I’m not gonna totally contradict the conventional wisdom that HELLBOY (2019) is bad. I kinda thought it was bad for a while. But then it sort of won me over. I had more fun than expected, and talking about it with other people made me realize that yeah, overall I think I liked it.
Yes, it’s sloppy and choppy and takes itself less seriously than I’d like. I wasn’t surprised to read that there were tensions with the producers and that director Neil Marshall (THE DESCENT, but also DOOMSDAY) didn’t have final cut. The many rock ‘n roll needledrops (including a Spanish version of “Rock You Like a Hurricane”) and electric guitars on the score by Benjamin Wallfisch (IT, SERENITY) make it seem like it’s making a joke out of folk tale stuff that I think would be much cooler if treated respectfully, and the combination of a lower budget and higher volume of digital FX than Guillermo Del Toro’s two movies make it look chintzy by comparison. But there are tons of cool monsters, funny lines, colorful bits of mythology, and a splattery, lowbrow rowdiness that’s pretty fun whether or not it’s in the Hellboy spirit. (read the rest of this shit…)
and the end of the world of action and horror movies
“From the studio that brought you HOSTEL and SAW…”
Well we know the spanish can do good modern horror, and the japanese can do it, and there’s that one canadian dude. But what about the Brits? They had the great Hammer Studios way back when, and they made the Wickerman I believe, so they got a good tradition going. But it’s been a while since I’ve heard about a real good one. To be honest I haven’t paid too much attention to the british culture lately. All I know is they got those annoying crime movies and that tv show where you go into your friend’s house, repaint it and glue a bunch of pinecones and inner tubes together as decorations.
