Arnold Schwarzenegger is… THE RUNNING MAN. That’s actually what it says on the credits, which makes me feel good, makes me proud to be an American. In fact, I’m gonna make a new tag for this review called “is…” If you can think of some other movies where the star “is…” the title, let me know. But only if it’s in the actual opening credits, not just the trailer or the poster, at least for now. We’ll see how many we can find.
THE RUNNING MAN was a book Stephen King wrote in 1982 when he was on the lam and hiding out under the alias Richard Bachman. I read it back in the ’80s so I don’t remember it in much detail, but I’m pretty sure it wasn’t the same kind of goofy cartoon shit as the movie. It was about a brutal game show of the future where contestants tried to get across the country without being killed. I think there were bounty hunters after them, but also they’d become famous through the show and regular people would try to kill them to collect a reward. It’s like American Idol except instead of participating by calling in you do it by shooting at the guy. The main character was kind of like Kowalski in VANISHING POINT, he ended up capturing the hearts of everybody at home and they started rooting for him to get away. (read the rest of this shit…)
To H. Knowles, M. Beaks, Q. Vespe and A. It Cool News:
In Jim Jarmusch’s new one, Isaach De Bankolé plays a man (“Lone Man” according to the credits) on a mission. He meets some guys at an airport who give him a key and a box of matches and tell him to go to a certain cafe and wait for “the violin.”
Never thought they’d be able to pull a trick like this, but somehow they made STAR TREK cool. I’m not even sure if I can say cool again. I guess when the first couple movies came out it passed as cool. Anyway, this is some top grade movie magic here because it takes this pop culture phenomenon that has for generations been the #1 cliche nerd obsession and makes it into something that we, as a society, can share peacefully and enjoy together.
Hey guys, good news: I got another review of a weird little inaccessible arthouse movie from last year! This time it’s MISTER LONELY, the most recent movie about a Michael Jackson impersonator in Paris who meets a Marilyn Monroe impersonator who convinces him to come live in a commune where other impersonators live inside a Scottish castle, raise sheep and build a stage where they hope to put on a show. And you can imagine where it would go from there.
Well, we had Butch and Sundance, we had Bonnie and Clyde, we had Thelma and Louise and Tango and Cash. And today on DVD we have WENDY AND LUCY.
By special request, and because I was planning on doing it anyway, here is my review of X-MEN 4: X-MEN ORIGINS: WOLVERINE: THE PREQUEL.
My Brian Trenchard-Smith studies continue with this 1979 picture, not an Australian one but a USA-Spain-Mexico co-production. And you know with that many countries cooperating that it’s gotta be amazing. It stars Chuck Connors as a jovial freelance agent hired to retrieve a mysterious document from a South American dictator’s blown up yacht. There also might’ve been some money on that thing so the world’s best agents and assassins, including Richard Roundtree, are all in the area competing with him. Also Henry Silva is the head of police who has jurisdiction over the area, but he’s just in a couple scenes doing press conferences. He doesn’t reveal himself to be evil, but I don’t buy it.
Usually I prefer to wait to see a movie on the big screen, but when I saw an import DVD of ONG BAK 2 I just couldn’t resist. What on earth is that guy gonna jump off of or over in this one? Who or what will find their bones crushed by his bones? And the thought of that little guy running around on top of elephants… I don’t know man. I wasn’t gonna sit around waiting if I didn’t have to.
MARTYRS is one seriously fucked up horror movie. It hails from France circa last year, but comes to region 1 DVD today. I went in knowing zero about the plot, just that it had a reputation as a good but brutal horror movie. This DVD actually has an introduction where the director, Pascal Laugier, introduces himself as “the director of the movie you’ve decided to watch tonight” and then says, “I’m not sure you’ve made the right decision.” Then he proceeds to apologize in advance.
