I thought I’d seen Ridley Scott’s LEGEND back in the ’80s, but none of this shit seemed familiar so maybe not. I was never into the hobbity shit and to this day I have no clue why Mr. Scott thinks that unicorns are something that should be used in a medium other than wallpaper for a little girl’s room, so it makes sense that I wouldn’t have gotten around to this one before.
But Mr. Scott has made some good ones over the years and a couple of you once tried to convince me it was acceptable for adult men to watch this, plus they got it on a new blu-ray. So today was the day. The day of Legend.
(read the rest of this shit…)
In the tradition of SNIPER and THE MATRIX RELOADED comes a movie that has the words SNIPER and RELOADED in the title. Actually this is the fourth entry in the SNIPER series and yet another example of the 21st century’s trend of surprised-they-made-this, not-bad, not-great DTV sequels.
Somebody was making fun of me the other day for always saying the full name “Stone Cold Steve Austin,” even though he’s just credited as “Steve Austin” these days. But you know what man, it’s like saying “Sir Laurence Olivier” or “President Barack Obama” or “Screen Actor’s Guild Award Winner Chris ‘Ludacris’ Bridges.” I am a gentleman and I show respect when appropriate. And anyway he’s not the Six Million Dollar Man, and he’s not an amazing undercover biker movie starring Brian Bosworth, he’s obviously a combination of the two. Just calling him “Steve Austin” or “Stone Cold” would be incomplete and inaccurate. You can’t just say “butter” when you mean “peanut butter,” it’s a completely different meaning.
The remake of 3:10 TO YUMA is a pretty good modern western, but it dilutes the simple power of the original by overcomplicating it. Delmer Daves and friends took this very short story mostly about two men in a hotel room (don’t take that the wrong way please) and expanded it to movie length, but I thought they made it work beautifully. Now they take that expanded version of the simple idea and they go expand on that. Give the hero more of a backstory, involve his son in the action, have the outlaw escape and get captured by other people, etc. The only thing they simplify is the number of guys in Ben Wade (Russell Crowe)’s gang, so you lose that menacing scene of them all lined up at the bar with one defenseless woman pouring them all shots.
(Note: I will be reviewing both 3:10s to Yumas in two separate posts)
We got a couple stories in the news worth discussing over the weekend in my opinion. Feel free to add your own topics in the comments as long as it’s Badass Cinema current events related. No cheating. Please use common sense, Paul.
THE PROTECTOR is Jackie Chan’s second English-language starring vehicle after BATTLE CREEK BRAWL/THE BIG BRAWL. Both are notorious as terrible wastes of Chan’s talent.
POLICE STORY, directed by and starring circa-1985 Jackie Chan, starts out seeming more serious than most of his movies. Jackie and a bunch of other cops have to raid a huge shantytown looking for drug dealers, and it leads to a chaotic shootout through narrow paths and rickety structures. One of the cops is so scared he actually pisses his pants, and it’s played for humiliation, not for laughs. These guys know that alot of people are about to be killed, including some of them.
FREEBIE AND THE BEAN is an early example of the buddy cop movie, but it seems like it was made after that was a long-established genre, and by a director who got bored and tried to subvert it at every possible turn. The director in question is Richard Rush in 1974, before he did THE STUNT MAN. The story seems fairly by-the-numbers after we’ve seen so many other movies of this type, but that doesn’t prevent the whole thing from seeming really fuckin odd, sometimes in ways that it’s hard to put your finger on.
In case you haven’t heard, the not-very-good teen mixed-martial-arts movie 
