I use hands to help my fellow man / I use hands to help with what I can / But when I face an unjust injury / Then I change my hand into FIST OF FURY

Posts Tagged ‘Catherine Hicks’

Child’s Play

Monday, November 21st, 2016

tn_childsplayWe all know Chucky, the vulgar, red-haired, Jack-Nicholson-sounding killer doll. He’s almost as famous as Freddy or Jason, characters that you don’t have to watch horror movies to be aware of. But when I first saw CHILD’S PLAY in 1988 I honestly didn’t know it was gonna be a killer doll movie. The poster/newspaper ad only showed Chucky’s evil eyes hovering in the sky over little Andy’s babysitter plummeting from the window of their Chicago apartment. A TV ad showed a quick glimpse of him attacking, but I remember thinking of what I was looking at as some kind of crazy witch lady. Maybe a killer dwarf?

An exciting moment in my recent trip to Vegas was seeing a portrait of Chucky and his bride Tiffany posted in the tiny lobby of an Elvis chapel along with Rob and Sheri Moon Zombie, Jon Bon Jovi and somebody he married, Richard Belzer just by himself. There were plenty of horror movies in 1988, but I doubt they’d hang pictures of the killers from BLACK ROSES or HIDE AND GO SHRIEK or even MANIAC COP in there (although that would’ve been a thrill too). Chucky has lasted.

Like anyone I enjoy the pop culture phenomenon of Chucky, most of his sequels and the absurd places this series has gone, but CHILD’S PLAY is something different. It puts a serial killer into the doll in the opening, then puts the doll in the arms of a child and makes us dread what will happen – what is happening when we’re not looking – until near the end. We look accusingly at the doll sitting there limply. We know you’re in there, you asshole. Why won’t you show yourself? For most of the movie his conniving happens in whispers we can’t hear, in low-to-the-floor POV shots, his little hands reaching out, or in quick glimpses, a little thing running by in our peripheral vision. When we finally do get a good look at him in his living-doll form it feels like we caught a bigfoot, or walked in on that dude in the bear costume in THE SHINING. Something we’re not supposed to be seeing. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Star Trek IV: The Voyage Home

Tuesday, August 2nd, 2016

tn_startrek4summer2016originsIn case you don’t know, I am not nor have I ever been a member of the Trekko community. I am at best a casual enjoyer. Just so you know who you’re dealing with here before reading this review I will make two potentially disqualifying confessions:

1. I have watched WRATH OF KHAN a few times over the years and it’s always pretty good but I honestly have no clue why everyone I know considers it one of the great movies.

2. The first J.J. Abrams STAR TREK is the Star Trek I enjoyed the most.

But you know, I’ve seen good episodes of various shows and I respect the philosophy of it, the emphasis on ideas, the respect for knowledge and wisdom, and the colorful style of the original show. I wish I could appreciate it more, but maybe I’m just a philistine.

With this in mind I had to go to the experts to ask which STAR TREK picture I should watch for the Summer of ’16 Origins series, and I was prescribed STAR TREK IV: THE VOYAGE HOME (1986). I was under the impression that “the one with the whales” was the one everybody made fun of, but Wikipedia says it was well received, and according to my friends who grew up on it it’s the one they watch the most. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Death Valley

Wednesday, October 31st, 2012

See, it’s a double meaning. Death Valley, like the place. That’s the location of this story. But also Death Valley. Like death, you know? I think you get it.

Slasher Search 2012 has been pretty productive in my opinion, but not in the usual area. I haven’t done good on the older slashers. I’m just looking for a pretty fun FRIDAY THE 13TH or HALLOWEEN ripoff with a few twists or odd idiosyncrasies, you know? I’m not asking for the world. But every time I find one there’s one less out there that I haven’t seen, so it’s harder every year. Anyway, this is the last of this year’s VHS rentals, might be my last shot.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.