"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Thriller’ Category

Deranged

Tuesday, January 1st, 2002

(a.k.a. Deranged – The Confessions of a Necrophile)

I don’t know if you’ve ever heard of a serial killer out of Wisconsin called Ed Gein. He is the most fucked up motherfucker that ever was fucked up. He is the original American Psycho as they would say on Entertainment Tonight. When they caught him he had a dead lady hanging in his shed cleaned out like a deer. He had a heart on his stove and all kinds of heads and skulls and chairs and clothes made out of human skin. He started out digging up graves and then started killing people, collecting their body parts, wearing them and possibly eating them. I mean jesus, I’m not making this up, but don’t read it if you’re eating – the dude had a box full of vaginas and he liked to dance around in the moonlight wearing a belt he made out of nipples. In my opinion, he had a problem with women.

Anway this fucker inspired alot of the most famous horror pictures, from Psycho to Texas Chainsaw to Hannibal Lecter and, I forget which other ones, possibly The Fly or 20,000 Leagues Under the Sea or one of those. But this picture Deranged is a more obscure one from 1978 which is based much more closely on the actual case. (read the rest of this shit…)

The Fifth Element

Tuesday, January 1st, 2002

The Fifth Element is your usual Bruce Willis movie that starts out in Egypt in 1934 and ends up in some fancy space hotel in 2334 with this blue skinned space opera lady singing opera and then busting off dance moves. Bruce is introduced down on his luck, pretty much like in the Die Hards – his wife left him, he’s trying to quit smoking, his mom won’t stop hassling him and he’s “5 points away” from losing his job as a flying cab driver in space age New York.

In fact this is a lot like a Die Hard movie except in a cartoony comic book space world instead of a building. Instead of talking to a cop on a walkie talkie, he just talks to his mom on the phone, and instead of terrorists there’s this big ball of fire hurtling toward the earth that turns light to dark, life to death, sometimes has a giant skull for a face, eats missiles and sattelites, and calls himself Mr. Shadow during phone calls. (read the rest of this shit…)

The Old Dark House

Tuesday, January 1st, 2002

As you know I like to watch the classics but the only way to tell for sure if it is a classic is based on what channel it is on. This one was on American Movie Classics so that’s how I know. If it was on TBS or especially USA that would be another story. Anyway it is an old one from James Whale the director of Frankenstein.

Boris Karloff from the Frankenstein gets top billing but let’s be honest here, he’s playing a mute butler for christ’s sake. This is not a starring role it is strictly a gimp role in my opinion. I mean I know for a fact the man can talk, and can talk well. But you wouldn’t know it the way he’s typecasted in some of these pictures. Here he’s just a big oafish brute who gets drunk and tries to grab the pretty ladies. He looks like they left the Frankenstein makeup on him and pasted a beard over it the poor bastard. (read the rest of this shit…)

Payback

Thursday, December 20th, 2001

Well in late December as I was preparing to face down the ol’ Y2K problem I got to thinking about the old Mad Max and Road Warrior movies I used to like so much, and that got me thinking about Mel Gibson, the young Australian actor who played Mad Max.

Well okay, I admit that Mel hasn’t amounted to as much as we as a society thought he would back in those days, but that doesn’t mean you can Write the man off entirely. I know what you are thinking, this dude hasn’t done shit since Mad Max so just forget about him. But sometimes even after he’s considered washed up by the general public an actor or actress is still putting out high quality type performances with little recognition. (read the rest of this shit…)

Vanilla Sky

Saturday, December 15th, 2001

Vanilla Sky is an american remake of OPEN YOUR EYES, the second picture by the young spanish gentleman Alejandro Amenabar, who also did THESIS and THE OTHERS. After the movie I was saying to a gal that the ending was kinda different on the original, and the guy next to me was saying the same thing to his friend. Except he was just getting out of OCEAN’S 11.

Everything is fucking remakes now, huh? The above took place in Seattle, Washington, where as we speak the Dreamworks company is hard at work on an unneccesary remake of (the) RING. History has not been kind to american remakes of foreign pictures. Even when you get the same guy to remake it – like with THE VANISHING or NIGHTWATCH – the movie will piss everybody off and the director will be forgotten forever. (read the rest of this shit…)

Ocean’s Eleven (2001)

Friday, December 7th, 2001

When you get two Oscar nominations for best director in the same year (for Erin Brockovich and Traffic) and you’re at the commercial peak of your career, what do you do for a followup?

I think Steven Soderbergh has the right answer. Two Oscar nominations is nothing to commit suicide over. Sure it’s embarassing, but it’s not the end of the world. After all it was only one year earlier that his picture The Limey won Best Picture, Musical Comedy or Badass in the 1999 Outlaw Awards, and that magic could not be entirely faded. So Soderbergh packed up the political pretensions, left them out on the porch in a box marked for the retard center, and went and made a casino heist movie. (read the rest of this shit…)

Those Delightful French: Seven Deadly Sins, Baise Moi

Monday, December 3rd, 2001

Last time we spoke I found that the best way to forget about the nightmarish USA P.A.T.R.I.O.T. Act – which is designed to protect freedom and democracy by, among other things, allowing police to enter and search your house without probable cause, warning or even notification after the fact – was through the delights of French Cinema.

As you know the french are very romantic, very beautiful, full of whimsy and what not. The French always know how to make you smile, like they did with AMELIE, or MR. HULOT’S HOLIDAY, or those musicals with the umbrellas and etc.

For example they got this movie called SEVEN DEADLY SINS that I just discovered. Anyone who has read my works thoroughly knows of my admiration for the director Roger Vadim, who married Jane Fonda, Brigitte Bardot and Catherine Deneuve. Also, his movies were pretty good.

Vadim is most famous for BARBARELLA, and then for SPIRITS OF THE DEAD, the edgar a. poe anthology picture he did a segment of along with whatsisname, the frenchy, as well as godard, malle, fellini, and etc. etc. SEVEN DEADLY SINS is another one along the lines of SPIRITS but this one is in black and white and has the, you know, the seven deadly sins theme. Seven segments, seven sins, all french. (read the rest of this shit…)

Military tribunals, Bush would have lost 6 out of 9 recounts, Ethnic profiling, + Amelie, Crying Freeman, Bones & The Wash

Friday, November 16th, 2001

Well, it looks like I’m doin these columns once a month now, and I guess that’s better than nothin. This time I’ll be reviewing a handful of movies that have NOTHING to do with politics. I haven’t seen this Henry Porter witchcraft movie that everybody has a boner about but I have seen some other current pictures and some older ones that I will be discussing.

There’s a catch though. First I’m gonna hafta talk politics some more. I’ll keep it shorter, but this is more important than ever.

There is a grave threat to America right now. Well, another one. In addition to Islamic extremists crashing planes into our buildings, and right wing extremists sending anthrax to us in the mail, and turbulence symbolically knocking the tails and engines off of our American Airlines planes on Veteran’s Day as an accidental commentary on our foreign policy, now we have to worry about our acting president completely and blatantly abandoning the supposed ideals of America, and no one caring. (read the rest of this shit…)

From Hell

Friday, October 19th, 2001

Maybe I mentioned that I’ve been on a documentary kick. I mean I’ve been watching the works of documentationists left and right. Not just BIGGIE AND TUPAC, but all the Maysles brothers direct cinema shit, Pumping Iron, Hoop Dreams, you name it. If it’s a documentary, and I’ve seen it, then I’ve seen it lately. But as great as some of these movies are, only some of them are greater than 2000’s Outlaw Award Winning picture AMERICAN PIMP by the Hughes Brothers. This is the definitive pimpumentary, I don’t care what you say about PIMPS UP, HOES DOWN it’s no AMERICAN PIMP.

The Hughes brothers are identical twin brothers who look the same. Because they are identical twins. Other than that, they seem very down to earth. They got alot of attention very fast with the huge success of their first picture, MENACE II SOCIETY which basically started the whole “young black director makes first low budget movie about life in the hood” thing back in the ’90s. They followed that up with the underrated heist/Vietnam movie DEAD PRESIDENTS, which got bad reviews and which they disavow on every subsequent dvd release. (read the rest of this shit…)

The Devil’s Backbone

Thursday, October 11th, 2001

Now I’m not saying there is anything wrong with being excited about a Mexican horror picture. This is from a fine director who did the CRONOS which the box is a picture of some blond gal but the movie is about an old grandpa who licks blood off a bathroom floor. This guy also came to Hollywood directed a picture called MIMIC which I will not mention in this article. It had some good parts though. But I won’t mention them.

However this is more important than your average mexican horror picture. You know why, because this is a mexican horror picture from the director of the most highly anticipated movie of next year. (read the rest of this shit…)