I always kinda wanted to see QUEEN OF THE DAMNED and I think we can all be proud of me that I managed to get it in before it turned 25. Pretty much still a new release! If you’ve forgotten though, it’s basically a new cast, new filmmakers sequel to INTERVIEW WITH A VAMPIRE, with Tom Cruise’s vampire character Lestat now played by Stuart Townsend (SIMON MAGUS). He also narrates the movie and man does it make for a funny opening. He explains how he got sick of immortality “So I went to sleep, hoping that the sounds of the passing eras would fade out, and a sort of death might happen.” He’s Dracula-ing inside a coffin in a crypt with a cool skeleton sculpture on the lid.
“But as I lay there, the world didn’t sound like the place I had left, but something… different. Better.”
Cut to a series of close ups: a kick drum, guitars, tattoos, nipple rings, etc., as rocking out occurs. A band is jamming in his old mansion and the sound wakes him up. He slips into their jam session and appoints himself lead vocalist. You gotta just assert yourself, right? Fake it ’til you make it. When they ask him “Who the hell are you, man?” he says “I am the vampire Lestat.” They laugh and then realize he’s serious and then he turns them.
“From that moment on they were my friends, my children, my band. Giving the world a new god. Me.” (read the rest of this shit…)
THE WRECKING CREW is, in some ways, what the world needs: a buddy action movie starring Dave Bautista (
Sam Raimi is back! With a new movie. Not one of his best, but hey – we got a new Sam Raimi movie. SEND HELP was brought to him by screenwriters Damian Shannon & Mark Swift (
KNEECAP (2024) is a feel good Irish comedy, it’s rowdy and rebellious but in a totally lovable way. It’s not that far from what we used to call a “this year’s THE FULL MONTY!,” I don’t think, except there’s lots of casual cocaine and MDMA use without consequences. But it’s pretty great. It’s just such a winning subject, it’s hard not to have a great time.
I swear I almost watched KPOP DEMON HUNTERS before it was a big deal. Some of the guys in the Action For Everyone circle were talking it up when it first hit Netflix last summer. During the time I put it off it became a cult phenomenon, then just a mainstream hugely popular thing that all children know about and that honestly I’m sick of hearing about. I’m very aware of how uncool it is for me to watch and/or review it at this late date, but I’m the type that is so cool that it doesn’t faze me to be uncool. So I will admit that my mother-in-law watched it before I did. That’s how cool I am.
F1 (advertised as F1® THE MOVIE) is a slick, well made, big budget car racing/Brad Pitt movie. Nothing more or less, really. It’s from Joseph Kosinski, director of 
TRAIN DREAMS is the chillest and maybe artiest of this year’s best picture nominees. It was also nominated for best adapted screenplay (from the 2011 novella by Denis Johnson), best cinematography (Adolpho Veloso) and best original song (Nick Cave). If you never heard of it, it’s because it’s only on Netflix, and because it’s a peaceful, contemplative movie about the unremarkable life of a logger in Idaho. There’s a bit of 
THE RIP is Netflix’s new Gritty Cop Thriller (G.C.T.) written and directed by Joe Carnahan (
I liked 28 DAYS LATER when it came out in 2003 and I liked 
MARSHMALLOW (2025) is a well made summer camp horror movie that manages the impressive feat of not really seeming like a riff on 
