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Posts Tagged ‘Jeannie Epper’

Switchblade Sisters

Thursday, June 25th, 2026

SWITCHBLADE SISTERS is from 1975, but I’m considering it Slam Evil Summer, because it was re-released June 15, 1996, thanks to Quentin Tarantino’s fandom and his label Rolling Thunder Pictures. It’s directed by Jack Hill (SPIDER BABY, COFFY, FOXY BROWN), and it’s his penultimate movie as a director (the last being SORCERESS in 1982).

I did not see this in a theater, I had to wait to rent the VHS, but it must’ve been a great time with the right audience. It starts off so strong with the wah-wah infused theme song “Black Hearted Woman” playing over a documentary-style black and white photo montage of tough ladies in a world of boarded up houses covered in graffiti. Establishing the landscape.

And then it says “Music by MEDUSA”? What kind of badass group is that!? (Apparently it’s frequent Roger Corman composer and lounge music pioneer Les Baxter.) I’m not sure who took the photos, but the credited title designer is Bill Levey, director of BLACKENSTEIN and MONACO FEVER. His IMDb bio says he was childhood friends with James Dean, hung out with Elvis and discovered Patrick Swayze (who he directed in SKATETOWN U.S.A.).

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Stuntwomen: The Untold Hollywood Story

Monday, September 21st, 2020

In this age of streaming and crowdfunding and what not there has been a new wave of documentaries about movie topics I’m interested in. The history of Cannon Films, of martial arts cinema, of ‘80s horror, etc. Some are great and comprehensive, some take on too broad of a topic and can’t really get very far, some are just amusing surface level “remember that?” tours through basic things you likely already know if you watched the movie on purpose. So I try not to expect much more than a cursory talking-heads-and-clip-montages glance at a compelling subject.

STUNTWOMEN: THE UNTOLD HOLLYWOOD STORY – which Shout! Studios is releasing to digital platforms tomorrow, September 22nd – gave me much more. Credited as an adaptation of the book of the same title by Mollie Gregory and directed by April Wright (GOING ATTRACTIONS: THE DEFINITIVE STORY OF THE AMERICAN DRIVE-IN MOVIE), it has interesting things to say about the history of women in cinematic stunts, addresses industry issues that hadn’t all occurred to me before, and most of all gives a glimpse into the lives and work of some really fascinating, amazing women. (read the rest of this shit…)