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Archive for the ‘Horror’ Category

Mother of Tears

Thursday, October 31st, 2013

tn_motheroftearsMOTHER OF TEARS was Dario Argento’s backburner project for years. I never really watched them close enough together to pick up on it, but SUSPIRIA and INFERNO were supposed to be about sister witches, and he always meant to make one about the third sister. Unfortunately he didn’t get it made until 2007, long after he stopped being a reliable filmatist, so most people were not impressed.

Argento’s daughter Asia (xXx) plays Sarah Mandy, an assistant at some museum who is there when her boss unseals and accidentally bleeds on (you know how it is) an ancient artifact, summoning witches who horribly murder the boss. This is a creepy scene because of the way Sarah just sort of glimpses a feeding frenzy from outside of the room, and because she gets pursued through the empty museum by an evil monkey that tries to keep up with her and keeps hissing to notify the others of her location. (read the rest of this shit…)

The Prey (1984)

Tuesday, October 29th, 2013

tn_thepreyslashersearch13Jackie Coogan is an iconic child star from the silent film era. He made his film debut at the age of 3 in the 1917 film SKINNER’S BABY. He played the baby. More famously he played the title character in the 1921 Charlie Chaplin movie THE KID.

His last movie to come out was 63 years later, and it was THE PREY. (If IMDb trivia is to believed, though, it was filmed in ’78, so it wasn’t the last thing he shot.)

I gotta admit, I kinda fell behind on Slasher Search here. I got into rewatching various horror classics, and I feel good about that. But I realized it was almost Halloween and I had done very few obscure slasher movies, so I got desperate. I rented 5 still-only-on-VHS movies that I knew little or nothing about, and by the time I got to watching them I didn’t even remember what most of them were. This was just on the top of the pile. (read the rest of this shit…)

Re-Animator

Tuesday, October 29th, 2013

tn_re-animatorRE-ANIMATOR is one of those good old ’80s college buddy movies, you know? You got the tall, blandly handsome star student Dan (Bruce Abbott), he’s fucking the dean’s daughter Megan (Barbara Crampton), there’s an uptight professor, Dr. Hill (David Gale – the one from SAVAGE WEEKEND, who I still don’t think is the same one THE LIFE OF DAVID GALE is about), who disapproves of the relationship. Then a new student comes to Miskatonic U., the socially inept but brilliant Herbert West (Jeffrey Combs), who maybe got kicked out of his school in Switzerland, or maybe had to flee. A troublemaker! Double secret probation!

Dan seems like a jock, Herbert like a nerd. Dan is a normal person, Herbert a creepy weirdo. And they become roommates! It would be fun if it was about Dan trying to loosen him up, bringing him to parties and stuff, or to pledge at a fraternity, but maybe that’s in the sequels.

(read the rest of this shit…)

Girls Nite Out

Monday, October 28th, 2013

tn_girlsniteouteslashersearch13GIRLS NITE OUT would’ve been a decent title for KILLER PARTY. I’m not completely sure how it applies to this one. It’s another college movie, and it focuses at least as much on male basketball players angry about their girlfriends leaving them as it does on the group of sweater-wearing girls whose idea of a nite out is to follow along with a scavenger hunt contest put on by the campus radio station for part of the movie until it gets cancelled due to murders.

This is a lower-mid-level Slasher Search find. On one hand, it’s definitely not good, and doesn’t even have any heads chopped off or eyeballs poked out or anything. On the other hand it’s watchable. It has credible enough acting and production values, including some pretty good scoring at times (possibly from library music) and a couple decent oldies on the soundtrack because of the radio station. And of course there’s a little bit of the weird shit, which is absolutely required to get through one of these. (read the rest of this shit…)

Shocker

Monday, October 28th, 2013

tn_shockerAfter the massive success of A NIGHTMARE ON ELM STREET in 1984, you’d think Wes Craven would’ve been sitting comfortably atop the horror director pyramid. Yet his directational followups were just the ’85 TV movie CHILLER, the ’86 silly robot movie DEADLY FRIEND, and a couple episodes of the new Twilight Zone. It wasn’t until ’88 that he did something he seemed passionate about, the pretty respected voodoo thriller THE SERPENT AND THE RAINBOW. By ’89, only five years after the birth of Freddy, he was already at that sad “time to come up with the next Freddy” stage you’d expect him to go through eventually. (read the rest of this shit…)

We Are What We Are (2010)

Saturday, October 26th, 2013

tn_wearewhatWE ARE WHAT WE ARE (Somos lo que hay) is a one of a kind horror movie out of Mexico. Well, it was one of a kind until they just did an American remake, but it sounds like they changed things up for that one anyway.

The story in the original begins with a man stumbling through an upscale outdoor shopping center, coughing up blood and dying on the pavement, and nobody trying to help him. He kinda seems like he might be homeless, but he’s not. He has a wife and three kids to not come home to. (read the rest of this shit…)

The Bird With the Crystal Plumage

Friday, October 25th, 2013

tn_birdwithcrystalTHE BIRD WITH THE CRYSTAL PLUMAGE is a Dario Argento movie I hadn’t seen before. This is his directational debut, so it shows what he was up to before the ones I’m most familiar with, DEEP RED, SUSPIRIA and INFERNO. He’s not yet the sicko artiste who made those three, but you can see him headed in that direction.

An American writer (Tony Musante) visiting Italy happens to be walking across the street from an art gallery one night when he sees a struggle going on inside. He runs over but can’t get into the large, plate glass storefront. He knocks on the window but is forced to just watch as a stabbed woman lays bleeding on the floor inside. Then he gets trapped behind another wall of glass. Another passerby brings cops in time to save the woman, but this American at the scene of the crime, and planning to leave the country soon, that doesn’t look too good. So they confiscate his passport.
(read the rest of this shit…)

Gallowwalkers

Thursday, October 24th, 2013

tn_gallowwalkersThis has been a source of mystery for a couple years now, the weird sounding horror-western that Wesley Snipes filmed right before he got convicted. In fact the prosecutors tried to accuse him of running when he flew to Namibia to film it. Were they just trying to fuck up his life, or did they really believe he was crazy enough to start over there, become the African DTV Roman Polanski? I mean, that would be kinda cool though.

From the early descriptions it sounded like they were trying to do Cowboy BLADE, the promotional materials were amateurish, the director is an unknown and there was always the possibility that “Andrew Goth” was not his real name but a fake one that he actually thought sounded cool. Also, there was reason to believe Wesley needed money and was not necessarily being picky about which projects to do. And then it didn’t come out for six years. So I never had any faith at all that this would be good.

And yes, it’s a mess. First and worst example is the narration, which could be Snipes sounding really weird, but I’m pretty sure it’s a Steven Seagal OUT OF REACH situation. I just thought it was a third person narrator until the last sentence of the opening chunk, where it sounds like a pretty good Blade imitation. Later he’s saying “I” and it’s clearly supposed to be Snipes’s character Aman talking, but it sure doesn’t sound like his voice. (read the rest of this shit…)

Deep Red (Profondo Rosso) + Goblin live review

Monday, October 21st, 2013

tn_deepredI hope this isn’t oversharing, but my first Dario Argento movie was PROFONDO ROSSO, which we call DEEP RED here in the states. I don’t think I knew anything about it when I rented it on a mysterious, seedy looking VHS tape that called it “DEEP RED HATCHET MURDERS.” That’s not the worst title because it is, in fact, about a series of murders, though some of them are done with knives and not hatchets. So the “hatchet” part is kinda misleading. The plural on the “murders,” though, that part was dead on. There’s a bunch of them.

The story begins in Cronenbergian fashion as psychic medium Helga Ulmann (Macha Meril) is doing a public demonstration of her skills, and is suddenly overcome when she senses evil thoughts by someone in the room. Our protagonist is David Hemmings (Dildano from BABARELLA) as British jazz pianist Marcus Daly, who happens to be walking beneath an apartment window as Helga is murdered in a genuinely shocking burst of violence (she’s hit from behind with… yeah, I guess it’s a hatchet, her head crashes through the window and then she drops-throat first onto the edge of the remaining glass. Ouch! And all up there on display like he’s watching an opera. (read the rest of this shit…)

Sorority House Massacre II

Thursday, October 17th, 2013

tn_sororityhousemassacre2slashersearch13I didn’t like SORORITY HOUSE MASSACRE, but man, SORORITY HOUSE MASSACRE II is not SORORITY HOUSE MASSACRE caliber. This one is a Jim Wynorski joint, so I guess it’s not really meant to necessarily be a real movie. This is one of the five movies he did between 1989’s RETURN OF SWAMP THING and 1992’s 976-EVIL II. Another one was SCREAM QUEEN HOT TUB PARTY under the pseudonym Arch Stanton. He has his thing he does. He churns them out and has fun and they usually have a little likable goofy humor in them, and then there is the rest of the movie.

In this one, five interchangeable college babes have to spend the night in an old house they have just purchased for their sorority house. The power and phones are not hooked up, there’s no furniture and also the reason they could afford the place is because a bunch of people were murdered there 5 years ago. But they have to stay in this scary place to meet the movers in the morning. (read the rest of this shit…)