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Posts Tagged ‘hip hop’

Notorious

Tuesday, April 21st, 2009

tn_notoriousNOTORIOUS, the biopic of the late rapper Christopher “Notorious (Biggie Smalls) B.I.G.” Wallace comes out on DVD today.

I don’t know about Gene Shalit or Tom Shales or some of these guys, but I gotta admit I don’t come to NOTORIOUS as a Biggie fan from day 1. I was a late adopter. I knew a couple of those catchy songs with the R&B choruses, so I thought he was just a gangster Heavy D or a fat Ladies Love Cool James. But years after his death when I finally heard the whole “Ready to Die” album I was converted immediately.

It’s true that Biggie (who was only 24 when he died) mostly had the same materialist tough guy obsessions that 50 Cent still has as a grown adult and business leader. He’s rhyming about money and guns but like a real slick director his execution elevates the subject matter. He was one of the best storytellers in hip hop. (read the rest of this shit…)

The Hip Hop Project

Friday, May 11th, 2007

Here’s a little documentary not many of you will probaly bother to see, but I just saw it and I have to vouch for it. I know THE HIP HOP PROJECT sounds like a working title they never bothered to change, but it’s actually the name of the youth outreach program documented in the movie. This is the story of a guy in his 20s named Chris “Kazi” Rolle who finds some troubled teenagers with a talent for rapping and helps them record an album. It’s not only his way of keeping them off the streets, or giving them a voice for self expression, or even getting into their lives to be a mentor and a positive influence. It’s all of those things, but it seems like it’s also a form of redemption and self discovery for him, having been an orphan and a homeless criminal and still not having come to terms with where he came from.

Kazi lures these kids in with the promise of recording, and then he tells them the catch: you can’t talk about “money, hoes and clothes.” He wants them to talk about their lives, their problems, try to touch somebody emotionally, maybe change somebody’s life. We do see a scene of some rappers battling, insulting each other to each other’s faces, and it’s very entertaining. But Kazi is trying to get at something more sincere and from the heart. As an exercise he asks them to tell about something that has happened to them in their lives. This leads to an amazing scene where one of the kids rhymes (and I’m not clear whether he has had time to write this or if he is improvising) about his father. While he’s rhyming he starts to cry, his voice quivers, tears start pouring out. But he keeps going. I heard DMX gets tears on stage sometimes but I don’t know if he rhymes while crying. I never seen anything like it. (read the rest of this shit…)

Get Rich or Die Tryin’

Friday, September 15th, 2006

50 Cent, aka Curtis “Mumbles” Jackson, is not a rapper. I mean technically you might think he was one because he’s released rap albums. Pretty popular, too – the one this movie’s named after went six times platinum. But in a profile in Forbes magazine he talked about his albums and all his other products (a record label with all his buddies on it, a line of clothes, a line of Reebok sneakers, a flavor of VitaminWater, a video game, a ghost-written autobiography) as a continuation of the drug dealing he did starting at the age of 11. Just another hustle, another product.

When I read about his deal with Apple to sponsor a line of low-cost computers aimed at the inner city, I wondered if maybe he was smarter than he was letting on in all his music and interviews. Had he used his fame to give back to the community, strategically getting Apple to help the poor catch up technologically with the rest of American society and build a better future? Maybe, but he never mentions anything like that in the article. It ends with the quote, “I never got into it for the music. I got into it for the business.” (read the rest of this shit…)

Dave Chappelle’s Block Party

Thursday, March 9th, 2006

DAVE CHAPPELLE’S BLOCK PARTY is the happiest, warmest, most joyful movie I’ve seen in a long god damn time. And not in a stupid way. The problems of the world are not ignored. There’s some light-hearted jokes about race issues, there’s a mention or two of the war, there’s some militant rap lyrics and a brief sermon by Fred Hampton Jr. All things I’m in favor of discussing. But mostly what this movie is is a whole bunch of people coming together to laugh and make beautiful music and have a good time together. In that sense it turns out it is kind of like WATTSTAX, the movie they mentioned as a model when they were filming this. I made fun of my ain’t it cool colleague Quint for writing that the trailer gives off a Wattstax vibe as if he came to that conclusion on his own. But there is a faint whiff of that vibe in the final movie I guess, if you’re really making a close examination of its vibes.

I saw this movie in what I consider a JASON X set up: the same big auditorium where I saw JASON X, mostly empty with only a few people peppered throughout, but sharing their love for the movie across the empty rows. At the end of the movie people clapped, like it was a live performance. I can’t remember the last time I saw that at a regular multiplex showing like this. (read the rest of this shit…)

Black and Blue: Legends of the Hip-Hop Cop

Friday, February 24th, 2006

I don’t know if you ever saw that Nick Broomfield documentary BIGGIE AND TUPAC. It’s a pretty good one, but I mention it because it had this one part that kind of threw me off. At one point in the narration, Broomfield claims that the government had Tupac under surveillance. It seemed believable, but the movie doesn’t back it up or mention it again and I’ve never seen it explored since then. I just wondered if this was true why the documentary didn’t explore it at all. I mean that seems like a pretty big story to me.

This movie is not exactly that story, but almost. It’s about a special task force of the NYPD set up specifically to spy on famous rappers. At first the movie kind of seems like it’s full of shit. They interview various A-list and B-list rappers who sort of brag about getting harassed by cops. In particular I noticed there was a white dude named Pitbull who bragged that “the hip hop cops” must be following him, he bets, in his opinion. I almost turned the movie off at this point figuring this was going to be the level of documentation they were willing to settle for. Some dumbass white rapper you never heard of claiming that MAYBE people are spying on him. Not because he has noticed being spied on, but because he’s fuckin PITBULL, man. Why wouldn’t they spy on him? (read the rest of this shit…)

Hustle & Flow

Monday, January 23rd, 2006

I had a good feeling about this movie from right about the time the title came on the screen. It was a shot of a pimp (Terence Howard) and a ho (Taryn Manning) driving in a car, and it freeze frames to write the title in yellow ’70s style lettering.

I always like Terence Howard but I’ve never seen him in a lead role before. He’s always the supporting role that steals the movie. Here he has a lead role that steals the movie. I haven’t seen GET RICH OR DIE TRYIN but I would be surprised if Terence Howard’s performance in this movie doesn’t run a hundred circles around his co-star in that movie, both as an actor and as a rapper. True, he does mumble alot in this movie (you almost need subtitles) but I still feel his enunciation is better than Fifty Cents. (read the rest of this shit…)

Outlaw Vern Reports On BIGGIE & TUPAC From SIFF!!

Monday, June 3rd, 2002

SPOILER ALERT !!

Hey, everyone. “Moriarty” here with some Rumblings From The Lab.

Vern is one of my very favorite Internet writers about anything, much less movies. A reformed outlaw who channelled his energy into writing about films after his last stint inside, he’s been a constant presence on the web for the last few years, and he’s got a voice all his own. Here he is with a look at the new documentary from the always controversial Nick Broomfield:

Dearest Harry and Moriarty,

It has been a while since I’ve had my works printed on your page there (ain’t it cool news) but this time I got somethin that I think will move your heart. I know how much Tupac and Biggie Smalls mean to you young people today so I’m sure both of you are very anxious to see BIGGIE AND TUPAC, the new documentary about them from Nick Broomfield (who directed the Heidi Fleiss picture and maybe more in this vein, KURT AND COURTNEY). Because Tupac means to a young man like Harry or Moriarty the same thing Bob Dylan or Johnny Cash meant to their dads, only with more tattoos and brighter colored suits. (read the rest of this shit…)