I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Richard Moll’

The Flintstones

Wednesday, June 14th, 2017

a survey of summer movies that just didn’t catch on

May 27, 1994

The Flintstones are an example of a pop culture phenomenon that’s long past its relevance, but it’s so simple and recognizable that it lingers like a ghost in the public memory. Or like a fossil! As the first prime time cartoon, it originally aired between 1960 and 1966, but more than half a century later – whether because of the spin-offs and TV movies, the vitamins and cereals, or just cultural omnipresence – almost any American could identify the show on sight.

That doesn’t mean they’ve given it much thought, though, because there’s not much to chew on here. I know I watched it for some period of my life, but couldn’t point to a favorite episode, or even a specific one. There are different stories, technically, but the joke doesn’t really go beyond “what if there was a Honeymooners type family sitcom, but with cave men?,” and with the gimmick that modern lifestyles and technology (cars, drive-in theaters, kitchen appliances) exist, crudely constructed out of rocks, bones, wood, animal skins, and talking, subservient prehistoric animals. The plots reflect the same middle class concerns as a normal show would – trying to keep your job to pay for the house, trying to make your wife not mad that you spend too much time out with your buddies – but mostly it’s that one anachronistic joke of “the modern stone age family.” It’s humor with one wink and a whole lot of taken-for-granted cartoonist ingenuity. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Jericho Mile

Monday, March 9th, 2015

tn_jerichomilerookiesIf you count TV movies – and I do – JERICHO MILE is Michael Mann’s directivational debut. It’s not as cinematic as his later big, wide movies, but it’s from the days when TV movies were legit enough to play theatrically overseas. It also stood out from other TV at the time, winning Emmies for writing, lead actor (over Kurt Russell in ELVIS!) and film editing for a limited series or special, and a Director’s Guild Award for “Outstanding Directorial Achievement in Special/Movies for TV/Actuality.” (?)

It’s a prison movie, and you know Mann isn’t gonna want to soften that up. I mean, it’s TV so we don’t get any profanity, racial slurs or rape, but it’s still got a gritty feel because it was filmed in Folsom with the real inmates all around, and plenty of establishing montages that are clearly just documentary footage. You can definitely tell that some of the supporting players are real cons. I wasn’t surprised when I read that Mann had to negotiate for each of the race gangs (white, black and Latin) to have representatives on screen and vow to prevent any race wars or riots during filming so the production wouldn’t be kicked out. I mean obviously it’s an unwritten rule on pretty much all movie sets that the actors should not be involved in any race wars. But I still give them credit for not having one. Apparently there were a bunch of stabbings, one fatal, but those were allowed. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Combat Academy

Thursday, July 5th, 2012

During my intense POLICE ACADEMY research I learned that 2 years after part 1, story writer Neal Israel directed a movie called COMBAT ACADEMY. I don’t know if you can tell by just glancing at that title, but according to my calculations POLICE ACADEMY and COMBAT ACADEMY share one word and have the same syllable count. The cover uses the same font from the POLICE ACADEMY posters (and internal documents within the movies – look for that) and also the same sort of Mad Magazine style realistic painting of characters cartoonishly crowded together doing wacky things. I’m not sure if it’s an actual Drew Struzan, but if not it’s obviously based on that style. And Robert Folk did the music.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.