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Posts Tagged ‘Adam Cheng’

Shaolin and Wu Tang

Thursday, May 14th, 2020

SHAOLIN AND WU-TANG a.k.a. SHAOLIN VS. WU-TANG is the 1983 directorial debut of Gordon Liu, made right before THE 8-DIAGRAM POLE FIGHTER. Liu also co-stars as the young representative of Shaolin in the titular rivalry. It’s an independent production (distributed by Hing Fat Film Co.) but feels very much like Liu’s Shaw Brothers movies, maybe partly because it’s produced and choreographed by 36TH CHAMBER OF SHAOLIN director Lau Kar-leung.

Jun-kit (Liu) and Fung-wu (Adam Cheng, ZU: WARRIORS FROM THE MAGIC MOUNTAIN, SEVEN WARRIORS) are the respective top students at Shaolin and Wu Tang schools in the same city. Although their masters (Han Chiang and Hoi-San Kwan) have a bit of a rivalry when they run into each other in town, their students laugh it off and hang out at the brothel together. But they make the mistake of sparring there, showing off their abilities in a friendly competition. Word gets to the local Qing Lord (Wang Lung Wei, MASTER OF THE FLYING GUILLOTINE, THE BOXER’S OMEN, THE SEVENTH CURSE), who says “If what you say is true, the Shaolin and the Wu Tang could be dangerous,” as famously sampled by Wu-Tang Clan on “Bring Da Ruckus.” So he decides he must learn both styles to protect himself. (read the rest of this shit…)

Seven Warriors

Thursday, September 29th, 2016

tn_sevenwarriorsDon’t get your hopes up as high as I did, but SEVEN WARRIORS is kind of cool because it’s the 1989 Hong Kong take on the SEVEN SAMURAI story. So that means the version with the most complex and acrobatic action.

I had been under the impression it was a Sammo Hung movie, which is not accurate. The credited director, Terry Tong, has a total of nine directing credits, mostly movies that have not made it to the States. He has bit parts in DANGEROUS ENCOUNTERS OF THE FIRST KIND and TWIN DRAGONS, so maybe he is a Sammo associate, and maybe IMDb has a reason to list Sammo as co-director. But the credits and other reference sources do not. He does have a small cameo in the opening scene, which is a weird place for a cameo. It’s a much smaller part than Bruce Campbell in CONGO.

The screenwriter is Kan-Cheung Tsang, who wrote ROYAL WARRIORS and a bunch of Stephen Chow’s movies including SHAOLIN SOCCER and MERMAID. He sets this version in “the Warlord Era” or “Chaotic Era” of China, when veterans wander around as mercenaries or thieves, some of them led by hairy-mole-faced Piu (Lo Lieh, CLAN OF THE WHITE LOTUS) to terrorize and extort a defenseless village. So of course a couple of the villagers go into town and they find Chi (Adam Cheng, ZU: WARRIORS FROM THE MAGIC MOUNTAIN), a once respected, now alcoholic commander who was in the war with Piu, to gather up some of his old troops. They’re a colorful set of characters, the most impressive being the suave knife thrower and Karl, the big blacksmith who walks away from repairing some lady’s pan the second the Commander asks for help. He carries around a giant spiked club, almost as big as a person, which is enjoyable in any genre. We could use more of those in cinema. (read the rest of this shit…)