I think it’s pretty widely agreed now that Mike Flanagan is one of the most qualified candidates for a new “Master of Horror,” right? Two others would be Jordan Peele and Ari Aster, but they only have two movies each to go by. Flanagan has more evidence on file. I know it’s a title previously reserved for the guys we read about in Fangoria when we were growing up, and here I’m nominating three guys I’m older than. Time is a bastard. But we need fresh blood. The Masters need heirs.
I didn’t review them, but I thought HUSH and GERALD’S GAME (both not-on-DVD Netflix exclusives, unfortunately) were good. I think DOCTOR SLEEP is truly great, and will likely be near the top of my best of the decade list. But of the one’s I’ve seen so far his true masterpiece is the TV series The Haunting of Hill House. I’m a guy who generally doesn’t give a shit about ghost stories, and has a hard time keeping up with TV shows, but I found that series absolutely captivating, deeply moving, and at times really fuckin scary. I didn’t even need the ghosts to show up very often, honestly. I was so into the characters. As thrilling as the climax was, I was kind of sad to get to the last episodes because I just wanted it to keep going.
DOCTOR SLEEP and Hill House have many themes and elements in common, despite being adapted from unrelated books. And since they’re his biggest and most expensive to date, they’re kind of like the ultimate Mike Flanagan films. Both could be described as sprawling – they have multiple time periods and locations, some giant sets, large casts, great FX and a type of high level cinematography I love with very complex and effective camera moves (including long takes). So I really didn’t know if his first feature ABSENTIA, which had a $70,000 budget raised partly on Kickstarter and was filmed mostly in his apartment in Glendale, would seem that much like what we now know is a Mike Flanagan film. (read the rest of this shit…)
VERN has a new action-horror novel out called WORM ON A HOOK! He has been reviewing movies since 1999 and is the author of the film criticism books Seagalogy: A Study of the Ass-Kicking Films of Steven Seagal and Yippee Ki-Yay Moviegoer!: Writings on Bruce Willis, Badass Cinema and Other Important Topics as well as the crime novel Niketown.