As the founder and producer of Motown Records, Berry Gordy, Jr. created one of the most successful African American business enterprises in history, re-invented the sound of American music, discovered Smokey Robinson and the Miracles and signed such important artists as The Supremes, Marvin Gaye, The Temptations, The Four Tops, Gladys Knight & the Pips, Stevie Wonder and The Jackson 5. But music wasn’t enough to quench his thirst so he moved to L.A. and helped turn Diana Ross into a movie star, producing LADY SINGS THE BLUES and directing MAHOGANY.
Unfortunately, even a man who made such a powerful contribution to music and culture could not escape the funk and soul dead zone historians call “the 1980s.” There were black artists changing the world during that decade, but Michael Jackson had left Motown and Prince was never on it. Nobody on Motown could compete with those two, I don’t care how popular El DeBarge, Rockwell or Teena Marie were. Proud afros were replaced by drippy perms, tight rhythm sections by cheesy keyboards and drum machines. It was not a good time for Motown.
Let’s put it this way: 20th Century Masters – The Millennium Collection: Motown 1980s, Vol. 2 includes Bruce Willis’s rendition of “Respect Yourself.” So in 1985 we got Berry Gordy’s last movie, BERRY GORDY’S THE LAST DRAGON. (read the rest of this shit…)

FIST OF FURY aka THE CHINESE CONNECTION is Bruce Lee vehicle #2. This one is a period piece with much higher production values than THE BIG BOSS. Bruce comes into town wearing a white suit (looking like today’s pretty boy Korean pop stars, to be honest) and discovers that his master has just died. Bruce is playing the fictional character Chen Zhen, student to the real historical figure of Huo Yuanjia, who has become fictionalized in movies and legends. (For one version of Huo Yuanjia’s life story see FEARLESS, where he’s played by Jet Li.)
Just a heads up in case anybody’s interested:
KICK-ASS is the new movie that for the first time since DEFENDOR, MIRAGEMAN, SPECIAL and the first part of SPIDERMAN where he wears the pajamas asks the question “What would happen if a comic book nerd dressed up as a super hero and tried to fight crime?” The answer is partly the same as DEFENDOR’s (he’ll get beat up badly, except when he has clubs) but partly different (a little girl will fly around spinning knives and doing kung fu, murdering dozens of people and give him a jetpack and [SPOILERS for KICK-ASS and DEATH WISH 3] he’ll kill a mob boss DEATH WISH 3 style).
Sorry to be self-indulgent here but I gotta brag about this review I got from The Independent, which is from what I hear an actual newspaper.
I have a hunch the bigger movie websights are about to catch up with us DTV action scholars re: the films of Isaac Florentine. Over there at Actionfest in North Carolina they gave best picture to MERANTAU (which recently got a
In honor of the historic first ever ACTIONFEST going on right now in Asheville, North Carolina, I thought I should watch a Chuck Norris picture. Mr. Norris is the recipient of the Actionfest Lifetime Achievement Award (and coincidentally brother of Actionfest co-founder Aaron Norris). For their retrospective they’re showing CODE OF SILENCE (Seagalogy p. 13-14) and BRADDOCK: MISSING IN ACTION III. Since I’d already seen CODE and didn’t have time to catch up with MIA 1-2 yet I followed your recommendations and went with INVASION U.S.A. I think the deciding factor was that Drew Barnhardt told me it was “Norris’s 
MARLOWE is a 1969 adaptation of the Raymond Chandler story “The Little Sister” that is 

















