By now most people around here are familiar with John Hyams, director of UNIVERSAL SOLDIER: REGENERATION (2009) and UNIVERSAL SOLDIER: DAY OF RECKONING (2012). For a decade now we’ve scratched our heads wondering how those two genuinely visionary masterpieces of contemporary action didn’t bring Hyams to the attention of Hollywood gatekeepers who could’ve certainly used his skills making mid-budget action movies or thrillers, to say nothing of their big video game adaptations and terminators and what not. But without their dumb asses he’s managed to make a Cung Le vehicle I really like called DRAGON EYES (2012) and the 2018 comedy ALL SQUARE (which I just discovered is on Hulu), and the rest of the time has found plenty of work in television.
He put some of his sensibilities into the SyFy zombie series Z Nation, including an episode that’s mostly an extended chase scene and battle, and moreso in the more serious Netflix prequel series Black Summer. If you’ve checked out that show (and I recommend you do), you won’t be surprised that he can make a clean, elegant, deeply scary thriller like ALONE, which was released to digital platforms Friday after being well received at the virtual Fantasia Film Festival. It’s his simplest and least weird movie, all the better to show off his finely tuned suspense set pieces, enhanced by strong acting and a pervasively ominous atmosphere. And it’s very involving, making us feel like we’re there, whether “there” is in a parking lot at night watching truckers pull up to use a restroom, or high up in the trees listening to their brittle fibers creak as they bend in the breeze. (read the rest of this shit…)
