This is a science fiction picture from the Hammer Studios over there in Britain, and you know what that means: I saw it on American Movie Classics. The hero of this story is a dude by the name of Quatermass who apparently stars in a bunch of movies and TV shows over there like Quatermass and the Pit, The Quatermass Experiment etc. No it’s not one of those weird shot on video shows they do marathons of on PBS when they need money. You’re thinking of dr. who and the red dwarf. What the FUCK is up with these college dudes that think that shit is funny? You know how they repeat the jokes in a phoney british accent I hate that man. Anyway I wouldn’t try to pull that shit on you don’t worry this is a whole different thing here, this Quatermass.
Quatermass is a college professor looking dude with the tweed suit and vest, bow tie and beard. He is not an action hero, everything he does is completely with the brains, I mean this guy is a real rocket scientist. And by rocket scientist I mean he is the type of scientist who studies rockets. (read the rest of this shit…)
A little while back I saw a real good documentary called DERBY which on the surface was about a guy trying to become a professional roller derby artist but really was about how he was cheating on his wife and there was a dude with no shirt on reading playboys, and other weird stuff. I don’t know how to describe it man read that review if that’s what you’re interested in. get off my fuckin back, jack.
As you know I like to watch the classics but the only way to tell for sure if it is a classic is based on what channel it is on. This one was on American Movie Classics so that’s how I know. If it was on TBS or especially USA that would be another story. Anyway it is an old one from James Whale the director of Frankenstein.
First off friends welcome to 2002. Sorry about that 2001 business. Just a couple more of these and Bush’ll be gone, we hope. Auld lang sine, etc. etc.
Well in late December as I was preparing to face down the ol’ Y2K problem I got to thinking about the old Mad Max and Road Warrior movies I used to like so much, and that got me thinking about Mel Gibson, the young Australian actor who played Mad Max.
This is the story of some magical midgets called the hobbits (sort of like the smurfs except caucasian instead of blue). What they do is, one of them inherits a powerful magic ring created by an evil individual from the past. If this took place in america in 2001, the hobbits would just go ahead and use the ring, and everybody would be all for it. It might not even make the headlines, it might be buried on page 11 like the story I read yesterday about how the Bush regime is already developing “small” nuclear weapons to use in the caves in Afghanistan.
Vanilla Sky is an american remake of OPEN YOUR EYES, the second picture by the young spanish gentleman Alejandro Amenabar, who also did THESIS and THE OTHERS. After the movie I was saying to a gal that the ending was kinda different on the original, and the guy next to me was saying the same thing to his friend. Except he was just getting out of OCEAN’S 11.
When you get two Oscar nominations for best director in the same year (for Erin Brockovich and Traffic) and you’re at the commercial peak of your career, what do you do for a followup?
Last time we spoke I found that the best way to forget about the nightmarish USA P.A.T.R.I.O.T. Act – which is designed to protect freedom and democracy by, among other things, allowing police to enter and search your house without probable cause, warning or even notification after the fact – was through the delights of French Cinema.
Remember for a little while there people thought Quentin Tarantino’s job was to find washed up actors who can’t get good roles anymore, put them in a great role and revive their career. He did it for Harvey Keitel and John Travolta anyway, and sort of for Bruce. He also helped bring attention to Steve Buscemi, outlaw award winner Samuel L. Jackson, Tim Roth, Michael Madsen and others. But somehow, when he gave both Pam Grier and Robert Forster in the best roles of their careers in the great JACKIE BROWN, the same magic didn’t work.
