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Posts Tagged ‘Wallace Shawn’

Vegas Vacation

Thursday, September 17th, 2020

VEGAS VACATION is a standout in the VACATION franchise saga in that it’s the only one that doesn’t have a NATIONAL LAMPOON’S in the title. I don’t know if they sued to get it off of there, like Stephen King did with STEPHEN KING’S THE LAWNMOWER MAN, or if National Lampoon said “VACATION is old hat, we decided to be strictly in the VAN WILDER business now,” or if it’s just an acknowledgment from Hollywood that by 1997 nobody who didn’t go to Harvard in the ‘70s gave a shit about that magazine or was even totally clear what exactly it was. Whatever the reason, the name wasn’t on this one, the brand showed weakness, and before long if I’m not mistaken National Lampoon was forced to change its name to American Pie Presents Magazine.

Pictured: A band on Fremont Street that was likely playing either “You Give Love a Bad Name” or “Wanted Dead Or Alive.”

I can’t claim to be an aficionado of the VACATION mythos, but after watching NATIONALLY AVAILABLE SPIN-OFF OF THE HARVARD CAMPUS COMEDY MAGAZINE’S EUROPEAN VACATION for the Summer of 1985 series I decided to be a completist and watch the only one about a vacation I’ve actually taken. I first went to Las Vegas with some friends who, like Clark and Ellen in the movie, went to renew their vows. I honestly have no interest in gambling, but it’s interesting to watch for a little bit and then walk around taking in all the people, the art on the slot machines, the crass opulence everywhere, enjoying food and alcoholic slurpies and a zipline and late hours and walking past outdoor stages with ‘80s cover bands and realizing the unifying power of Bon Jovi. Seriously, I never liked Bon Jovi growing up, but you hear those songs and somehow everyone seems to know them and want to sing along and it’s weirdly inspiring.

I can completely understand having an aversion to the place, especially if you don’t drink (a little day drinking is part of the fun for me), but I enjoy it there, I find it interesting. So I have a soft spot for Vegas and I like seeing movies filmed at places I’ve seen in real life. I’m easy that way.

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Marriage Story

Wednesday, February 5th, 2020

MARRIAGE STORY seems like kind of a cheeky name for a movie about a divorce. I first learned of writer-director Noah Baumbach by seeing his fourth movie as a director, THE SQUID AND THE WHALE. That was a movie clearly based on his childhood during his parents’ divorce, and here’s one clearly based on a divorce he himself had years after making that movie. The circle of life. Hakuna matata. Did you know he was a writer on MADAGASCAR 3?

The best-picture-nominated-straight-to-Netflix-but-it’s-coming-to-Criterion MARRIAGE STORY has all the dry humor, smart dialogue and outstanding, emotional performances his movies are known for (three of them also Oscar nominated), and the heartache and discomfort the topic demands, but somehow it feels kind of… warm for Baumbach? And even kind of romantic?

Part of that comes down to our Noah Baumbach character — I mean our male lead — not coming across as as much of a self-regarding dickbag as some of the others. Charlie (Adam Driver, one episode of Law & Order, WHILE WE’RE YOUNG) runs a small New York theater company, directing plays that often star his wife Nicole (Scarlett Johansson, THE SPIRIT), a former teen movie star. Charlie is entirely at fault for the dissolution of the marriage, he has the least excusable behavior and turns out to have serious emotional issues he’s left unaddressed. But he seems to be going at this divorce thing in good faith, trying to do it as amicably as possible, even trying to stay friends. (read the rest of this shit…)

Clueless

Monday, July 20th, 2015

tn_clueless

RELEASE DATE: July 7
RELEASE DATE: July 19

I wasn’t intending to include CLUELESS in my Summer of ’95 retrospective, since I mainly like to look at “blockbuster” type movies. And I feel very familiar with it. I saw it a long time ago and then I’ll watch parts of it on cable now and then. But I think Mr. Majestyk or somebody said he was hoping I would do it and you know I’m like a DJ, I try to read the audience and move the crowd and what not.

And man, when you sit down and watch it from beginning to end for the first time in a while, CLUELESS really holds up. It’s a funny, unique movie, one that’s simultaneously very ’90s in attitude, music and cultural references, and timeless because of its stylishly heightened (I hope) depiction of the world of Los Angeles rich kids. And you know what, nothing against James Acheson, who won a costume design Oscar for RESTORATION that year, but do you think he ever sent flowers to Mona May, who did this shit? I mean come on. It’s brilliant. Apparently she got her start working with Julie Brown on MTV (not Downtown, the funny one who plays the gym teacher here).

Alicia Silverstone plays Cher, the spoiled daughter of an angry widower lawyer (Dan Hedaya, ALIEN RESURRECTION). She and Stacey Dash as her best friend Dionne (they were “both named after famous singers of the past who now do infomercials”) in some ways fit the stereotype of Beverly Hills teen girls: they obsess over expensive name brand clothes and their own popularity, they think less about school and their futures than about boys and parties (though they don’t seem very interested in drinking and look down on anything more than occasional drug use). They are superficial, but they’re generally well-meaning, nice people. Then one day, inspired by ex stepbrother Josh (Paul Rudd, GEN-X COPS 2: METAL MAYHEM)’s comment about Marky Mark* attending a tree-planting ceremony, Cher decides to try using her popularity for good.

*This was before FEAR, let alone BOOGIE NIGHTS, so nobody called him Mark Wahlberg, not even his parents. (read the rest of this shit…)