I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Los Angeles’

La La Land

Tuesday, January 3rd, 2017

LA LA LAND is a straight up musical from Damien Chazelle, writer of the music-themed thriller GRAND PIANO, director of the thrilling music movie WHIPLASH. Instead of heart-pounding tension this time he goes for brazen, shameless romance – romance for the idea of falling in love, and for the city of Los Angeles, its history and the potential it represents for aspiring actors and musicians.

I was a little skeptical when it started. The opening, where Los Angelenos temporarily abandon their gridlocked cars for a long-take song and dance number on the freeway overpass that the bus jumped from in SPEED, has a whiff of Old Navy commercial cuteness, and the story of an actress from a small town struggling to make it in big ol’ Hollywood and she’s not looking for a guy but her friends drag her to a party and just when she least expects it… well, it seems a little too straight up exactly the corny old cliche. But as soon as it’s zeroing in on the specific lives and personalities of the two people about to meet and bicker and flirt and fall in love and chase their dreams together and apart, all of that corniness becomes a strength. These two are too charming and funny for you not to kinda fall in movie-love with them yourself, or at least feel a buzz of vicarious courtship. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Falling Down

Thursday, June 18th, 2015

tn_fallingdownJoel Schumacher’s FALLING DOWN (1993) is a movie I’ve always hated for what I thought it was saying. Watching it again a couple decades later I think I was partly wrong. Maybe even mostly wrong. But I still can’t get all the way on board. I’ll try to explain why.

Michael Douglas plays a defense industry office drone in L.A. who one morning gets stuck in traffic, loses his shit, decides to abandon his car and walk home. And along the way he decides to go nuclear on anyone he thinks is wronging him. This includes gang members who try to collect a toll for him sitting on their rock and a Neo-Nazi (Frederic Forrest, VALLEY GIRL) who shows him his weapons cache, but also a convenience store clerk, the staff and patrons of a fast food restaurant and random construction workers. As he travels he builds up an arsenal by taking people’s weapons, like a video game that didn’t exist yet at that time.

(He’s credited as “D-FENS” after his vanity license plate, but they find out his name is William Foster, so that’s what I’ll refer to him as.) (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Nightcrawler

Thursday, January 8th, 2015

tn_nightcrawlerI watched NIGHTCRAWLER back-to-back with FOXCATCHER. So far I’ve been able to keep the titles straight in my head though, haven’t mixed them up like I still do with RISE OF THE/LEGEND OF THE GUARDIANS. But it’s not just the titles that are vaguely similar. This is another story about a bizarre, unfeeling weirdo pretending to be a human. The biggest differences from John Du Pont are 1) no fake nose 2) this guy comes from a working class perspective; he’s introduced sneaking around stealing copper to sell for scrap, like a junkie 3) he’s the protagonist.

It takes place in L.A and mostly at night, so it’s kind of like a noir. Jake Gyllenhaal (HIGHWAY, PRINCE OF PERSIA) plays Lou Bloom, the weirdo in question. I liked him so much in PRISONERS that I’ll see a movie just for him now, so I was excited for this even before the acclaim. Lou is the kind of weirdo who (correctly) thinks he can just walk wherever he wants to if he acts like he belongs there. When he’s driving home one night and sees a flaming car wreck on the side of the freeway he just pulls over, gets out and walks up to watch firemen trying to pull the driver out of the wreckage. You know, just curious. Wanted to see what all the fuss was.

When he learns he can make a living listening to a police scanner, chasing down these tragedies and shoving a camera in there, it quickly becomes clear that he has a natural talent for it. He’s not only completely willing to get in the way of cops and paramedics in life and death situations, he’ll also walk into a house where a shooting has taken place, film the bodies, move things around to make the shots more compelling. Here, get this happy photo of the victim next to this bullet hole. Perfect. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.