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Posts Tagged ‘Ted Lewis’

Get Carter (2000)

Wednesday, September 30th, 2020

Nearly 30 years after GET CARTER and its American cousin HIT MAN there was another version of the movie and/or its source novel, Jack’s Return Home by Ted Lewis. It starred Sylvester Stallone and was almost universally hated. Unsurprisingly it doesn’t fare well if hung up on a wall next to the 1971 version, but I find it at least interesting as an exercise in adaptation and an oddity in the Stallone filmography. And maybe I’m a little easier on it because it takes place in Seattle, with some of it actually filmed here.

In the mid ’90s, the ground was shifting under everyone’s feet. Hair metal bands felt displaced by Nirvana, MC Hammer decided he had to sign to Death Row Records, and the action heroes of the ‘80s were starting to see the writing on the wall. So by the end of the decade the once dominant Stallone was trying to find his place in a new world. JUDGE DREDD (1995) had been a notorious flop, and ASSASSINS (1995) and DAYLIGHT (1996) were poorly received. He couldn’t get Tarantino to cast him as Max Cherry in JACKIE BROWN. Though COP LAND (1997) had been one of Stallone’s best performances, it didn’t seem to bring him the critical credibility he was looking for, and his followup, the thriller D-TOX, was sitting on a shelf (it would be barely released in 2002 under the title EYE SEE YOU). Stallone been pigeonholed by his massive success as a larger than life action god, and many critics were more interested in rooting for his failure than seeing him evolve, or even return to his roots. (read the rest of this shit…)

Hit Man

Tuesday, September 29th, 2020

I had heard of HIT MAN (1972) as a “Blaxploitation remake of GET CARTER,” and assumed that meant it was loose and uncredited. In fact it’s an official adaptation of the same 1970 book, Jack’s Return Home by Ted Lewis, and director George Armitage – a Roger Corman acolyte who had written GAS-S-S-S and NIGHT CALL NURSES and directed PRIVATE DUTY NURSES – didn’t even know about the other version until he’d rewritten the script and his agent recognized it. As I mentioned in my GET CARTER review, MGM didn’t do much promotion of the well-reviewed GET CARTER because they had more faith in this version to be a hit. So – although it sounds like he may have started with the same script as GET CARTER (on this point I’m unclear) – I’d still say it’s not a GET CARTER remake, but the first American version of Jack’s Return Home.

Bernie Casey (GUNS OF THE MAGNIFICENT SEVEN) plays the Jack Carter character, now called Tyrone Tackett. In this version he’s from Oakland visiting L.A., and I swear they say he’s a cop? But he acts the same as the gangster in the other version. Hmm. Strange. (read the rest of this shit…)

Get Carter

Monday, September 28th, 2020

GET CARTER (1971) is one of those bedrock crime movies I saw a long time ago, and as I forgot its specific details its general vibe stayed strong in my memory. Other movies I loosely associate it with in my mind include POINT BLANK (which came out four years earlier) and THE LIMEY (which came out 28 years later and seems influenced by both). It’s a strong example of an approach that really appeals to me: a straight forward crime/mystery/revenge story written and directed in a serious, realistic manner like we all got together and agreed that pulp is respectable material now, using atmosphere and quiet and stillness more than flash, but in a way that emphasizes rather than gets in the way of its fierce badassness.

Michael Caine (THE LAST WITCH HUNTER), at the time already well known from movies including THE IPCRESS FILE, ALFIE, and THE ITALIAN JOB, plays Jack Carter, a London gangster who returns home to Newcastle for his brother Frank’s funeral. He doesn’t buy that his brother died in a drunk driving accident, as they’re telling him, so during his stay he basically does an investigation, questioning relatives, then old friends, then rivals and strangers, trying to get to the bottom of it. Just a little business to wrap up before running off to South America with his boss’s super hot girlfriend (Britt Ekland, pre-WICKER MAN). (read the rest of this shit…)