June 14, 1985
Like THE GOONIES, D.A.R.Y.L. is a family-friendly movie that opens with a high speed car chase (stunt coordinator: John Moio, who then did THE TEXAS CHAINSAW MASSACRE 2). But the Spielberg movie that scene reminds me of most is A.I.: ARTIFICIAL INTELLIGENCE. A scientist (stuntman Richard Hammatt, WILLOW, BATMAN, NIGHTBREED) is driving through winding roads, pursued by a helicopter, with unnaturally calm ten year old boy Daryl (Barret Oliver, KID #2, UNCOMMON VALOR) in the back seat. We know because we know what movie we’re watching that Daryl is a robot, and much like the mom in A.I., Dr. Mulligan sees no way to protect his robot boy except to drop him off in the woods and hope he can make it on his own. (But I think Mom survives – the doctor drives his car off a cliff. R.I.P.)
At various points in the movie Oliver’s performance will remind me of Haley Joel Osment’s in A.I., but it’s a very different approach to the story. Rather than a dark fairy tale journey through a fantastical future world, this is what happens to a character like that trying to pass for human in a normal ‘80s suburb.
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.