WU DANG is not only an alternate spelling of “Wu Tang” and an excellent new exclamation to use, but also a nice period martial arts picture that just came to the region 1 DVD. The director is Patrick Leung (THE TWINS EFFECT II), the action choreographer is the great Corey Yuen.
Vincent Zhao, star of TRUE LEGEND, plays Dr. Tang Yunlong, a sort of more buttoned down Indiana Jones type of treasure hunter. In the opening he goes to appraise a legendary ancient sword, like Steven Seagal does on the weekends. He identifies it as a fraud, but the carrying case is apparently real because he breaks it open and pulls out a map to 7 treasures on the Wu Dang Mountain. Then it’s “well, gotta be going now fellas” as he tries to walk away with the map, which means he has to fight his way out. This is great because he’s wearing a pinstrip suit, a bow tie, round glasses and white gloves and he’s leaping through the air, punching through walls, crushing guys’ legs in doors. (read the rest of this shit…)
“If anyone’s gonna pee on him, it’s gonna be me!”
Remember after THE ROAD director John Hillcoat had this movie called THE WETTEST COUNTY IN THE WORLD that was written by his THE PROPOSITION writer (and famed singer) Nick Cave, he had at-that-time-hot-stuff Shia LaBeouf signed on and everything but nobody would fund the fuckin thing. Then suddenly a mysterious benefactor named Megan Ellison comes into Hollywood and gives him money and gives P.T. Anderson money to make THE MASTER and Andrew Dominik to do KILLING THEM SOFTLY and a bunch of other guys like this. So the legends were true, there are some good rich people out there.
From the director of THE EXPENDABLES 2 and a synonym for the word “TAKEN” comes this mediocre Cager about a “master thief” whose disgruntled ex-partner kidnaps his daughter.
After some family related emotional exhaustion this Thanksgiving I thought it would be a good time to seek the comfort of the ol’ Clint Eastwood box set. Clint and his movies are always there for us, even if we chose not to follow 
LIFE OF PI is the story of an Indian guy (Irrfan Khan) who for some reason has a white author guy (Rafe Spall) he doesn’t know come over to his house to interview him about his life. It’s kind of unclear what the situation is here, but apparently the writer guy is not in the book the movie is based on, so I guess this is a dramatization of what the making of the book would’ve been like if it was a true story that a a real guy told to the author instead of something that he made up and wrote using his imagination and talents. I don’t get it, but it kind of reminds me of BIG FISH. Sophomore year imagination class. That’s at least a huge step forward for screenwriter David Magee, considering he wrote 
I just found out about this and I thought you guys had the right to know. According to 
LOCKOUT is pretty much what I hope for from a Luc Besson production: solid b-movie fun, good gimmicks, good energy. But unlike the B13s or the TRANSPORTERs or the TAXIs or the YAMAKASIs it’s not the action that’s the highlight, this is more of a character and concept driven entertainment.
DOA: DEAD OR ALIVE is the name of a tournament where the best fighters from around the world are invited to come stay on a remote island where they are pitted against each other in un-refereed fights with few rules. It’s like Mortal Kombat except not interdimensional, no monsters, during daylight, and not to the death. So they probly could’ve picked a better name. Maybe just “A.”
When BAD ASS came out in the summer I took a look at it and considered it, because it’s that rare Danny Trejo starring role we’ve always wished for. But the title and the tagline “They messed with the wrong senior citizen” made me think it was another one of these post-GRINDHOUSE neo-Troma type tongue in cheek movies that I’m not really interested in. And then I looked up director/co-writer Craig Moss and learned that the rest of his filmography is:
