Well, you guys know I’m not much of a TV watcher, but I have managed to keep up with JUSTIFIED, the FX show starring Timothy Olyphant as badass deputy marshall Raylan Givens, a character who originated in Elmore Leonard’s Pronto (although it’s credited to the later short story “Fire In the Hole,” since that’s what the pilot was adapted from).
This week we finally got to meet Raylan’s much referred to pops, who was a bastard as promised but luckily in a small-timer way. Some of the previous references to him made it sound like he was some international super-crook, but in this one he’s mostly an old man who smashes things with a bat. I was hoping somebody recognizable like Robert Forster or somebody would turn out to be the dad, like a surprise casting coup type deal. Instead it’s Raymond J. Barry, who is perfect. What they went for is much better than what I wished for. It’s a great character and great relationship.
My favorite episode so far was last week, though. Raylan went to L.A. after a mob accountant turned dentist played by Cameron from FERRIS BUELLER (looking alot like Anthony Bourdain these days). That was a great Elmore Leonard feel because they get you rooting for this dentist in the opening scene when he removes gold fillings from a rich asshole in the parking lot for yelling at his secretary.
Anyway, I want to point you to this article posted on elmoreleonard.com which reveals that Leonard likes the show so much he’s working on ideas to give them for season 2. Also, the comments here is a good place to discuss new episodes if you ever feel like it.
Remember around the time you first heard about Vin Diesel, you would read all this shit about how he wasn’t just some dumb musclehead, he was a multi-talented enigma, he directed a short that caught Steve Spielberg’s eye, blah blah blah? But then he just did a bunch of action and action-like movies, many of them not very good, turned down the sequels, never got his HANNIBAL movie off the ground, then eventually had to stoop to the Hulk-Hogan-in-MR.-NANNY route to get a hit, and everybody wrote him off?
In ’75, six years after John Wayne won his Oscar playing Rooster Cogburn in TRUE GRIT, they figured on bringing the character back. Not a bad idea, actually. Maybe not as good as my idea of spinning off his cat, but still, it works. He’s a marshall who goes after outlaws, obviously he’s gonna have other adventures. That’s what this is, this ROOSTER COGBURN, it’s not a stripped down drama about him getting old like ROCKY BALBOA was. (And if you’re looking at that picture thinking man, Mattie Ross got old fast, don’t worry, it’s a different character.)
This movie’s gettin a squeeze of the ol’ limelight again on account of the Minnesota Coens are doing another version of the same book.
My friends,
Long before Kathryn Bigelow swept the country into a state of frenzied Hurt Lockermania there were other women directors paving their own roads, carving out their own niches, laying their own tracks, mapping out their own nature trails, and other metaphors. One such director was Shirley Clarke.
The Oscars this year performed a courageous service: they taught the world who Kathryn Bigelow was. Or at least that she’s a woman, she won the Oscar, she directed THE HURT LOCKER, and that business about her ex-husband, whatsisdick. So now she’s pretty close to a household name, she’s not just that legendary female director of action movies who for a short time had the filmatic chops to match or better her testacled counterparts. Now she’s reborn with a great movie at the top of her IMDB profile and a place in history.
As much as I like Marko Zaror, I thought DEFENDOR was a much better take on the “regular person becomes super hero” genre than MIRAGEMAN. To be fair, Woody Harrelson is not as good of a martial artist as Zaror, and is not as Chilean either. But he is good in this movie.
I was thinking the other day: I wonder if super hero movies are the westerns of our time? A genre that’ll dominate for a while and then after a generation or two of being done to death it’s put off into storage, except for special occasions, like the fancy silverware. If so then I think we’re a little early with all these super hero deconstructions, these different versions of “what would really happen if somebody tried to be a super hero?” WATCHMEN and the upcoming KICKASS are the expensive, fantastical versions of that kind of idea and then there’s this slew of low budget indie ones like SPECIAL, DEFENDOR and MIRAGEMAN.
It might be hard for some of you youths to believe, but there was a time when our boy Bruce
