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Archive for the ‘Martial Arts’ Category

Warriors of Virtue

Tuesday, April 18th, 2023

“Virtue be yours!”

There are several reasons I wanted to do a Ronny Yu retrospective, and coming in at around #3 (but maybe it should be higher) is the existence of this, his first American production, which is (to date) his only movie about kung fu kangaroos. WARRIORS OF VIRTUE is a crazy fuckin PG-rated family action adventure fantasy that mixes some of the elegant imagery and mythology of Yu’s previous work with a bizarre mix of NEVERENDING STORY and TEENAGE MUTANT NINJA TURTLES. It could be argued to be Yu’s worst movie, or his most unusual one. It’s totally derivative, yet there’s absolutely nothing like it. It’s hard to imagine it happening in any year besides 1997, and also it’s hard to imagine it happening in 1997. But it happened. I was there.

I mean I wasn’t in the magical world of Tao where it takes place, or on the soundstage in Beijing where it was filmed, but as a BRIDE WITH WHITE HAIR devotee at the time I did pay to see WARRIORS in the theater, and I’ve been fascinated by it ever since.

It’s the story of ordinary American kid Ryan Jeffers (Mario Yedidia, JACK), and it’s one of those depictions of youth that seems like it was concocted by a 150 year old who lives in a containment unit on Mars but has read some old magazine articles and thinks he has a pretty good idea what life must be like for the kids these days. To this guy it makes sense to open the movie with a dog dropping toast through a window to Ryan as he excitedly reads a stack of comic books in the bathroom. (read the rest of this shit…)

The Bride With White Hair 2

Thursday, April 13th, 2023

THE BRIDE WITH WHITE HAIR 2 (1993) is directed by part 1 editor/co-writer David Wu, with Ronny Yu as producer and co-writer. I guess since he’s the editor Wu throws in a bunch of quick flashbacks (sometimes to new backstory, but mostly to the first movie, even though this came out around four months after the first one so anyone who’d seen it probly remembered). This story takes place at about the time of part 1’s flash-forward prologue, when Master Cho (Leslie Cheung, ONCE A THIEF) has been freezing his ass off sitting on a mountain for ten god damn years waiting for a flower to blossom and/or for his ex turned evil witch Li Ni-Chang (Brigitte Lin, DEADLY MELODY) to come talk to him.

She doesn’t, so he sits out almost the entire movie while a new generation of Wu Tang students deal with “the witch,” who now leads a cult made up entirely of women who have been wronged by men. Our new main character Kit (Sunny Chan) gets in trouble with the Wu Tang elders not for getting in fights and stuff but just for mentioning the name of “that coward” Master Cho. Kit is about to marry his girlfriend Lyre (Joey Maan, CENTURY OF THE DRAGON) when Ni-Chang flies in, kills some people with her hair, and abducts the bride to teach her to “never be so blindly loyal to these heartless men.” She brings her to her cult, where everybody hates men and bangs their swords together rhythmically, which seems pretty fun. Also they dress kinda like Queen Amidala.

(read the rest of this shit…)

The Bride With White Hair

Wednesday, April 12th, 2023

This is the one. THE BRIDE WITH WHITE HAIR is the movie that put Ronny Yu on the map. Or at least mine. This was 1993, back when people like me were first discovering Hong Kong cinema, and martial artists flying around on wires seemed like the greatest discovery since their primary antagonist, gravity. I remember waiting weeks for a widescreen, subtitled VHS I special ordered from Suncoast Motion Picture company in a mall somewhere. I must’ve watched it several times in the ’90s, but when I revisited it for this series it had been so long that I could only recall the look and feel of it, and basically nothing about the story.

The way I remember it, we all agreed back then that this movie was a masterpiece. But here I am 30 years later, and I don’t think the generation of film fans after mine would necessarily know who Ronny Yu was if I asked, or have heard of this movie. It has recently finally come to remastered blu-ray overseas, so a good transfer was on a streaming service for a while, and now can be bought digitally, but when I started writing this series there was only the old Tai Seng DVD – a pretty rough, non-anamorphic transfer. It made me wish I’d saved that tape. Watching it now, of course, it lacks the freshness and novelty it had in 1993, the thrill of a new world opening up to us. We’ve seen this kind of fantastic martial arts world imagined many more times and in much more detail over the last quarter century.

But I think THE BRIDE WITH WHITE HAIR still packs a punch. It’s a short, sweet, and stylish little tragic love story that speaks about good and evil but refuses to paint even its operatic fantasy world in such easily definable categories. And by looking at it as part of this Uncle Sam Wants Yu series I’m able to see it as a culmination of everything the director had been working on up to that point. (read the rest of this shit…)

Fist of the Condor

Tuesday, April 11th, 2023

FIST OF THE CONDOR (El Puño del Cóndor), available now on the Hi-YAH! streaming network,* is the long-awaited (by me at least) reunion of Chilean martial arts star Marko Zaror (UNDISPUTED III, SAVAGE DOG, JOHN WICK CHAPTER 4) and writer/director Ernesto Díaz Espinoza. They came up together making KILTRO, MIRAGEMAN and MANDRILL, but this is their first together since REDEEMER in 2014. From the looks of it they spent that time training, meditating, and learning powerful secret techniques.

I loved this movie, and I think it follows the established Zaror/Diaz Espinoza pattern of being even better than the last one, but I have exactly one (1) caveat: I wish I’d remembered that the first trailer called it FIST OF THE CONDOR: PART ONE. It felt kinda like if I’d watched KILL BILL VOLUME 1 thinking it was the whole thing and expecting her to cross all the names off her list. When it ended I had to do a double take, rewind and watch the last scene again to get my bearings. But I understand it now. (read the rest of this shit…)

Rapid Fire

Monday, April 3rd, 2023

Occasionally during this Ronny Yu series I will go on tangents about films that are not directed by Ronny Yu, but are related to the topic at hand. I’ve been meaning to revisit my maybe-favorite-Brandon-Lee movie RAPID FIRE for years, and thought it would fit in well here. To be honest I forgot that I already reviewed it in 2009, but that’s okay, this is a better review. It was worth a reboot.

Lee followed his movie debut in LEGACY OF RAGE with LASER MISSION (1989) and SHOWDOWN IN LITTLE TOKYO (1991), but it was the Yu film that attracted the atttention of producer Robert Lawrence (A KISS BEFORE DYING) and made him want to find a vehicle to turn Lee into a huge American action star.

As I referenced in the LEGACY OF RAGE review, the Metrograph theater did an interview with Ronny Yu where he said of Lee, “He was 19 when I met him. He was wearing a leather jacket, leather boots, riding a bike, he was very rebellious,” and “He said, ‘I hate martial arts. I hate it. And don’t talk, don’t even mention Bruce Lee to me!’”

Years later in RAPID FIRE (1992), Lee’s character Jake Lo is introduced wearing a leather jacket, leather boots, riding a bike, looking very rebellious. An art major at a college in L.A., he pulls up to campus during a demonstration for democracy in China. Seeing the protest signs causes him to flash back to the historic events at Tiananmen Square, where he saw his dad (Michael Chong, TO LIVE AND DIE IN L.A.) killed by soldiers. According to RAPID FIRE’s entry in the AFI Catalog, “Lee was involved in the development of the story, and a key element that resonated with the actor was his character’s struggle to deal with his father’s death, which mirrored Lee’s personal life.” (read the rest of this shit…)

Legacy of Rage

Thursday, March 30th, 2023

LEGACY OF RAGE (1986) is Ronny Yu’s Hong Kong action movie that’s in a crime/martial arts type vein, written by Clifton Ko (ONCE A THIEF) and Raymond Fung (later art director of Yu’s CHINA WHITE). It’s also the first starring role for then-21-year-old Brandon Lee, following his father’s path from American television (he was in KUNG FU: THE MOVIE) to Hong Kong cinema. Of course, we can also draw a parallel to Yu’s travels between Hong Kong and the U.S., which is part of the reason producers Linda Kuk (HARD BOILED) and John Sham (YES, MADAM!, ROYAL WARRIORS) thought they might work well together.

But Lee’s character Brandon Ma is not specified to be an immigrant, and I think his mouth movements are Cantonese (though both that and the English soundtrack seem to be dubbed by someone else). I was nervous when the opening had some nerd rollerskating through traffic listening to a Walkman, but luckily that’s just some drug courier and not Brandon. He gets a much more macho introduction controlling the machine that lifts and smashes cars at a junkyard.

This Brandon is a good-hearted guy – when his girlfriend May (Regina Kent, A BETTER TOMORROW 2) is angry at him for being late he doesn’t even bother to explain that he was delayed by heroically carrying a toddler to the next bus stop after she was left behind by her mother. That’s just the kinda shit he does, so it wasn’t even worth mentioning.

Brandon and May work together at a hotel restaurant called Casablanca, as a waiter and a dancer, respectively. Is the junkyard demolition thing part time? I’m not sure, it’s not mentioned again. Other than maybe having two jobs, you could call him a slacker – he sleeps on a mattress with no bed frame and has two posters of motorcycles on his walls – but he gives May a ring, which I think indicates engagement. (read the rest of this shit…)

Furies

Tuesday, March 28th, 2023

FURIES (Thanh Sói) is a great new Vietnamese action movie on Netflix as of last Thursday, and it’s a prequel to FURIE (2019). On one hand I want to be clear that not having seen FURIE would hardly affect your viewing of FURIES – it’s just an origin story for one of the supporting characters, and you don’t even know for sure which one until the end (it’s kinda like LEATHERFACE in that sense). On the other hand, FURIE is fuckin great, so you should definitely watch it. But I really don’t think the order matters.

FURIE starred Ngô Thanh Vân a.k.a. Veronica Ngo in a knockout performance as a rural debt collector who has to venture into the city when her daughter is kidnapped – and it turns out that when her daughter was born she ran from a life there as a gangster, which is why she knows the ins and outs of this underworld, as well as how to kick 75 different types of ass. For FURIES, Ngo takes over as director, as well as having a supporting role in the movie. As a totally different character! It’s weird. (read the rest of this shit…)

John Wick Chapter 4

Monday, March 27th, 2023

JOHN WICK CHAPTER 4 is the culmination of one of the great movie series of our time, and a masterwork of its genre, one of the few American action movies to arguably outdo overseas epics like THE RAID 2, THE NIGHT COMES FOR US and THE VILLAINESS. Like its predecessors it expands on JOHN WICK’s distinct style of martial-arts-and-guns ultraviolence, introduces colorful new allies and enemies, and invents even more astounding ideas for types of action spectacle you haven’t seen before. But this one adds an extra layer of emotion through heroic bloodshed style bonding and a deeper realization that everything John Wick does in these movies only digs his hole deeper.

I’ll warn you before I get into the biggest spoilers, but as usual this review will be better for reading after you’ve seen it. If you’re just wondering how good it is compared to other chapters, I believe the first film stands on its own and then the sequels get better the more spectacular they become. So CHAPTER 3 was the best but has now been usurped by CHAPTER 4. (But I love the Halle Berry and Mark Dacascos stuff in 3 so much it’s not an easy choice.) (read the rest of this shit…)

The Postman Strikes Back

Tuesday, March 21st, 2023

Ronny Yu’s 1982 film THE POSTMAN STRIKES BACK (or THE POSTMAN FIGHTS BACK in the U.K.) is not a sequel to Kevin Costner’s THE POSTMAN, but it is about a heroic letter deliverer. Courier Ma (Bryan Leung, IRON MONKEY, IP MAN, THE MAN WITH THE IRON FISTS) enjoys his humble life as a messenger in bandit-ridden territory between Canton and Shanghai. Like many of us he has the shadow of technological advancement hanging over him: when the trains come in, people like to tell him, they won’t need guys like him anymore. But he’s still reluctant to take 300 taels of gold for a sketchy delivery-through-the-mountains job offered to him by Hu (Eddy Ko, HEROES SHED NO TEARS, THE EAST IS RED, LETHAL WEAPON 4).

He only delivers letters, he says. And you can see why he likes it. The villages treat him like the ice cream man when he shows up. Now that I think about it it might not be because of the letters – he actually does bring the kids treats. He tries to introduce some kids to chocolate, which he got in Canton, but they refuse it because they say it looks like mud (or dog shit in the dub). I guess that shows you how important it is to experience different parts of the world and learn from different types of people. Those dumb little shits missed out on free chocolate! Back when it was rare!

Ma’s wimpier friend Yao Jie (Yat-Chor Yuen, CHINESE HERCULES, SOUL BROTHERS OF KUNG FU, IN THE LINE OF DUTY 4) really wants to take that job, and he can’t do it alone, so eventually Ma gives in. All they have to do is carry several cases, “a gift for Zhao Long” to deliver by his birthday to keep the peace. They just can’t look to see what’s in the cases. (That’s one of the Transporter’s rules also.) (read the rest of this shit…)

Zu: Warriors From the Magic Mountain

Monday, February 27th, 2023

Tsui Hark’s groundbreaking 1983 wuxia epic ZU: WARRIORS FROM THE MAGIC MOUNTAIN recently got a fancy new blu-ray release, inspiring me to finally get around to seeing it. In fact I watched it right before I watched IRON MONKEY for the first time, so that was a hell of a night of filling in (some of) my Hong Kong cinema blind spots.

I can’t say I liked ZU as much as IRON MONKEY, because I can’t say I followed it as well. Like much of Tsui’s work it has a haphazard, is-he-making-this-up-as-he-goes-along? feel to the storytelling, which here I think is a combination of his sensibilities and the difficulty of someone from another culture (me) processing a DUNE-like cinematic condensation of a famous 1932 Chinese fantasy novel steeped in mythology I don’t necessarily have a context for. But I can say that it’s an enjoyable fun house ride, an absolute visual delight, and a key missing link in my understanding of Tsui’s filmography. Everything else he’s made makes more sense after seeing this. I guess it’s kinda like if I’d seen all the modern Spielberg movies and then saw E.T. and JAWS for the first time. (read the rest of this shit…)