DEATH RACE 3 is of course the sequel to the DTV prequel to Paul W.S. Anderson’s theatrical sort-of remake of Paul Bartel and Roger Corman’s DEATH RACE 2000. To gage my response you will need to see my scorecard: I consider DEATH RACE 2000 a classic, DEATH RACE a surprisingly solid b-movie, DEATH RACE 2 a pretty enjoyable DTV prequel to that type of movie. And part 3 rates about the same as part 2.
It’s all the same people: Luke Goss (BLADE II, HELLBOY 2) returns as the pre-Statham Frankenstein, masked hero of the newly invented car racing to-the-death prison circuit. Tanit Phoenix is still his sexy girl navigator, Danny Trejo is still his mechanic, Ving Rhames still Weyland, the warden/CEO of Terminal Island, and from the movie we have Fred Koehler as the somewhat autistic Lists and Robin “Liu Kang” Shou in his traditional P.W.S. Anderson supporting player role as fellow racer 14K. Part 2’s director Roel Reine (of PISTOL WHIPPED and THE MARINE 2 fame) and writer Tony Giglio (story by Anderson) also return.
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You know, sometimes life brings you down unexpected roads. I never asked to be the guy who liked Paul Not Thomas Anderson’s gratuitous remake of DEATH RACE 2000. It just didn’t seem like something that would happen to me, especially after I skipped the movie in theaters and everybody told me it was shit. But then the DVD came along and I wanted to see what it was like and I’ll be damned if I didn’t enjoy it. (In other words I will not be damned. I did enjoy it.)
MORTAL KOMBAT ANNIHILATION is an asinine sequel by any standards, but as long as you don’t hold the 
I know MORTAL KOMBAT is not exactly a high kwality movie. It has one or more leads who are completely unconvincing as fighters. Linden Ashby as Johnny Cage can maybe get by on arrogance, but the teacher from BILLY MADISON as Sonya Blade just comes off as a grouchy aerobics student in a black painter’s cap that’s supposed to make her a supercop. This movie is a pioneer in bad computer generation imaginations, possibly the first movie to prove that CGI not good enough for a feature film is in fact good enough for a feature film. (Say thank you, 
If I had to choose the better STREET FIGHTER I guess I’d have to go with the newer one, STREET FIGHTER: THE LEGEND OF CHUN LI. It’s a slick, competently made preboot with TV actress Kristin Kreuk as the young Chun Li. There seems to be more martial arts in the first 8 minutes (when Chun Li is still a kid) than in the entire STREET FIGHTER: THE MOVIE even if you watched it two times in a row. Could’ve done without Chun Li’s constant voiceover narration through the first half, though. 
