Are you familiar with the screenwriter John Logan? He’s been nominated for three Oscars – for GLADIATOR, THE AVIATOR, and HUGO. He also wrote THE LAST SAMURAI, SKYFALL and ALIEN: COVENANT, among others. But his first movie and his most recent one (which was his directorial debut) are both sorta lowbrow horror movies. So let’s take a look at those.
First up is BATS. (Note that I did not, and would not, write “first up to bat is BATS.” So give me some credit.) I remember this coming out in 1999 and I’m surprised I waited this long to ever see it. Not that it has aged well. Other than some KNB puppetry and a few other signs of production value, it’s hard to distinguish from hundreds of SyFy Channel movies* in the ensuing decades. But I will try.
*the 2007 sequel, BATS: HUMAN HARVEST, was in fact made for the Sci-Fi Channel
Director Louis Morneau (CARONSAUR 2, THE HITCHER II: I’VE BEEN WAITING, JOY RIDE 2: DEAD AHEAD) brings us the story of a swarm of genetically altered bats terrorizing the small town of Gallup, Texas. It opens with the funny idea of two teens getting batted to death in a car at a makeout spot, but to be honest the chaotic shots and editing left me totally unclear what was supposed to have happened. We don’t even get a funny skeleton. (read the rest of this shit…)
In SATANIC PANIC – a new Fangoria Films release that came out on disc this week after film festival and VOD runs – Sam (Hayley Griffith) is working her first shift delivering pizzas. She’s completely broke and low on gas, and her skeevy co-workers stick her with deliveries to a notoriously stingy neighborhood. This would be shitty, but not disastrous, if only she didn’t get desperate and storm into a mansion to demand a tip… during a satanic sacrifice ritual to raise the demon Baphomet. See, it’s a time sensitive full moon thing, they’re short one virgin, and through contrived but humorous dialogue they figure out that Sam fits the bill. So she’s gonna have bigger problems than lack of gas money.
