O’DESSA is a pretty cool dystopian musical that Searchlight Pictures released straight to Hulu last month. The story involves love and music in the face of fascism – probly not anything anybody would be interested in these days. It’s pretty slick mainstream entertainment, but kind of a cousin to SHREDDER ORPHEUS and SIX STRING SAMURAI, so I support it.
An apocalypse has happened. Something called plasma (a rainbow colored oil-like substance) has poisoned the earth. But people still have farms and stuff. O’Dessa Galloway (Sadie Sink, FEAR STREET PARTs TWO and THREE) is a young woman who lives on one with her mother Calliope (Bree Elrod, RED ROCKET). She has a guitar made of junk and, like Pearl but not psychotic, she’s lonely enough to perform for a scarecrow.
Calliope discourages O’Dessa’s musical ambitions, because O’Dessa’s father Vergil (Pokey LaFarge, THE LONE RANGER) and five generations before him were what they call “ramblers.” Vergil took off one day to travel around playing music, never to return. Some deadbeat shit right there, but sounds amazing to O’Dessa, a regular pre-aunt-and-uncle-being-burned-alive Luke Skywalker. (read the rest of this shit…)
Any musician biopic, pretty much, is gonna be a legend or a tall tale. What’s great about Baz Luhrmann directing one is that his entire style leans into that. Condensing a whole life and career into an entertaining 2 1/2 hours requires shortcuts, cheats and artistic license that prevent it from being literally true, so here we have a director whose work is rarely about the literal truth anyway. It’s more about how something feels and looks and sounds, or making it look and sound like it feels. Biopics depend on montages to move quickly across time, and this guy speaks fluent montage. He’s also a director whose films have generally been on the verge of being jukebox musicals (going all the way in the case of MOULIN ROUGE!). So what could be more perfect for him than an Elvis Presley biopic?
