HIT MAN (2024) is on the more crowdpleasing side of Richard Linklater movies, a sort of comedy, sort of romance, sort of noir, sort of true story that’s good enough to sort of make me forgive the “based on a true story… sort of” disclaimer and related dad joke vibes. For me it doesn’t quite live up to the hype from the Toronto International Film Festival, where it apparently blew the roof off, but it’s definitely worth watching if you already get Netflix, where it ended up.
This is really a star vehicle for Glen Powell, an Austinite who worked with Linklater in FAST FOOD NATION, EVERYBODY WANTS SOME!! and APOLLO 10 1/2 (an animated/rotoscoped movie that’s also on Netflix, and quite good) before blowing up in TOP GUN: MAVERICK and ANYONE BUT YOU. Now the two of them teamed up to co-write and co-produce this showcase for Powell doing more than just his usual cocky hunky guy thing (but also that). He plays Gary Johnson, a New Orleans psychology professor who lives alone with two cats, enjoys bird watching, and tucks his polo shirts into his cargo shorts. He’s a dabbler who moonlights as a tech guy for the police, recording undercover stings busting people who were asking around about putting a hit out on somebody. When Jasper (Austin Amelio, The Walking Dead) is suspended for excessive force, Gary is pushed into playing the hitman, digs deep to create a macho character, and turns out to be very good at it. (read the rest of this shit…)
June 10, 1994
May 27, 1994
THE PRIMEVALS is about an expedition to a forgotten land in search of ancient creatures untouched by evolution (but a little bit by aliens), and the incredible thing is that we as viewers are witnessing a similar miracle. The Ray-Harryhausen-esque fantasy film was first conceived and pitched in the late ‘60s by stop motion animators David Allen, Dennis Muren and Jim Danforth, and then had various false starts in the ‘70s and ‘80s, so by the time it was filmed by Allen with funding from Charles Band in 1994 it was already a throwback. Then Full Moon Entertainment’s financial situation stalled the completion of the animation, and the movie was left in limbo when Allen died of cancer in 1999.
Note: There aren’t exactly twists or anything to spoil in FURIOSA, but this is all spoilers. You really should see the movie first. This review is the discussion afterwards.
