STAND BY ME is Stephen King’s latest chiller, a spooky tale of kids going on a long walk singing TV show themes. Okay, I guess it’s more of a coming of age drama type deal, and it came out in 1986, and I don’t generally use the term “chiller.” This opening paragraph could use some work actually.
It’s hard to review a movie like this that everybody has seen and knows backwards and forwards, but I watched it on the new 25th Anniversary Oh Jesus We’re Old Edition blu-ray. It holds up, it’s a good movie, and I thought it was worth some words and sentences and shit.
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SUCKER PUNCH is such an extreme movie stylistically that I feel like I oughta have an extreme reaction to it. Something along the lines of either I want to set up a bunch of traps to torture this movie while I preach to it through a series of self-aggrandizing recordings and puppet displays or I am currently giving this movie an erotic massage and we’ll see where it goes next but spoiler alert it’s not gonna be Biblically approved. Unfortunately I am too much of a centrist. Actually I feel kinda similar about all of Zack Snyder’s movies so far: it doesn’t entirely work, but it’s kind of awesome, I enjoyed it. I guess he’s consistently inconsistent. 
MERANTAU is a simple, straight forward martial arts movie from Indonesia. Iko Uwais plays a young man named Yuda (I know, make a Yoda joke, or “Yuda man” or something) who goes on his merantau, his journey to find himself and become a man. He lives out in the boonies practicing his silat, he figures he’ll take a bus into Jakarta and try to get a job teaching it, see how that goes. But he gets sidetracked.
You know Hammer, the production company over there in London that did the old Dracula and Frankenstein movies with Christopher Lee and Peter Cushing? Well, they’re back, or at least somebody’s using that name again. I wouldn’t take it too seriously except that the first official theatrical release of the new Hammer was 
Before Wilson Yip directed Donnie Yen in the IP MAN series the two had already done a bunch of movies together. Their first collaboration was the 2005 crime movie SPL: SHA PO LANG. The title has to do with Chinese mythology and every man’s capacity for both good and evil. That’s hard to translate for Americans so the Weinsteins called it KILL ZONE. It’s about a zone of killing.
Visitors to Seattle, and people who talk about us on TV and stuff, have a certain stereotype of Seattle as white, latte drinking liberals, fish throwers and Space Needle polishers, Bill Gates personal assistants and sasquatch poachers standing in the rain talking about Nirvana doing a cover of Jimi Hendrix doing a song about Bruce Lee’s posse being on Broadway. All of it is true, but do they also know about our past as a hotbed of soul and funk music?
Here’s a nice surprise, just something I found at the video store that I never heard of before, sounded interesting from the description on the box and it turned out it was. BESOURO is another movie based on the life of a legendary martial artist, except not an Asian one. This is a Brazilian film about a capoeira fighter.
LEGEND OF THE FIST: THE RETURN OF CHEN ZHEN is the latest in Hong Kong’s prestigious line of FIST movies. If you’re not familiar with the saga it’s very simple: Chen Zhen is a vengeful kung fu master who was played by Bruce Lee in FIST OF FURY (1976), Jet Li in FIST OF LEGEND (1994), Donnie Yen in the FIST OF LEGEND tv series (1995), and Donnie Yen again in this movie based on his tv series adapted from Bruce Lee’s movie because of the popularity of Jet Li’s movie. The fictional Chen Zhen is supposed to be a student of the historical Huo Yuanjia, who was played by Jet Li in FEARLESS (2006). So keep in mind while watching that movie that Jet Li is playing teacher to himself and Bruce Lee and Donnie Yen, who of course played teacher to Bruce Lee in IP MAN 1-2. The Bruce Lee movie FISTS OF FURY is not related to these movies, that’s just another name for THE BIG BOSS. The Chen Zhen movies are only singular FIST and not plural FISTS. Also Chen Zhen is not related to the historical figure from the Han Dynasty, he is instead portrayed as living in the Republican era before the Second Sino-Japanese War although Huo Yuanjia lived during the late Qing Dynasty. So you see there is nothing to be confused about here. 
My man Clint’s new directorial work HEREAFTER hit the home video this week, and it’s some creepy timing. The movie opens with vacationing TV reporter Cecile de France (from 
Kim Sun-Woo (Lee Byung-hun, the ninja-in-white from GI JOE) is the liver of the titular life, and at first I gotta say it mostly seems sweet. He works at a hotel (but really he’s an enforcer) and he seems to be very good at his job. In fact he’s very good at other people’s jobs too, because when some slacker isn’t there to take care of some rowdy guests from a rival gang Kim goes downstairs and personally martial arts the shit out of them.
