I knew right away that LEGEND OF THE EIGHT SAMURAI (1983) was gonna be interesting because the cosmic opening credits are backed by an English language rock song that would feel right at home in NO RETREAT NO SURRENDER. It’s called “White Light” and it was recorded specifically for the movie by John O’Banion, lead singer of Doc Severinsen’s band Today’s Children and winner on the pilot episode of Star Search.
The guitar solo starts over the director credit for Kinji Fukasaku (BATTLES WITHOUT HONOR AND HUMANITY), then abruptly fades out and we get this beautiful matte shot of an army, a castle and a red sky…
…with a big orchestra playing something more like you’d expect in a period samurai movie. The music is credited to six different people and veers between styles, mostly to my taste except when it resorts to keyboard horn sounds vaguely mimicking themes from STAR WARS, which seems pretty cheap. Mostly this is an extravagant affair, though, a lushly produced fantasy epic with colorful costumes, huge crowds of armored extras carrying spears and banners, atmospheric sets built on four giant soundstages, and a wicked queen to put the one from SNOW WHITE to shame. (read the rest of this shit…)
MICKEY 17 is one of those lucky breaks humanity gets every once in a while where for some reason some American company gives South Korean master Bong Joon Ho (THE HOST, 
Today instead of one regular-sized review I have two fun-sized looks at movies I saw in theaters last week. They are not making much money and might not last long, but I support the theatrical experience (please clap).
THE WICKED CITY (1992) is the Hong Kong version of 
After enjoying 
Like I’ve 
CENTER STAGE (2000)
The first CENTER STAGE picture introduces us to the American Ballet Academy, an elite (fictional) New York City ballet school run by revered stick-up-his-ass choreographer/director Jonathan Reeves (Peter Gallagher, 
BLACK BAG is the latest-latest from prolific retiree Steven Soderbergh. I’m mad at myself that I didn’t see his ghost movie PRESENCE in theaters last month, so I wasn’t gonna miss this. It’s one of his clever, expertly-executed genre exercises, this time reinventing the spy movie. The novelty is that it works completely as an exciting espionage thriller, with betrayals, murder, interrogations, trickery, etc., but done on a small scale, in a mere 2 (two) countries, centering around two dinner party scenes. And that flows naturally out of the fact that the main characters are a happily married couple. (And that it’s not about either of them being kidnapped.)
Zeiram (Mizuho Yoshida, who later played Gojira in GODZILLA, MOTHRA AND KING GHIDORAH: GIANT MONSTERS ALL-OUT ATTACK) is the name of a villainous alien on a rampage. He looks like a guy with a Boushh-style slit mask and a wide brimmed hat. The hat has a little kabuki-white face on the front that sometimes looks like a doll head, but in closeup appears to be a living person. Sometimes it extends on a long wormy neck. Eventually it’s revealed that he’s a “forbidden biological weapon,” and the “hat” is actually Zeiram, the rest is a biomechanical attachment. He’s basically a manta ray driving a mech! Spoiler. 
DIRTY ANGELS is not the newest Martin Campbell joint – that’s CLEANER starring Daisy Ridley – but the one from 2024, now on DVD in Canada. I don’t exactly know the events that shifted Mr. Campbell from A-lister who kicked off the 
