dog-faced boy” from the cover of that old video about the different “freaks” (see diagram).
boner it brings out the changes in his body and then when there’s a full moon he turns into a wolf. So his dad reveals to him that he also is a wolf, an Adult Wolf, because it’s just this harmless thing that runs in the family.
There’s a new horror movie out this week called SORORITY ROW. This isn’t that, it’s the original, which was called THE HOUSE ON SORORITY ROW. Or actually HE HOUSE ON SORORITY RO on the (out of print) full frame DVD, because the credits get cut off. (I noticed that when I set my DVD player to zoom out it was less cropped though. So try that if you watch it before the new DVD comes out in November.)
The rest of the movies in VERN’S BACK TO SCHOOL SPECIAL will be more specifically about school, but this one is about underground fighting within the world of high school teens, so I think it counts. When I reviewed FIGHTING recently the commenter ‘a’ suggested I see this as a comparison, so I did.
Since Labor Day was last Monday I figure the kids are either back in school or about to go back to school, so I might as well do VERN’S BACK TO SCHOOL SPECIAL. And if I’m gonna do that there is one movie that I would have to be a fuckin moron not to start with. And I’m not talking about BACK TO SCHOOL.
How do you know to lower your expectations for the sequel? When it’s included on the DVD with the first movie. And not as a double feature, but as a bonus feature. I didn’t realize this was on the DIRTY DOZEN dvd when I rented it, but I found it while browsing the extras. Never seen it before so I decided to give it a shot.
Man, it’s one of those concepts that’s too perfect to fuck up: twelve WWII era inmates of a military prison are sent on a dangerous mission to kill as many Nazi officers as they can. The Americans have this target, but they don’t want to waste good soldiers, so why not these lifers and death row cons, murderers and rapists? It’s kind of the same concept as “paint clothes.” You don’t paint the house in pants you’d wear to church, and you don’t want to waste your best soldiers on a suicide mission so you use these fuckos you got in storage. If they die – well, you weren’t planning on using them anyway. No loss.
Warning: this review talks alot about American politics that won’t matter to many of you, but then so does the movie so it should be fine.
I gave CRANK two tries. I really wanted to like the movie, but I sort of hated it. I had a hard time getting past the hyperactive editing and camerawork – Jason Statham would do these things that should be exciting but the directors, “Neveldine/Taylor,” were hammering me over the head so hard with all their visual tricks that it just seemed boring. I honestly fell asleep the first time I saw it and missed that charming moment where he causes an innocent cab driver to be lynched by pointing at him and yelling “Al Quaeda!” on a crowded street.
genre of “intelligent sci-fi”? Like the recent MOON and SUNSHINE and I guess people would say that movie PRIMER although I haven’t seen it. Coming out on DVD today is another small, low budget, independent sci-fi full of smart ideas about the modern world and what could happen with our technology. This one’s not an action movie at all though, it’s a small drama, and from a Mexican perspective. So if you never heard of it that’s why. Subtitles, and no exploding heads.
